The Frame

The singer is on top of the charts and she's in the upcoming movie, "Hustlers"; a preview of Variety's first-ever Climate Crisis issue; singer John Paul White.

Linda Ronstadt doc filmmakers reveal her range ; Eddie Redmaye and Felicity Jones show their new film in Telluride; Flor de Toloache is a modern mariachi band in more ways than one; the Oregon Shakespeare Festival gets a new Artistic Director and filmmaker Justin Chon takes us to Koreatown.

The festival is one of the leading regional theaters in the country, presenting traditional and non-traditional classics, along with cutting-edge new plays; the state of the music industry; the documentary, "Linda Ronstadt: The Sound of My Voice."

L.A.'s Koreatown is the setting for the filmmaker's new movie about a young woman who has to defer her musical dreams; what's new — and good — on TV right now; Flor de Toloache is not your traditional mariachi group.

The pioneering queer performance artist and writer talks about his evolution as an activist; highlights from the Telluride Film Festival; "Untouchable" is a new documentary about Harvey Weinstein and the multiple allegations of sexual assault and harassment that he faces.

Filmmaker Stanley Nelson talks about his new documentary on the iconic jazz trumpeter, Miles Davis; with more streaming services coming online, is binge watching the best way to enjoy TV?; producer Larry Klein takes "world music" literally on his new project.

Emmy nominees John Leguizamo ("When They See Us") and Mahershala Ali ("True Detective") talk about their acclaimed performances; Renée Zellweger chats with John Horn at the Telluride Film Festival about portraying Judy Garland.

The actress plays Judy Garland in a biopic that's premiering at the Telluride Film Festival; SAG-AFTRA keeps its president ahead of a crucial year; singer R&B singer Michael Marshall transforms a '60s hippie anthem for "The Last Black Man in San Francisco."

The film festival high in the Rocky Mountains has an amazing track record of debuting movies that end up as Academy Award nominees and winners; singer Snoh Aalegra is an unlikely R&B artist, having grown up in Sweden as the daughter of Iranian immigrants; finding the spirit at Ambient Church.

The actor's Emmy-nominated role in "When They See Us" and his latest solo stage show, “Latin History for Morons,” have important messages about Latino history; even Martin Scorsese's "The Irishman" can't convince movie theater owners to soften their stance on Netflix releases.

Despite an ongoing dispute between The Recording Academy and its recently-ousted CEO, the show will go on, so we’ll spotlight a wide range of nominees and celebrate the music they make.

The festival's opening night featured a film about a 1970s camp for disabled teens, some of whom became activists in the disability-rights movement; the Grammys' problem du jour; the Academy Award-nominated documentary, "For Sama."

John Horn is off to the film festival, where the schedule includes a documentary about Hillary Clinton and a feature film, "The Assistant," largely inspired by stories of working for Harvey Weinstein; Jonathan Pryce, Academy Award best actor nominee for "The Two Popes," talks about portraying Pope Francis.

The actress and writer heads for the Sundance Film Festival with a TV project that is partially inspired by her Iranian immigrant family; opening arguments take place today in Harvey Weinstein's trial; the controversy shrouding the Grammy Awards continues to evolve.

The former R.E.M. frontman retreated from music after the band split up in 2011, but he's back with two new songs; wrapping up the Television Critics Assn. winter tour, which previewed what's coming up from networks, cable channels and streaming services.

Michael Stipe has two new solo singles; Victoria Mahoney is the first woman and first person of color behind a camera on a "Star Wars" movie, Mary Steenburgen turns a bizarre brain phenomenon into a music career; "American Factory" gets an Oscar nomination; Franklin Leonard makes an alt Oscar ballot.

An exhibition at New York's Museum of Jewish Heritage attempts to fight growing ignorance about the Holocaust; turmoil at the Grammy organization; a new fund aims to improve equity and inclusion in film and TV.

The prolific author examines his craft in “Consider This: Moments in My Writing Life After Which Everything Was Different"; J. Clara Chan of The Wrap reports from the Harvey Weinstein trial; the satirical comedy group Culture Clash takes on a Baroque opera;

Justin Levine, music supervisor for the Broadway adaptation of Baz Luhrmann’s 2001 film, talks about adapting recent pop songs for the period musical; The Lucas Museum has acquired a prominent collection of ephemera related to African American film history; Mary Steenburgen's sudden and odd songwriting career.

Oscar-nominated screenwriter Krysty Wilson-Cairns on how she and director Sam Mendes penned the script knowing the film would be shot as if it was one continuous take; an alternate history of this year's Oscar nominations; multimedia artist Miwa Matreyek takes her environmental activism to the stage.

The Academy Award nominations include only one non-white artist among the 20 nominees in the acting categories. And women are again shut out in the directing category.

Jon Batiste reveals how he and Stephen Colbert first bonded; Zahra Noorbakhsh, a proud "feminist, Muslim, Iranian-American comedian" uses her voice more than ever; Cristela Alonzo reflects on her life in a new memoir; meet the man behind the Daptone sound and more...