The Frame

Show biz veterans run a TV channel at an industry retirement home (pictured); the head of UCLA's Center for African American Studies weighs in on e-mails from studio executives joking about President Obama's taste in films; and acclaimed photographer Sebastião Salgado gets the documentary treatment from his son.

Julianne Moore talks about her role as an Alzheimer's patient in "Still Alice" (pictured); the British holiday stage tradition known as panto comes to the Pasadena Playhouse; and a movie marketing executive assesses Sony's challenge with "The Interview."

Several Screen Actors Guild award nominees took risky bets that paid off; Singer-songwriter Gaby Moreno rewrites some holiday classics; and director Laura Poitras talks about her Edward Snowden documentary, "Citizenfour."

There's some casting controversy over Ridley Scott's Biblical tale, "Exodus" (pictured); Sean Rameswaram of the Sideshow podcast leads us through the gems and lumps of coal among this year's holiday albums; and playwright Rebecca Gale mines the social welfare system in "Luna Gale."

World premieres at next month's Sundance Festival include Paul Weitz's "Grandma," starring Lily Tomlin (pictured); as "Boyhood" garners more praise, Ethan Hawke talks about the film's effect on audiences; artist Jennifer Moon gets her inspiration behind the wheel; and Jean-Marc Vallee says he didn't choose "Wild," the project chose him.

Grammy nominations are out: What did voters get right/wrong?; LACMA curator Franklin Sirmans attends Art Basel Miami and lives to tell the story; Chadwick Boseman has played Jackie Robinson, James Brown (pictured) and soon will play Marvel’s first black superhero; Robert Downey Sr. on his film retrospective.

NBC's coverage of the Rockefeller Plaza Christmas tree lighting ceremony was almost disrupted by protests (pictured); Alexandre Desplat is one of Hollywood’s busiest and most celebrated composers; a neuroscientist on how cinema manipulates our minds; and why the current dearth of great sitcoms?

Filmmaker Kyle Alvarez on the thrill of being invited to the Sundance Film Festival; why Kevin Costner reached into his own pocketbook for "Black or White" (pictured); “Into the Woods” is back onstage and headed for the multiplex; and Daniel Catán's operatic legacy won't end with 'Florencia en el Amazonas.'

As movie award season gets underway, talk inevitably returns to the novelty of "Boyhood," which was named 2014's best film by New York critics; the Wende Museum in Culver City turns East German artifacts into artwork; and Carmen Esposito may be the hardest-working comedian in show biz.

Sony Pictures computers were hacked last week, resulting in several unreleased films being leaked. We also talk about the wider effects of film piracy; actress Reese Witherspoon (pictured in "Wild") and her producing partner, Bruna Papandrea, talk about how they're working to change the film industry.

The director's new film continues his focus on characters struggling to come to terms with themselves; why are 1930s-era murals in San Francisco causing a fuss today?; revisiting our chat with Emmy-nominee Samantha Bee.

His father is Bobby McFerrin and he has a brother and sister who also are singers. Taylor has been making music for some time now, but he's never sung on an album — until now; gay characters are featured on a telenovela for the first time; the story behind "Blinded by the Light."

An Associated Press exposé details decades of alleged sexual harassment by the renown opera singer and conductor; the documentary “Cold Case Hammarskjöld” turned into a whodunnit; how did a little-known L.A. band end up opening for The Rolling Stones?

One of the few major music festivals in the U.S. that is not organized by a giant company, Outside Lands took over Golden Gate Park this weekend; Universal Pictures scraps "The Hunt," an R-rated satire in which elites hunt "deplorables" for sport.

In "Escape At Dannemora," director Ben Stiller goes inside a prison to tell the story of the inmates who broke out; comedian and SNL writer Julio Torres prefers humor about ordinary objects to politics; Geena Davis hopes her research institute and a new documentary will convince Hollywood the value of creating film and TV with a diverse cast of women and girls.

The offbeat comedian talks about his path from immigrant to "SNL" writer to star of an HBO stand-up special; Rolling Stone writer Elias Leight on the continuing practice of payola in the radio industry; an episode of Song Exploder with Corin Tucker and Carrie Brownstein of Sleater-Kinney.

Geena Davis is executive producer of the new documentary that explores the status of women in the film industry; David Rubin, the newly-elected president of the Academy of Motion Picture Arts and Sciences; rock musician Ty Segall.

Nanfu Wang's documentary is a personal look at China’s former one child policy, which continues to reverberate there; The Emmy Awards will go without a host; on the 20th anniversary of "Eyes Wide Shut," a look at how its composer was chosen.

The wrongly-convicted former athlete and director Tom Shadyac discuss the path to making the movie; we revisit the documentary, "Toni Morrison: The Pieces I Am," following her death; Bruce Lee's family is unhappy about his depiction in "Once Upon A Time in Hollywood."

Barak Goodman's documentary, “Woodstock: Three Days that Defined a Generation,” asks: Why did 400,000 young people trek across the country for a festival in the middle of nowhere?; music historian Andy Zax helped restore every Woodstock performance for a 38-disc boxed set; filmmaker Sam Jones on the influence of documentary director D.A. Pennebaker.

Today's show: The creators of "Sherman's Showcase" discuss the comedy and music in their sketch show. We discuss the portrayal of Bruce Lee in Tarantino's new film. Why Patricia Arquette wanted to co-star in "Otherhood." Then Indie duo The Bird and The Bee make a tribute album of Van Halen covers.

Actress Patricia Arquette, writer/director Cindy Chupack and producer Cathy Schulman talk about their new film and how middle-aged women are portrayed in Hollywood; has hip-hop reached a turning point in its inclusivity of black, gay artists?