The Frame

Liz Feldman talks about her series that stars Christina Applegate and Linda Cardellini and walks a fine line between comedy and tragedy.

The novelist and comic book creator co-wrote the novel with Terry Pratchett, but they couldn't get a production going before Pratchett's death in 2015. The current Amazon series fulfills their dream.

The actress stars as a harsh talk show host in the new movie written by Mindy Kaling.

Craig Mazin talks about his HBO miniseries that challenges our knowledge of the 1986 nuclear meltdown in Russia; record labels are in for a windfall, but how much will artists see?; "Godzilla" lives to romp and stomp again.

Her book is the basis for the Hulu series that stars Aidy Bryant as a young woman who defies being defined by her weight; a stringent abortion law in Louisiana could threaten TV and film production there; veteran pop music critic recounts Elton John's 1970 U.S. debut.

Randall Park and Ali Wong had been talking about making a romantic comedy for years and it's finally come to pass; with William Morris/Endeavor going public, the talent agency's finances are under scrutiny.

The former Texas Congressman's run for the U.S. Senate is documented in an HBO documentary that provides insight into his current presidential campaign; a recap of the Cannes Film Festival; "Echo in the Canyon" owes a lot to "California Dreamin'."

John Horn and Los Angeles Times film writer Jen Yamato are your guides to the Summer movie season. Guests include Kumail Nanjiani ("Stuber"), Olivia Wilde (director of "Booksmart") and Emma Thompson ("Late Night"). With the Elton John biopic coming up ("Rocketman"), we'll hear from the pop music critic who covered Elton's 1970 U.S. debut in L.A. And John reports from the trade floor at CinemaCon where vendors pitch the food and drinks they're trying to get into concession stands.

Why Icelandic artist Ragnar Kjartansson made a 12-hour version of the final aria of Mozart's beloved "The Marriage of Figaro"; Harvey Weinstein and his former studio's board members reach a tentative $44 million settlement with the women who've accused him of sexual misconduct; and art writer Jori Finkel on what inspires artists.

The most lucrative season for studios and cineplexes is usually filled with action films and sequels, but scary movies are making big inroads; a new study indicates that LGTBQ representation in movies improved in 2018; the guitar duo Rodrigo y Gabriela in their element.

A vocal group from "Pitch Perfect 2" (pictured) takes us inside the world of competitive singing; a week after Chris Burden died, his final work launches at the L.A. County Museum of Art; the Minnesota Orchestra plays a role in normalizing relations between the U.S. and Cuba; critics are effusive about the debut album by Shamir.

You know who’s really sad to see “Mad Men” end? The local businesses that supplied all that vintage clothing and furniture; musician Robert Cray and filmmaker Antoine Fuqua pay tribute to blues legend B.B. King (pictured); director Andrew Niccol’s new film, “Good Kill,” examines the difficult life of an Air Force drone pilot.

"Mad Men" creator Matthew Weiner (far right) talks about the show's legacy; if Harry Shearer leaves "The Simpsons," what would Ned Flanders, Kent Brockman and Mr. Burns say?; Chad Hodge sheds some light on his confusing new series, "Wayward Pines"; CBS' fall plans include "Supergirl."

Marc Maron (pictured) does stand-up, hosts a popular podcast, and his TV show is beginning its second season; at the TV upfronts in New York, the never-ending search for Latino audiences goes on; an artist-turned-radio producer seeks to find out why he's compelled to draw while riding the subway.

"Mad Max: Fury Road" has the hottest trailer, the best reviews and one of the oldest working filmmakers. We go deep with director George Miller (pictured with Charlize Theron); Crash the red carpet with our sneak peek of the Cannes Film Festival; ABC doubles down on diversity for fall season.

Reggie Watts (pictured), the one-man band from "Comedy Bang Bang," has moved on to become a bonafide bandleader on CBS' "The Late Late Show"; L.A. Times art critic Christopher Knight discusses the work of the late Chris Burden, who created two popular installations at the L.A. County Museum of Art.

As the Los Angeles County Museum of Art marks its 50th anniversary, CEO Michael Govan discusses the museum's past, present and future; the museum's coming exhibitions include a showcase for the late L.A. assemblage artist, Noah Purifoy.

As the big TV networks prep to unveil their new Fall line-ups, one show looms large — "Empire"; a new film about Gloria Trevi, known as "The Mexican Madonna"; former MTV news correspondent Tabitha Soren has a new photo exhibit of her work documenting the careers of minor league baseball players (pictured).

CalArts marks the 25th anniversary of its Community Arts Partnership with an annual stage show at Plaza de la Raza; Chaz Budwick is the musical talent behind Toro y Moi; first-time filmmakers Jarrad Paul and Andrew Mogel were fortunate to get Jack Black for "The D Train" (pictured).

Disney is in a dispute with theater owners over box office revenue from "Avengers: Age of Ultron"; the defunct TV show "Revolution"gets new life as a digital comic book; Best Coast (pictured) continues its love affair with California on the band's new album.

A writer asks: How Much Is Music Worth?; an L.A. teen is a finalist in the August Wilson Monologue Competition on Broadway; composer Brian Tyler creates movie magic with his scores to films like "Avengers: Age of Ultron" (pictured) and "Furious 7"; and "Game of Thrones" author George R.R. Martin is a Deadhead.

New York magazine art critic Jerry Saltz says the new Whitney Museum is showing up the rest of the art scene; a new exhibit at Sotheby’s (pictured) pairs work by prominent African-American artists with a soundtrack curated by rapper Drake; Rebekah Maysles, daughter of the late documentary filmmaker Albert Maysles, worked with her father on one of his last films, “Iris.”