The Frame

Liz Feldman talks about her series that stars Christina Applegate and Linda Cardellini and walks a fine line between comedy and tragedy.

The novelist and comic book creator co-wrote the novel with Terry Pratchett, but they couldn't get a production going before Pratchett's death in 2015. The current Amazon series fulfills their dream.

The actress stars as a harsh talk show host in the new movie written by Mindy Kaling.

Craig Mazin talks about his HBO miniseries that challenges our knowledge of the 1986 nuclear meltdown in Russia; record labels are in for a windfall, but how much will artists see?; "Godzilla" lives to romp and stomp again.

Her book is the basis for the Hulu series that stars Aidy Bryant as a young woman who defies being defined by her weight; a stringent abortion law in Louisiana could threaten TV and film production there; veteran pop music critic recounts Elton John's 1970 U.S. debut.

Randall Park and Ali Wong had been talking about making a romantic comedy for years and it's finally come to pass; with William Morris/Endeavor going public, the talent agency's finances are under scrutiny.

The former Texas Congressman's run for the U.S. Senate is documented in an HBO documentary that provides insight into his current presidential campaign; a recap of the Cannes Film Festival; "Echo in the Canyon" owes a lot to "California Dreamin'."

John Horn and Los Angeles Times film writer Jen Yamato are your guides to the Summer movie season. Guests include Kumail Nanjiani ("Stuber"), Olivia Wilde (director of "Booksmart") and Emma Thompson ("Late Night"). With the Elton John biopic coming up ("Rocketman"), we'll hear from the pop music critic who covered Elton's 1970 U.S. debut in L.A. And John reports from the trade floor at CinemaCon where vendors pitch the food and drinks they're trying to get into concession stands.

Why Icelandic artist Ragnar Kjartansson made a 12-hour version of the final aria of Mozart's beloved "The Marriage of Figaro"; Harvey Weinstein and his former studio's board members reach a tentative $44 million settlement with the women who've accused him of sexual misconduct; and art writer Jori Finkel on what inspires artists.

The most lucrative season for studios and cineplexes is usually filled with action films and sequels, but scary movies are making big inroads; a new study indicates that LGTBQ representation in movies improved in 2018; the guitar duo Rodrigo y Gabriela in their element.

Comedy writers Merrill Markoe and Megan Koester talk about the making of their audiobook; Claire Warden on being an "intimacy director" on TV and movie sets; music veterans Dave Alvin and Jimmie Dale Gilmore celebrate their roots on the album, "Downey to Lubbock."

The filmmaker no longer sits in the director's chair, but he still composes the music for his frightful franchise; the scary voice of a four-year-old in "It"; and is the TV content boom leading to more stunt performer injuries and deaths?

Joel Edgerton talks about directing his adaptation of a memoir about a boy (played by Lucas Hedges) whose parents (Nicole Kidman and Russell Crowe) won't accept his homosexuality; can politicians play any music they want at rallies?; Jadis is prop store in Santa Monica like no other,

Eli Horowitz and Micah Bloomberg created "Homecoming" as a scripted, fictional podcast, and now they're overseeing the Amazon TV version; the movie ratings system has existed for 50 years, but it has occasionally been plagued by inconsistencies.

The new documentary examines the relationship between art, money, success and notoriety; “Delusion: The Blue Blade" is an immersive theater production described by its creator as "Indiana Jones"-meets-"Blade Runner."

Game designer Ben Esposito takes a user-friendly approach to examine L.A.'s changing neighborhoods; does NBC's Megyn Kelly have a future in TV?; the past, present and future of the L.A. Philharmonic (part 2).

Two prominent music critics look at where the orchestra has been and where it's heading; filmmaker Sandi Tan looks for a lost film of hers in "Shirkers."

Aoife O'Donovan, Sarah Jarosz and Sara Watkins all have successful individual careers, but decided to combine forces for their folk-Americana trio; how is "House of Cards" concluding without Kevin Spacey?; MOCA puts the spotlight on influential painter and film critic Manny Farber.

"The Good Place" creator Michael Schur and writer Jen Statsky talk about making a sitcom that takes on ethics and philosophy; as the Trump Administration reportedly considers rolling back civil rights protections for trans people, we revisit The Frame's 2017 roundtable discussion on transgender representation on television.

The award-winning Broadway smash with music and lyrics by Benj Pasek and Justin Paul finally arrives in Los Angeles; how deep are Saudi Arabia's tentacles in American museums?; the Berlin-based performance group, Gob Squad, examines how we cope with aging.

The mezzo-soprano had a promising hoops career, but then she discovered singing; Netflix buys a huge production studio in Albuquerque; Janelle Monáe breaks down her song, "So Afraid."

She's a rare female minority show-runner, but her main goal is to let the mom character have some fun; how are immigrants depicted on TV?; the L.A. Master Chorale takes its show on the road.