The Frame

Documentary filmmaker Morgan Neville and chef/restaurateur David Chang talk about their Netflix series and how coronavirus is affecting food culture; with large gatherings essentially banned, how will it affect live theater?

Harvey Weinstein was sentenced to 23 years in prison today, and the Coachella Music Festival is being postponed from April to October. John talks with reporters from Variety to dissect both stories.

The glitzy film festival has no insurance coverage to cover a cancellation; "Never Rarely Sometimes Always" is a timely film about access to abortion; The Moth en español.

Co-writers Damon Lindelof and Nick Cuse talk about overcoming inaccurate press reports to finally have their film released; "Onward" director Dan Scanlon on how his film began with the loss of his own father.

Hillary Clinton on why she agreed to go deep with for a new doc; H.G. Wells reimagined as a metaphor for abuse; actor Steve Coogan uses comedy to highlight extreme gaps in wealth around the world.

Haley Bennett talks about playing a woman with a dangerous psychological disorder; more musical fallout from the coronavirus; keeping L.A.'s Pan Afrikan People’s Arkestra alive.

The avant-garde opera director's new work is about colonialism and displacement; where is Pete Buttigieg's and Elizabeth Warren's Hollywood support going now that they've exited the nomination race?; theater artist Geoff Sobelle explores the notion of "Home" onstage.

The British actor talks about how his latest comedy is a comment on income inequality; will the massive SxSW conference be canceled?; an emotional connection to the band KISS.

The four-part Hulu series includes the former First Lady and Secretary of State talking about the Democratic primaries and the presidential election; the coronavirus could be a disaster for the movie industry, but a boon for streaming services.

Director and screenwriter Leigh Whannel talks about his update of the H.G. Wells story; comedians who are feeling the Bern; the singer Vagabon breaks down her song, "Water Me Down."

Kulap Vilaysack discusses her Seeso reality TV spoof “Bajillion Dollar Propertie$” and the documentary she's making about the search to find her biological father. Variety's Brent Lang reports on why and how the directors of the Han Solo spinoff movie were fired. And The Frame contributor Tim Grieving visits with the Los Angeles Percussion Quartet at Walt Disney Concert Hall to hear how they're reinventing what percussion is and could be.

'Time: The Kalief Browder story' recounts the tragic life and death of a teenager who was held a Rikers Island for years without being tried of a crime. The series' writer-director Jenner Furst puts his story into a larger context. Was Gal Gadot underpaid for starring in the smash hit “Wonder Woman?” The internet thinks so. Vulture's Kyle Buchanan helps us sort fact from fiction. Common Sense Media which rates movies and TV shows for language, violence, sex and drug use now assesses for gender stereotypes.

The new documentary, “Nobody Speak: Trials of the Free Press,” uses the Hulk Hogan/Gawker lawsuit to highlight the importance of freedom of speech — even when it’s tawdry; Singer/guitarist Benjamin Booker was in a rut in New Orleans, so he went to Mexico City to record his new album, "Witness"; Bloomberg entertainment reporter Lucas Shaw talks about Apple, Vice and Snapchat's plans to make original scripted programming.

Sofia Coppola has remade the 1971 film, "The Beguiled," which is a Civil War-era story set at a girls' boarding school in the South (starring Nicole Kidman); "Thumbprint" is an opera about a Pakistani woman who sought justice after she was gang raped in her village.

When Judd Apatow learned that Sony was releasing "clean" versions of R-rated and PG-13 movies — including two he produced — he was not happy. He tells The Frame why these edited films should have the filmmakers' consent; The Secret Sisters return to making music with their new album, "You Don't Own Me Anymore"; and we go for a run with the people in the new L.A. Film Festival documentary, "Skid Row Marathon."

Former Bravo network executive Andy Cohen now hosts two shows and has become a reality TV guru; corporations are being extra cautious about advertising in an age when opposition campaigns can quickly gain traction; after a long hiatus, the band Fleet Foxes is back.

Gabriela Cowperthwaite, who directed the documentary “Blackfish," moves to features with “Megan Leavey,” the true story of a Marine and her service dog; how the Los Angeles Film Festival distinguishes itself through a commitment to diversity; a music industry gathering in Mexico where talent from across Latin America gets showcased.

New York's Public Theater is getting heat over its production of "Julius Caesar" that depicts the Shakespeare character as Donald Trump; Tony Award-winning composers Benj Pasek and Justin Paul talk about their songs for 'Dear Evan Hansen'; director Lucia Aniello talks about her raunchy comedy, "Rough Night."

It's a rarity for a woman to direct a big budget, comic superhero movie, but Jenkins has torn down the walls with her critically-acclaimed box office smash.

Broadway will honor the best in theater on Sunday night at the 71st annual Tony Awards. But there's one group of performers who will not be recognized, despite the fact that they often make up the majority of the cast in a musical. The Ojai Music Festival highlights an arts collective from the South Side of Chicago that launched 50 years ago by giving the west coast premiere of an opera about the collective titled "Afterward."

“Beatriz at Dinner” is set at a dinner party in a Southern California mansion. The filmmakers and long-time collaborators open up about how they sought to use the setting as a means to unpack "casual racism," and comparisons between John Lithgow's character and Donald Trump.

Movie trailers are both art and advertising. A co-founder of the annual Golden Trailer Awards breaks down what goes into the making of a trailer and why they honor the best and the worst each year. And filmmaker Trey Edward Shults says that dealing with his father's death and his own fear of dying informed his new thriller "It Comes At Night."