The Frame

Chiwetel Ejiofor plays a scientist in “Z for Zachariah,” an apocalypse movie unlike any you’ve seen; Jenny Yang and Keiko Agena created a comedy festival as a showcase for Asian-American performers; actors really get tipsy on "Drunk History," which is exactly what creator Derek Waters wants.

Jeffrey Tambor and the "Transparent" cast and crew are shooting the second season of the hit show, which has garnered 11 Emmy nominations; a scene in the postponed season finale of "Mr. Robot" rekindles the debate over gun violence on television.

Lili Zanuck worked decades to produce her biopic of blues singer Bessie Smith, and to make sure Queen Latifah got the lead role; Sony bought the rights to 33 Van Morrison albums and will make many available digitally for the first time; Rob Cordrry and David Wain on making their spoof of medical dramas.

José Padilha tells the story of Pablo Escobar in the new Netflix series, "Narcos;" The indie band Gardens and Villa has an artist compound near Dodger Stadium; Warner Bros. is in talks to co-finance a slate of movies made in China; 40 years ago today, Bruce Springsteen released his landmark album, “Born to Run.”

Yo La Tengo's new album has the trio reimagining songs they love by other artists; Regal Cinemas steps up security measures at movie theaters; Emmy-nominated actor Titus Burgess from "Unbreakable Kimmy Schmidt"; Neil Young's Pono needs money

Jim Reid says he couldn't imagine the band's 1985 debut album, "Psychocandy," remaining popular 30 years later; "Sneakerheadz" is a documentary about obsessive sneaker collectors; writer Steven Johnson says the digital age has not brought on the expected apocalypse for the creative class.

Doug Aitken didn't want a traditional documentary about his music and art-filled train project, so he instead made 62 one-minute films; FYF founder Sean Carlson talks about the music festival's growing pains; for bands like Lower Dens and The Drums, FYF is another stop on a never-ending road trip.

"Jackass" stunt master Johnny Knoxville made a documentary, "Being Evel," about his childhood hero; Mac Quayle went from producing dance music for the likes of Donna Summer to composing music for TV shows such as "American Horror Story"; a vote by SAG-AFTRA members could chart the future for Hollywood's biggest union.

“Straight Outta Compton" received rave reviews, but some critics say the movie minimizes the misogyny and violence against women at the heart of N.W.A.’s music; The L.A. band Health continues to rise in the music scene, but is the band at its peak?; poet Claudia Rankine’s book on racism and prejudice gets adapted to the stage.

Ice Cube is played by his son in "Straight Outta Compton" and the father/son duo tell us how they wanted the performance to be authentic; Guy Ritchie's "The Man From U.N.C.L.E." isn't your average, everyday spy movie; Star Wars Land and other Disney-related news from D23; Tracy Morgan to return as host of SNL.

Previewing the most anticipated features and documentaries at the Sundance Film Festival (pictured); Bill Robles has drawn the trials of everyone from Charles Manson to Lindsay Lohan; 'Mommy' is the fifth feature from 25-year-old Xavier Dolan.

Journalist Ben Fritz and former Navy officer-turned-actor Ricky Ryba on the marketing and accuracy of "American Sniper" (pictured); Frances McDormand and Suzzy Roche discuss "Early Shaker Spirituals"; the documentary "Red Army" looks at how the former Soviet Union built a hockey dynasty.

Former Disney exec-turned-producer Nina Jacobson discusses how an actor’s pay is determined in the industry; composer Hans Zimmer (pictured) discusses the making of his Oscar-nominated score for Christopher Nolan's "Interstellar"; Michael Chabon is the most recent novelist trying his hand at writing pop song lyrics.

Classical music legend Neville Marriner (pictured) is in L.A. to conduct the Colburn School student orchestra; Stephanie Allain, an executive producer of "Dear White People" and director of the L.A. Film Festival, on why Hollywood isn't diverse enough; Doug Lussenhop, aka DJ Douggpound, brings his sound-rich act to Riot LA.

Who got left out of the Academy Award nominations, and why; screenwriter Jason Hall on adapting war hero Chris Kyle's raw memoir for the big screen; and L.A. Opera adapts "The Marriage of Figaro" into a story about illegal immigration.

Neil Young (pictured) wants his hi-res audio player to let fans hear music the way it sounds in the studio; TV producers are previewing new shows for the new year; and an L.A. artist has turned his studio apartment into a museum.

Chris Lemmon's one-man stage revives his dad's stories and spirit (pictured); Film L.A. reports that film production is down, but TV production is way up over the past year; In-Q has carved out a place for himself where spoken word, poetry and music intersect.

The British actor talks about his new movie, "Match" (pictured); author Annabelle Gurwitch on the parallel universes surrounding awards season in Hollywood; the stage actors union is considering changes that could turn the theater scene upside down.

Jenni Konner, executive producer and writer of "Girls" (left, with star Lena Dunham), talks about season four; What do the Golden Globe, Writers Guild and Producers Guild nominations mean for the upcoming Oscars?; Disney's "Fantasia" film transforms into a video game with a modern update.

French artist Pierre Huyghe transforms an exhibition space at the L.A. County Museum of Art (pictured) into a quirky biosphere; the winter TV season has arrived; a new public radio show/podcast is about the invisible forces that control human behavior.

Mark Duplass talks about the new HBO series, "Togetherness" (pictured), he created with his brother, Jay; what's the market for the new high-end audio players from Sony and Neil Young?; a landmark mural of Anthony Quinn is being restored in downtown L.A.

The roster for the Coachella festival (pictured) has Drake, AC/DC and Jack White as headliners; Mica Levi conducts a live performance of her award-winning movie score; a look at the latest gadgets debuting at the Consumer Electronics Show; an effort to expand Wikipedia entries for African-American artists.