The Frame

Today's show: The creators of "Sherman's Showcase" discuss the comedy and music in their sketch show. We discuss the portrayal of Bruce Lee in Tarantino's new film. Why Patricia Arquette wanted to co-star in "Otherhood." Then Indie duo The Bird and The Bee make a tribute album of Van Halen covers.

Actress Patricia Arquette, writer/director Cindy Chupack and producer Cathy Schulman talk about their new film and how middle-aged women are portrayed in Hollywood; has hip-hop reached a turning point in its inclusivity of black, gay artists?

Julius Onah directed the movie about a former child soldier in Africa who seems to fully adapt to his new life in America; how and why YouTube became the world's most popular music streaming site; a new documentary tells the story of the Bay Area's thrash metal scene.

Writers and comedians Diallo Riddle and Bashir Salahuddin talk about their new IFC series that's a fake documentary about a fake "Soul Train"-like music show; N.Y. Times co-theater critic Jesse Green on the legacy of Broadway legend Harold Prince, who died at the age of 91.

Anna Konkle and Maya Erskine get a writing nomination for their comedy series set in middle school; Lucas Shaw of Bloomberg News on musicians seeking representation in Washington; Cristina Ibarra and Alex Rivera talk about their film, "The Infiltrators," which tells the true story of two undocumented immigrants who go inside America’s for-profit, immigrant detention system.

Inara George and Greg Kurstin previously released an album of Hall & Oates covers, and now they've turned to songs made famous by Eddie Van Halen and David Lee Roth; is there a rift in the Writers Guild leadership?; do faith-based movies need film critics?

How Quentin Tarantino and his team recreated 1969 Hollywood. Director Gigi Saul Guererro tells an immigration story as a horror film and the Alamo Drafthouse (finally) opens in DTLA. All that plus documentaries about Mike Wallace and Cambridge Analytica. Plus, we remember New Orleans music legends.

Veteran cinematographer Robert Richardson talks about shooting "Once Upon a Time In Hollywood"; the documentary "For Sama" is an unflinching look at the war in Syria; Michael McDonald on being the ultimate backup singer.

The Texas-based theater chain has been working on a complex here for six years and the owners are hoping audiences will connect with the in-seat food service and bar; film festival season is upon us; re-creating the streets of L.A. circa 1969 for “Once Upon a Time in Hollywood.”

The documentary by Ari Belkin examines the life and career of the famed journalist; Daniel Fienberg of The Hollywood Reporter previews Television Critics Association press tour; the indie video game market.

We bring you some of our favorite interviews from the year — covering television, movies, music and the arts. Guests include Tessa Thompson, Riz Ahmed, Lena Waithe and Hannah Gadsby.

John C. Reilly joins "Stan & Ollie" director Jon S. Baird to talk about making a movie about the legendary comedic duo Laurel and Hardy. Then, Joanna Kulig stars in "Cold War," Poland's official submission for Oscar which is also the story of filmmaker Pawel Pawlikowski's parents.

The director presents a gritty version of the city in the movie about a former undercover cop confronted with her past; Producers Guild of America co-president Lucy Fisher on how the organization is operating in the #MeToo era.

The future Supreme Court Justice endured a lot of sexism in her career, and so has the director of the biopic, "On the Basis of Sex"; writer/director Adam McKay takes on Dick Cheney in the darkly comedic "Vice."

The actor has two movies debuting in the coming days, and another that opened earlier this fall, "Beautiful Boy," is still in theaters; the annual so-called "Black List" of exceptional un-produced scripts has been released.

The "Big Bang Theory" actor stars in a radio play production of "It's a Wonderful Life" at the Pasadena Playhouse.

The late night host takes aim at the U.S. Immigration and Customs Enforcement agency in her version of a holiday special; the top five Latin albums you may have missed in 2018.

New York Times theater critic Jesse Green reviews the year on the major stages; "Caparnaum" is a heart-breaking film from Lebanon about a neglected street urchin; Lindsay Buckingham dissects Fleetwood Mac's "Go Your Own Way" for Song Exploder.

The prolific producer has created shows for Nickelodeon, Cartoon Network and, now, PBS Kids; a media expert on the problem with Kidz Bop.

The director follows up the Academy Award Best Picture-winning "Moonlight" with "If Beale Street Could Talk," an adaptation of the Baldwin novel that plays like a tone poem; composer Nicholas Britell collaborates with Jenkins once again.

The virtuoso specializes in Bartók and her recording of his Piano Concerto No. 2 is nominated in the Classical Instrumental Solo category; Kristen Anderson-Lopez and Robert Lopez won an Academy Award for their song from "Coco," "Remember Me," and now it's up for a Grammy; “La Bohème” gets a hipster twist in L.A.

The musical revisits the story of the passengers from 38 airplanes who were stranded in Canada on that fateful day; Taylor Mac turns the Christmas pageant on its head with "Holiday Sauce."