The Frame

In our fourth and final dispatch from Telluride, The Frame host John Horn interviews Ethan Hawke and musician Seymour Bernstein. Hawke directed the documentary, "Seymour: The Introduction," chronicling Bernstein's devotion to teaching students to love music and overcome creative pitfalls. Telluride also saw the premiere of "The Imitation Game," a film about the WWII British code breaker Alan Turing (played by Benedict Cumberbatch), which already has Oscar buzz. We spoke with the film's writer, Graham Moore, both before and after the first public screening of his first produced screenplay. And we also chatted with the film's Norwegian director, Morton Tyldum, debuting his first English-language feature.

In our latest podcast from the Telluride Film Festival, The Frame host John Horn talks with the acclaimed director Alejandro González Iñárritu, who, with "Birdman," takes a somewhat lighter approach from his previous films such as "Biutiful" and "Amores Perros." In the dark comedy, Michael Keaton plays a film action hero who's trying to establish his artistic credibility on Broadway.

In our second dispatch from the Telluride Film Festival, "The Frame" host John Horn interviews Jon Stewart. The "Daily Show" host makes his feature directing debut with "Rosewater," the story of Iranian-Canadian journalist Maziar Bahari (played by Gael Garcia Bernal), who was arrested and tortured while covering Iran's 2009 presidential election.

"The Frame" crew is in Colorado covering the 2014 Telluride Film Festival. In this first festival dispatch, "The Frame" host John Horn moderates a Q&A with the cast and filmmaker behind "Wild." Hear Reese Witherspoon, Laura Dern, director Jean-Marc Vallée ("Dallas Buyers Club") and author Cheryl Strayed talk about bringing her book to the big screen. "Wild" Q&A photos by Merrick Chase

Today on The Frame, we hear from 'Training Day' director Antoine Fuqua about his unfinished Showtime documentary on Suge Knight and how he got the news the rap mogul had recently been shot six times. Then, we talk to director Xavier Dolan at the Telluride Film Festival where his feature, "Mommy," is screening after winning the Jury Prize at Cannes. We also hear from 27-year-old Brad Colburn on how he amassed a following of people who watch him play video games online, (Yes, that's a thing.) Plus, why the Converse shoe brand is paying for up-and-coming musicians' studio time.

In our second podcast, we discuss TV's biggest night, the 66th Annual Primetime Emmy Awards. Then we meet "Mad Men" writer/producer Tom Smuts, who is organizing a bike ride to the Emmys with a group of fellow nominees. Singer/Songwriter Dan Bern performs two songs riffing on the nominees for the Best Comedy Series and Best Drama Series Emmys. We take a listen to Lauryn Hill's song "Black Rage," which she released in response to the turmoil in Ferguson, Missouri. Finally, La Santa Cecilia and the Yuval Ron Ensemble mash-up their influences.

Our inaugural podcast looks at how artists respond to social and racial strife; the odd couple of Zach Galifianakis and President Obama wins a Creative Arts Emmys; and the roots of the Teenage Mutant Ninja Turtles phenomenon.

Gigi Saul Guerrero, who was born in Mexico, directed the episode that's part of the Hulu horror anthology series, “Into the Dark”; Variety's Todd Spangler on Netflix losing subscribers in the U.S.; composer Bobby Krlic (aka The Haxan Cloak) on writing the score for “Midsommar.”

Writer/director Riley Stearns and stunt coordinator Mindy Kelly talk about their film that's set in a sexist karate school; is Disney having buyer’s remorse over its purchase of Fox's film studio?; behind the appeal of the band Durand Jones & The Indications.

The acclaimed visual artist and musician walks through his retrospective with his wife and frequent collaborator, Jo Harvey Allen; breaking down the Emmy nominations; in the studio with singer-songwriter J.S. Ondara.

The singer is the subject of a warts-and-all documentary, "David Crosby: Remember My Name"; The Hollywood Reporter's Scott Johnson talks about his story on the so-called "Con Queen of Hollywood"; catching up with Linda Ronstadt.

Kumail Nanjiani's "Stuber" and writer/director Lulu Wang's "The Farewell" just opened in theaters, as did the documentary "Sea of Shadows," about drug cartels invading a fishing village in Baja California. Morgan Neville's four-part documentary about music producer Rick Rubin debuts on Showtime. And we also visit with the French piano duo Katia and Marielle Lebeque.

The director and actor talk about their new film, "Sword of Trust"; The Hollywood Reporter's Eriq Gardner on so-called "deep fakes" in Hollywood — ultra-realistic manipulation of digital imagery; a profile of the singer and pianist Rhye.

Academy Award-winning documentary filmmaker Morgan Neville examines the career of the idiosyncratic record producer; the dilemma faced by cultural instititutions when they have received donations from alleged sexual predators; Black artists make a statement in "Soul of a Nation."

The comedian and actor wanted to go in a different direction after "The Big Sick," so he signed on for an atypical buddy-cop comedy; the latest battle in the video streaming wars; "Sea of Shadows" chronicles a marine life disaster in the Gulf of Mexico.

The piano-playing sisters perform everything from the classics to contemporary works by the likes of Thom Yorke and Bryce Dessner; will Jeffrey Katzenberg's big idea for short content fly?; the long-running Tuesday Night Café in Little Tokyo.

The film is based on a true story from the writer/director's own family about refusing to tell their grandmother that she is gravely ill; an appreciation of Brazilian songwriter João Gilberto, who has died at the age of 88.

"Midsommar" filmmaker says it's a horror film about co-dependency and the showrunner of the new ABC comedy "Mixed-ish" wants to inspire nuanced conversations about race. Given the massive TV audience for the World Cup why hasn't Hollywood tapped soccer fever for a great movie? All that and more on The Frame Weekend.

The play "Good Boys," written by "Riverdale" creator Roberto Aguirre-Sacasa, is updated in light of the Kavanaugh hearings; LA's Rogue Machine Theatre company tackles racism and gun violence with "Gunshot Medley: Part 1"; why are there so few movies about soccer?