The Frame

Chiwetel Ejiofor plays a scientist in “Z for Zachariah,” an apocalypse movie unlike any you’ve seen; Jenny Yang and Keiko Agena created a comedy festival as a showcase for Asian-American performers; actors really get tipsy on "Drunk History," which is exactly what creator Derek Waters wants.

Jeffrey Tambor and the "Transparent" cast and crew are shooting the second season of the hit show, which has garnered 11 Emmy nominations; a scene in the postponed season finale of "Mr. Robot" rekindles the debate over gun violence on television.

Lili Zanuck worked decades to produce her biopic of blues singer Bessie Smith, and to make sure Queen Latifah got the lead role; Sony bought the rights to 33 Van Morrison albums and will make many available digitally for the first time; Rob Cordrry and David Wain on making their spoof of medical dramas.

José Padilha tells the story of Pablo Escobar in the new Netflix series, "Narcos;" The indie band Gardens and Villa has an artist compound near Dodger Stadium; Warner Bros. is in talks to co-finance a slate of movies made in China; 40 years ago today, Bruce Springsteen released his landmark album, “Born to Run.”

Yo La Tengo's new album has the trio reimagining songs they love by other artists; Regal Cinemas steps up security measures at movie theaters; Emmy-nominated actor Titus Burgess from "Unbreakable Kimmy Schmidt"; Neil Young's Pono needs money

Jim Reid says he couldn't imagine the band's 1985 debut album, "Psychocandy," remaining popular 30 years later; "Sneakerheadz" is a documentary about obsessive sneaker collectors; writer Steven Johnson says the digital age has not brought on the expected apocalypse for the creative class.

Doug Aitken didn't want a traditional documentary about his music and art-filled train project, so he instead made 62 one-minute films; FYF founder Sean Carlson talks about the music festival's growing pains; for bands like Lower Dens and The Drums, FYF is another stop on a never-ending road trip.

"Jackass" stunt master Johnny Knoxville made a documentary, "Being Evel," about his childhood hero; Mac Quayle went from producing dance music for the likes of Donna Summer to composing music for TV shows such as "American Horror Story"; a vote by SAG-AFTRA members could chart the future for Hollywood's biggest union.

“Straight Outta Compton" received rave reviews, but some critics say the movie minimizes the misogyny and violence against women at the heart of N.W.A.’s music; The L.A. band Health continues to rise in the music scene, but is the band at its peak?; poet Claudia Rankine’s book on racism and prejudice gets adapted to the stage.

Ice Cube is played by his son in "Straight Outta Compton" and the father/son duo tell us how they wanted the performance to be authentic; Guy Ritchie's "The Man From U.N.C.L.E." isn't your average, everyday spy movie; Star Wars Land and other Disney-related news from D23; Tracy Morgan to return as host of SNL.

Filmmaker Andrew Jarecki made a feature and now an HBO documentary series (pictured) about Robert Durst, an heir-turned-suspected murderer; the comedy trio Culture Clash revisits "Chavez Ravine," about a key moment in L.A. history; "Jupiter Ascending" and "Seventh Son" are big budget box office flops.

Beyoncé (pictured) is up for six Grammys, including album of the year. Who will win trophies and who should?; Pitchfork has established itself as the go-to music website for millennials; The zombie guru from "Walking Dead" tells all; "Jupiter Ascending" is earthbound, according to critics.

In the wake of the studio's embarrassing computer hack, the co-chair of Sony Pictures will become a producer; Dick Cavett plays himself in a stage play (pictured) that recounts a famous literary feud; "Wild Tales" director Damián Szifrón's film is Argentina's entry in the Academy Awards foreign language film category.

Was Jay-Z wise to plunk down $56 million for the Aspiro music streaming company? The Decemberists (pictured) return with their seventh studio album; Frank Gehry's home was the inspiration for music commissioned by the L.A. Chamber Orchestra; Lynn Shelton talks about directing the pilot for "Fresh Off the Boat."

Director Pawel Pawlikowski on his foreign film nominee, "Ida" (pictured); "Cartel Land" director Matthew Heineman on facing danger in Mexico; "High Maintenance" is a web series that's like “Cheers,” but with weed instead of whiskey; what might Hollywood do with the sequel to “To Kill a Mockingbird"?

Recapping this year's Sundance Film Festival, and a chat with the co-directors of "Meru," which won the Audience Award for U.S. Documentary; actor Randall Park goes from the fire ("The Interview") to the frying pan ("Fresh Off the Boat," pictured).

Anna Bass and Monica Bill Barnes (pictured) imbue their choreography with humor; how the creator of 'Doc McStuffins' made her hit show that counts Michelle Obama among its fans; and two Sundance documentaries show the power of movies to liberate people’s minds.

Rick Famuyiwa, the writer-director of the 2015 Sundance favorite, "Dope," describes being at the center of one of the buzziest films at the fest; “Dear White People” filmmaker Justin Simien looks back at Sundance a year after his breakout; composer Bear McCreary rocks out on his hurdy-gurdy.

Venues for Bill Cosby's live shows sometimes can't cancel a show on their own; Alfonso Gómez-Rejón, director of Sundance favorite "Me & Earl ..." (pictured), on why the film is so personal to him; can Pivot TV's $40 million series, "Fortitude," be a hit for the fledgling network?; "Schoolhouse Rock" creators explain its origins.

Noted documentary director Alex Gibney debuts his HBO film, “Going Clear: Scientology and the Prison of Belief”; no sales record after all for Sundance darling “Me and Earl and the Dying Girl”; Jamie Cullum puts his stamp on jazz standards on his new album, "Interlude."

Awards from the Screen Actors and Producers guilds put "Birdman" (pictured) in the driver's seat for Oscars; watchdog group says "American Sniper" has inspired threats against Arab-Americans and Muslims; sex is a common theme at this year's Sundance festival; actor Tony Hale's children's book.

Karina Canellakis (pictured) is a conductor who does double duty as a violinist, often at the same time; The Frame host John Horn reports from the Sundance Film Festival, where filmmaker Benson Lee returns with a new movie, "Seoul Searching."