The Frame

What the early Academy Award predictions are telling us about diversity — or the lack thereof — among this year’s potential nominees; the documentary "This Ain't No Mouse Music," about Bay Area recording legend Chris Strachwitz, gives new insight into what drove his musical journey.

“The Simpsons” launched its 26th season Sunday. Vulture.com editor Jesse David Fox joins us to discuss how they chose the 100 Best Simpsons episodes; “The Equalizer” won the box office this weekend, but we also take a look at how some smaller, independent films are doing.

The FAA just approved use of drones for feature films. We talk with the owner of a company that stands to benefit; an Asian-American theater company explores how cultural bias can warp a family’s ability to discuss mental illness; Antoine Fuqua first directed Denzel Washington in "Training Day." Now they're together again for "The Equalizer."

Soloway talks about how Lena Dunham and Louis CK changed the way she writes; pianist and composer Cathlene Pineda discusses her commission for the Angel City Jazz Festival; and Viola Davis on why her casting for "How To Get Away With Murder" is groundbreaking

Kenya Barris, creator of the new ABC series "black-ish," says they had written an episode about spanking before the Adrian Peterson story broke. His challenge: Getting the network to buy in to the controversial topic; Artist Ai Weiwei debuts a new installation at Alcatraz that touches on themes such as freedom and human rights.

The actress founded an institute on gender in media that reports women don't get enough speaking roles in Hollywood; art and science intersect at the AxS Festival; New York's Metropolitan Opera opens its season amid protests, and more.

Colin Farrell will star in the next season of HBO's "True Detective"; Matt Atchity of Rotten Tomatoes chats about this weekend's box office winners and losers, including "The Maze Runner" (pictured). Plus, Jon Stewart discusses his first time on a comedy stage, Fox debuts “Gotham," and more.

How Scott Frank convinced Liam Neeson to star in yet another hostage movie; “Last Days in Vietnam” portrays the U.S. exit from Saigon; and a look at the legendary jazz musician at the heart of “Keep On Keepin’ On.”

The Toronto International Film Festival has a late-night series that brings out devoted horror fans; a group of artists and activists put a spotlight on LA's waterway; the indie band Allah-Las returns to its roots at Amoeba Records; and film director Ned Benson talks about his accidental trilogy, "The Disappearance of Eleanor Rigby."

In our latest episode, we get a preview of one of the largest and most vital film festivals on the circuit; we sit under a 340-ton boulder to interview Doug Pray about the subject of his documentary, "Levitated Mass: The Story of Michael Heizer's Monolithic Sculpture"; and we chat with Teller (yes, of Penn & Teller) and Aaron Posner — co-directors of a novel staging of "The Tempest" at South Coast Repertory.

The writer and stand-up comedian has a new book and a newfound passion for performing; TV networks preview their coming shows, including the next season of "Fargo," starring Chris Rock and Jason Schwartzman; the exhibit "Natural History of Horror" looks at how real events inspired some favorite scary movies.

There aren't many women working as second unit directors on movies, much less African-Americans, but Victoria Mahoney has broken through; Jeffrey Katzenberg and Meg Whitman make their sales pitch for Quibi.

Zahra Noorbakhsh, an Iranian-American comedian who regularly incorporates her identity into her act, now has some new material; actor Yahya Abdul-Mateen II played Doctor Manhattan on "Watchmen" and this year, he’ll star in two high profile movies; the man behind The Daptone Sound.

The pianist has taken full advantage of his role as bandleader for "The Late Show with Stephen Colbert"; breaking down the Directors Guild Award nominations.

Stars and executive producers Kate Moenning and Leisha Hailey talk about the reboot of the Showtime series; Harvey Weinstein's trial gets underway in New York City; the influential L.A.-based artist John Baldessari has died.

"Watchmen" star Yahya Abdul-Mateen II is in high profile movies this year from Jordan Peele and Aaron Sorkin; John Horn reviews the evolution in film, television, pop music and theater over the last decade; we meet the band Mariachi Arcoiris de Los Angeles.

The highlights and lowlights from the 2010s in movies with Manohla Dargis (New York Times) and culture critic Tre'vell Anderson, and pop music with Nate Sloan and Charlie Harding of the podcast, “Switched on Pop.”

The highlights and lowlights from the 2010s in TV with Lorraine Ali (Los Angeles Times) and Daniel Fienberg (The Hollywood Reporter), and theater with Jesse Green (New York Times).

In his memoir, "Acid For The Children," the bass player from the Red Hot Chili Peppers (born Michael Peter Balzary) details his wild days as a child and teen before forming the band in Los Angeles.

The singer/songwriter's memoir reflects on death, sex, motherhood and misogyny.

Yes, a lot of media outlets are currently re-capping the past decade —and we've been here for half of it! Join us for many of our favorite moments.

The veteran actor has lately been starring in some dark roles ("Get Out," The Handmaid's Tale"), but he has switched things up with the sitcom, "Perfect Harmony."