The Frame

The actress went behind the camera for the teen girl comedy, which marks her directing debut; an Amazon TV series and a movie starring Kristen Wiig have canceled plans to shoot in Georgia because of the state's new abortion law; singer, songwriter and guitarist Steve Gunn.

The TV series co-creators, Sarah Schneider and Chris Kelly, talk about their offbeat family comedy; can the video app TikTok take over music streaming?; recreating 1969 in "Once Upon a Time in Hollywood."

Now that "Game of Thrones" is over (and many viewers are over it), HBO and other networks are looking for The Next Big Thing; Andrew Bird's latest album is cleverly titled, "My Finest Work Yet"; rapper Little Simz explores the "Grey Area."

The popular HBO series concludes this Sunday, but can it possibly go out on a high note?; Megan Mullally and Stephanie Hunt talk and perform as their musical altar egos, Nancy and Beth.

The comedian was the victim of a rumor that his wife had left him, so he wrote an entire album of heartbreak songs inspired by his non-existent divorce; Amy Lemisch talks about her long tenure as head of the California Film Commission.

Anna Konkle and Maya Erskine co-created and co-star in the Hulu series that finds all the awkwardness and humor in being a young teen; broadcast and cable networks continue to pitch their Fall schedules to advertisers in New York City.

The singer, who has roots in both Mexico and the U.S., has a new album that takes on issues of the day; TV networks are laying out their fall plans for advertisers and the press; a new KPCC series reunites artists with the high school teachers who influenced them.

KPCC's newest podcast, "Tell Them, I Am," profiles Muslims from various walks of life who defy stereotypes about Islam and its followers; comedian Ramy Youssef has a new series on Hulu; the Japanese pop-punk band, Chai.

Actress D'Arcy Carden has become a fan favorite on the popular NBC series, but her success didn't come overnight; a preview of the Cannes Film Festival.

The Tony Award-winning actor and playwright has an ambitious podcast musical titled “Anthem: Homunculus”; Disney's $400 million bet on Vice Media is coming up dry; Anita Sarkeesian is out to halt harmful depictions of LGBTQ characters in video gaming.

Between "Portlandia," "Documentary Now" and "Seth Meyers: Late Night," Fred Armisen may be the hardest working man in show business; since its release in May, Ezra Edelman's "O.J.: Made in America" continues to resonate as a chronicle of the relationship between African-Americans and law enforcement.

Google announced a slew of new products today, including the Pixel phone, Chromecast Ultra and the Daydream VR headset; Willie Bobo was a Latin music legend from the '60s-'80s. His son, Eric, has assembled an album of his father's previously unreleased music; for 40 years, filmmaker Terrence Malick has been working on a documentary about the origins of the universe. We talk to the producers who shepherded the project into existence.

We debate the issues surrounding the film, "The Birth of a Nation," and its writer-director-star, Nate Parker; remembering two L.A. cultural icons: Gordon Davidson of the Center Theatre Group and conductor Sir Neville Marriner, the first music director of the Los Angeles Chamber Orchestra.

The creators of “For the Record” build cabaret-like stage shows around classic pop songs used by top filmmakers; "Saturday Night Live" returns in the heat of the presidential campaign; L.A. singer-songwriter Devendra Banhart uses the city as inspiration on his latest album.

Bell says the title of his new comedy album refers to his being called on as a news show commentator only after more prominent people are unavailable; Kirsten Johnson is an award-winning documentary cinematographer who has woven footage from her 25-year career into a documentary memoir called “Cameraperson."

Filmmaker Andrea Arnold cast “American Honey” with amateur actors, including Sasha Lane, who was discovered on a beach in Florida; the Wanda Group's purchase of American movie theaters and production companies has some members of Congress worried; there's an effort to make vinyl copies of a recording of life on earth that was sent into outer space.

The success of "Between Two Ferns" with Hillary Clinton explains why Funny or Die opened a bureau in the nation's capitol; a new state bill aims to prevent websites like IMDb from publishing the age of actors and actresses; Grammy nominee Austin Wintory composed the music for the new video game, "Abzu."

Director Mira Nair's new movie, "Queen of Katwe," tells an inspirational story that's set in Uganda, showing a side of Africa not often seen in big studio movies; TV producers are high on reboots and remakes, with no sign of slowing; photographer Phil Toledano's bizarre attempt to deal with his death anxiety is documented in the film, "The Many Sad Fates of Mr. Toledano"

Rankine, whose poetry has examined everyday racism in America, and Wolfe, whose music addresses issues of the American worker, were both named MacArthur Foundation fellows; as the Fall TV season launches, we visit with producer Betsy Beers at Shondaland, one of the most successful companies in the industry.

Diavolo Dance Theatre is reinventing modern dance by combing architecture and wildly physical choreography; media critics have been piling on NBC for going soft on the GOP nominee, and now late night host Samantha Bee has joined the fray; Richard Nelson keeps his election-themed plays current by writing until the last minute.

The new documentary, “The Lovers and the Despot,” tells the true story of what happened in 1978 when Kim Jong-il ordered the kidnapping of a filmmaking couple from South Korea to jumpstart North Korea's movie industry; William Bell has revived the classic Stax sound; a new report shows that the music business is actually making money in the streaming age.

Playwright and performer Lucy Alibar draws on her Southern childhood for “Throw Me on the Burnpile and Light Me Up"; Aziz Ansari and Alan Yang, who won a writing Emmy for "Master of None," talk about their approach to diversity; the Toronto International Film Festival kicked off a lot of Academy Award talk.