The Frame

Actress Kate del Castillo is back with "La Reina del Sur." She opens up about her secret meeting with El Chapo, the backlash she suffered in her career and her return in a role of a lifetime; As Disney chief Bob Iger benefits from the largess of his company, critics look at what Disneyland workers are paid and question the mogul's compensation.

The humorist, best known for his work in The New Yorker, is on tour before live audiences; students at Chapman University have successfully petitioned for the removal of posters from "The Birth of a Nation" that had been on display at the film school; Angelina Spicer fights postpartum depression through comedy.

The documentary by Penny Lane explores the misconceptions behind the Satanic Temple; L.A. Times TV critic Lorraine Ali on depictions of Muslims; Zev Feldman of Resonance Records is known as the "Indiana Jones" of lost jazz recordings.

The women behind the weekly podcast scheduled a live taping for April 18, and then had to scramble when the date was chosen for the Mueller report's release; actress Michelle Williams on playing Gwen Verdon in "Fosse/Verdon."

The Tony Award-winning actor takes on the role of newsman Howard Beale in a stage adaptation of the 1976 movie; with the final season of 'Game of Thrones' underway, we visit with the show's weapons master.

When the actresses met a few years back, they bonded over their love of music, and it led to the formation of their eclectic act; the Writers Guild of America filed suit today against Hollywood's major talent agencies, claiming some of their practices violate state law.

As the actress wraps up the final season of "Veep," she looks back and ahead; why are so many theater productions based on old movies and TV shows?

The music producer has worked with Randy Newman, Elvis Costello, Bonnie Raitt and Los Lobos, and occasionally releases his own music; highlights and lowlights from week one of Coachella; the Write Girl program provides mentoring for teens by actors and writers.

Emma Thompson dropped out of a Skydance movie after the studio hired disgraced former Pixar CEO, John Lasseter. The she wrote a public letter about it. She tells us why. We discuss what's next in the on-going fight between the WGA and talent agencies. And we sample new features coming to a movie theater near you.

The comedian's new Hulu series is a fictionalized version of his life growing up in New Jersey as the son of Egyptian immigrant parents; inside the memorial service for Nipsey Hussle; the all-girl Japanese band, Chai.

Fox Searchlight invested a lot in "The Birth of a Nation," but now an old rape case against filmmaker Nate Parker has re-surfaced; Laika Studios CEO Travis Knight makes his directing debut with "Kubo"; pianist and composer Manuel Lima is spending 10 days inside a cube on the Sunset Strip.

The acclaimed cellist's interests in world music and education cross paths in The Silk Road Ensemble; a former policeman who's appeared multiple times on "COPS" says scripted TV has created unreasonable expectations for officers.

We continue our series on how police are depicted on TV with the creators of “COPS,” the longest-running reality show in TV history. Creator John Langley tells us about the show’s genesis and why it continues to be so popular; the Latino Comics Expo is unofficially known as the “Latino Comic-Con"; Comedy Central says Larry Wilmore's show failed to gain traction with viewers.

From refugee athletes to individual profiles, Olympics mini-docs are a big part of the broadcast and have been since the 1970s. NBC Sports' Jimmy Roberts joins us from Rio where he's reporting on his 16th Olympics; Part 2 of our look inside the Sundance Directors Lab, where eight budding filmmakers are encouraged to take risks and seize the opportunity of a lifetime.

We visit the Sundance Director's Lab where Robert Redford and a group of industry pros mentor up and coming filmmakers. Variety's chief TV critic Maureen Ryan breaks down the CBS news coming out of the Television Critics Association press tour; Colburn Conservatory of Music graduates endure stressful mock auditions to prepare for the real thing.

Actress Taraji P. Henson opens up about the career path that led her to her Emmy-nominated role of Cookie Lyon on the hit Fox show, "Empire"; amid the bad reviews for "Suicide Squad," we look at the unsustainable — but enduring — Hollywood business model of taking big swings at expensive movies in hopes of finding a franchise.

In our #CopsOnTV series, writer-producer Cheo Hodari Coker reveals what he learned about the LAPD while producing the police drama, "Southland," and how that connected with his experiences as a black man; the bad news/good news of NBC's Olympic ecosystem: broadcast viewership is down, but online streaming is booming.

In the first of a continuing series of conversations, former "Law & Order: SVU" executive producer Neal Baer says studios and networks want police to be depicted as heroes; how soon will virtual reality become a big thing in entertainment?

Stuntwoman and "American Ninja Warrior" contestant Jessie Graff teaches host John Horn some tricks of her trade; the opening ceremony for the Summer Olympics has become a job for film directors; Aubrey Plaza's amateur basketball team, the Pistol Shrimps, has quite the following.

The comic actress' star-turn in "Ghostbusters" and another Emmy nod for "SNL" have her primed for bigger things; fans of the kids' show 'Doc McStuffins' are worried about the future of one of the few kids' shows with a black lead character; DanceSafe provides education and and even drug-testing at raves, but its hands are tied by a federal law.

Artist and animator Jorge Gutiérrez discusses the creative inspirations of the U.S.-Mexico border and the painting spree that led to his gallery show; HBO, Netflix and NBC face the press at the Television Critics Association; screenwriter, producer and former studio chief James Schamus makes his directorial debut with "Indignation."

Director Marc Osborne didn't want to make a straight-ahead adaptation of "The Little Prince," so he came up with a novel approach; "Equity" is the rare movie about Wall Street that stars and is made by women; Claire Boucher, aka Grimes, dissects her song, “Kill V. Maim.”