The Frame

Director Bill Pohlad cast two actors to play Beach Boys mastermind Brian Wilson in two periods of his life (pictured: Paul Dano as the young Wilson); Algiers' singer Franklin James Fisher talks about the group’s politically-charged debut album; 28-year-old New Orleans musician Jon Batiste will lead the band on "Late Night with Stephen Colbert."

Hollywood is rarely more out of touch with reality than in how it romantically pairs young actresses with much older actors (pictured: Emma Stone with Ed Norton); Rupert Parkes, aka Photek, is known for his remixes, but he’s also the composer for TV's “How to Get Away With Murder”; California's increased tax credits for movies and TV is already paying dividends.

Apple is expected to introduce its music streaming service next week, but can the company make gains against Spotify?; L.A. Philharmonic music director Gustavo Dudamel (pictured) reflects on his six seasons on the podium and his long-term future here; Pete Townsend has recorded a new version of his rock opera, "Quadrophenia," with actual opera singers.

Writer-director Paul Feig gets to fulfill his Bond movie fantasy with "Spy"; the bistro at Whole Foods in Pasadena hosts a monthly comedy night (pictured); "San Andreas" director Brad Peyton takes us into his edit suite to show how he assembled one key sequence for the disaster film.

Cameron Crowe's new movie, "Aloha," is being savaged by critics; a visit with legendary L.A. artist Ed Moses (pictured) at his Venice compound; the arts organization Clockshop is making good use of a parcel of land on the banks of the Los Angeles River.

Terry Teachout turned his biography of Louis Armstrong into a play, "Satchmo at the Waldorf" (pictured); a tour of the inventory for special effects and makeup master Rick Baker's auction of his monstrous creations; Film LA reports an increase in movie production in California in 2013 — even before the new tax incentives kicked in.

U2 begins a string of five shows at The Forum on its Innocence + Experience Tour; a new work by Philip Glass is being premiered by the L.A. Philharmonic; Special effects and makeup master Rick Baker (far right) is auctioning a career's worth of monstrous creations.

The Cannes Film Festival wrapped up in typical fashion with an unexpected grand prize winner alongside the requisite victim of critics' ire; in our "Song Exploder" segment, a breakdown of the "Downton Abbey" theme music; playwright Paul Oakley Stovall tackles racism and homophobia among African-Americans in "Immediate Family" (pictured).

Four filmmakers talk about possible solutions for an industry that's been criticized for "widespread exclusion" of women directors; the movie "Tomorrowland" continues the futuristic vision promoted by Walt Disney (pictured at left); Memorial Day is no longer the beginning of summer for the movie business.

Four successful women filmmakers share their stories about an industry that's been criticized for "widespread exclusion" of women directors (pictured: Catherine Hardwicke); classical guitarist Angel Romero performs "Concierto de Aranjuez" with the L.A. Philharmonic; the Rolling Stones rolled into L.A. for a semi-secret show. Were you there?

The new Broad Museum is getting ready for its close-up. We get a sneak peek at the work it takes to curate and install hundreds of piece of art; The spectacular demise of “Fantastic Four” offers a case study in what can go wrong when a studio rushes a film into production and clashes with its director; John Ridley and actor Richard Cabral on how life imitated art in the ABC series "American Crime."

The hip-hop producer hasn't released an album in 16 years, but he's back with a collection inspired by the movie, "Straight Outta Compton"; Roberto and Kim Benabib combine comedy with global conflict in HBO's “The Brink”; MuseIque makes orchestral music more accessible with eclectic programs.

Kacee Clanton is one of two performers who play rock icon Janis Joplin in a classic jukebox musical; Vice's content tends to skew male, so it's targeting women with a new online channel; Will Geer started producing theater in Topanga Canyon more than 60 years ago, and his family is keeping up the tradition.

Before he landed on "The Daily Show," Jon Stewart was the host of several short-lived shows; a lifelong fascination with Kahlil Gibran's "The Prophet" led to Salma Hayek turning the book into an animated film; composer Reinhold Heil provides the tense score for the Sundance Channel's "Deutschland 83"

British actress Bel Powley is decidedly American in "The Diary of a Teenage Girl"; the Eagle Rock Gospel Choir is not a church-based group, but they've got the spirit; LA's theater community mourns the passing of playwright Lynn Manning.

The musician (Meryl Streep) at the heart of screenwriter Diablo Cody's "Ricki and the Flash" represents the common female struggle to balance family and work; an electronic dance festival in L.A. County is marred by two suspected drug-related deaths; Jon Stewart has inspired a group of Iraqi comedians to create a "Daily Show"-like web series.

Bob Thiele leads The Forest Rangers, a band that was spawned by the "Sons of Anarchy" TV series; comedian Andy Kindler takes no prisoners when he gives his annual State of the Industry speech; a filmmaker is challenging the copyright claim to "Happy Birthday to You," which keeps the song out of many TV shows and movies.

When Marlon Brando died, he left hundreds of hours of himself on tape, which were culled for the documentary, "Listen to Me Marlon"; a 1965 gospel concert at L.A.'s Shrine Auditorium was special not only for its stars, but also because it was recorded — a rarity for its day; NBC Universal will reportedly invest $250 million in BuzzFeed's growing digital empire.

Five finalists were chosen to develop pilot scripts for a TV series that calls for a female engineer protagonist; Summer can be a great time to watch TV, if you know where to look; the singer Little Boots was once signed to Atlantic Records, but she decided having her own label is a better fit.

A comedy writer has sued Conan O'Brien, claiming his show stole jokes that were first posted on Twitter; on "Song Exploder," Ben Gibbard of Death Cab for Cutie dissects "El Dorado"; director James Ponsoldt was initially skeptical that a book about being on tour with writer David Foster Wallace could be a movie.

The Beijing-based Wanda Group financed "Southpaw," just the latest example of Chinese investments in Hollywood; The Next MacGyver contest hopes to encourage women engineers with the promise of a TV pilot; Juilliard-trained Brad Segal has become the go-to composer for reality shows.

The British actor reunites with director Bill Condon to play a 93-year-old version of Sherlock Holmes in "Mr. Holmes" (pictured); Chinese authorities have returned the passport of dissident artist Ai Weiwei, who had been unable to leave the country since 2011; the makers of the documentary about crowd-funding, "Capital C," financed their film through a crowd-funding campaign.