The Frame

Writer and director Pippa Bianco talks about her first feature film, which was adapted from her 2015 short; why are artists pulling their work from the Whitney Biennial?; the host of the "Mueller, She Wrote" podcast preps for the big day.

Karim Amer and Jehane Noujaim co-directed the documentary about the Cambridge Analytica/Facebook controversy; all the news from Comic-Con; Rodrigo y Gabriel have guitars, will travel.

Marc Maron shines in a new improvised film from Lynn Shelton. Linda Ronstadt gets celebrated for a life in music. David Crosby makes a mea culpa documentary with Cameron Crowe and "Apollo 11" reveals a hidden side to the moon landing.

We mark the 50th anniversary of the moon landing by revisiting our interviews with "First Man" director Damien Chazelle and screenwriter Josh Singer, and with the film's sound editors, Ai-Ling Lee and Mildred Iatrou Morgan, who were nominated for an Academy Award; Todd Douglas Miller, director of the groundbreaking documentary, "Apollo 11."

Gigi Saul Guerrero, who was born in Mexico, directed the episode that's part of the Hulu horror anthology series, “Into the Dark”; Variety's Todd Spangler on Netflix losing subscribers in the U.S.; composer Bobby Krlic (aka The Haxan Cloak) on writing the score for “Midsommar.”

Writer/director Riley Stearns and stunt coordinator Mindy Kelly talk about their film that's set in a sexist karate school; is Disney having buyer’s remorse over its purchase of Fox's film studio?; behind the appeal of the band Durand Jones & The Indications.

The acclaimed visual artist and musician walks through his retrospective with his wife and frequent collaborator, Jo Harvey Allen; breaking down the Emmy nominations; in the studio with singer-songwriter J.S. Ondara.

The singer is the subject of a warts-and-all documentary, "David Crosby: Remember My Name"; The Hollywood Reporter's Scott Johnson talks about his story on the so-called "Con Queen of Hollywood"; catching up with Linda Ronstadt.

Kumail Nanjiani's "Stuber" and writer/director Lulu Wang's "The Farewell" just opened in theaters, as did the documentary "Sea of Shadows," about drug cartels invading a fishing village in Baja California. Morgan Neville's four-part documentary about music producer Rick Rubin debuts on Showtime. And we also visit with the French piano duo Katia and Marielle Lebeque.

The director and actor talk about their new film, "Sword of Trust"; The Hollywood Reporter's Eriq Gardner on so-called "deep fakes" in Hollywood — ultra-realistic manipulation of digital imagery; a profile of the singer and pianist Rhye.

Actress Brit Marling and director Zal Batmanglij talk about their mysterious new Netflix series, "The OA"; comedian Chonda Pierce has built a huge career outside the show biz mainstream; Hollywood and the gun industry have a mutually beneficial relationship.

Mills' movie is a tribute to his mother, a unconventional woman who raised him in '70s Santa Barbara; "The Joy Luck Club," released in 1993, was supposed to usher in a new era for Asian-American storytelling in Hollywood. That hasn't been the case.

The song cycle, "Notes of a Native Song," by the duo Stew & Heidi, plays like a love letter to James Baldwin; SAG Award noms are out! Alex Jung of Vulture.com discusses the TV categories; We visit members of the L.A. theater troupe, Impro, as they rehearse their improvised holiday play that spoofs those 1960's variety shows;

Tori Amos discusses "Flicker" the song she wrote for the documentary "Audrie & Daisy," a film about sexual assault, an issue that is close to Amos' heart; Franklin Leonard, founder of The Black List, discusses the topics and trends of his 2016 list of the best unproduced screenplays, and screenwriter Cat Vasko shares what getting on the list has meant for her career.

Gael García Bernal discusses his most recent movies, "Neruda" and "Desierto," provoking a dynamic conversation about poetry, politics, and migration; musician Kim Gordon opens up about her life after Sonic Youth with her new band, Body/Head; with awards season in full swing, we check in with Vulture.com's Kyle Buchanan for an update on the race.

While Denis Villeneuve awaits awards news for "Arrival," he's busy editing "Bladerunner 2049"; what does it mean that Donald J. Trump will remain as executive producer on NBC's "The Celebrity Apprentice"?; there's a particular glass ceiling for women who work in animation.

The Oscar-winning rapper, actor and producer talks about the importance of artists using their passions to bring about social change; music streaming is no longer the future of the industry, it is the industry.

A new documentary web series, "The Secret Lives of Muslims," aims for true and often humorous portrayals of American Muslims; Shane Smith says Vice is just like other big media companies, just "weirder" and "younger."

Writer-director Damien Chazelle talks about directing Ryan Gosling and Emma Stone in his musical love letter to L.A.; Beyoncé leads the pack with nine nominations as hip-hop, rap and R&B dominate the Grammy list; an annual holiday musical at the Falcon Theatre adapts pop music into Christmas carols.

After Nick Cave's son died in a tragic accident, he asked filmmaker Andrew Dominik to document the recording of his next album. The result: the haunting documentary, “One More Time With Feeling"; Emilie Friedlander of Vice Media says the fire-ravaged warehouse in Oakland that was home to artists is not a rarity; Sandra Bernhard on blending comedy, music and commentary in her new cabaret-style stage show.

Pharrell Williams is mainly known for his music career, but he's branched out into producing films and his latest is "Hidden Figures"; China’s increasing involvement in Hollywood is an issue both Democrats and Republicans actually agree on; The Secret City is a theater experience that's part cabaret, part joyful tent revival, and all about worshipping art;

Actress Emma Stone sings, tap dances and floats among the stars in the new movie musical, “La La Land"; film critics are making their best-of-the-year picks. But who are these critics and how do their biases play a role?; one movie poster artist has played a big role in pop culture — and many people consider his posters not ads, but art.