The Frame

How director Denis Villeneuve created the suspense of 'Sicario' and why he's remaking 'Blade Runner'; The Broad is about to open its doors and art critics are critical; Harry Nilsson fans lobby the Rock & Roll Hall of Fame.

Go inside The Broad museum's galleries, art storage and hidden corners with the Chief Curator as our guide; What we watch when we watch the Emmys; The LA Phil has turned itself and its conductor Gustavo Dudamel into a roving virtual reality experience.

Working in Visitor Services at the new museum means being part-concierge, part-docent, and part-guard; Director Scott Walker and actor Joel Edgerton were challenged in making the Bulger story, "Black Mass"; ABC News partners with the virtual reality company Jaunt to make VR more accessible.

As creator of the TV series "Transparent," Jill Soloway is a rarity, according to a new report from the Center for the Study of Women in Television and Film; Joe Adalian of Vulture.com handicaps the new TV season; Jay Duplass went from being a reluctant actor to a vey happy one.

Film composer Atticus Ross took Brian Wilson's music and created sound collages for the score to "Love and Mercy"; the Academy Museum of Motion Pictures has settled differences with a neighborhood group over the new facility planned for Wilshire and Fairfax; for composer Derrick Spiva, music is all about movement.

Author Emma Donoghue adapted her best-selling novel into a screenplay about a mother and son being held captive; National Geographic Society CEO Gary Knell says it will maintain its mission even though 21st Century Fox now owns a controlling interest; The Toronto International Film Festival is huge, and hugely influential.

The actor plays a homeless man in the new feature film, "Time Out of Mind," which he also produced; Aretha Franklin's objection to the screening of the documentary "Amazing Grace" has now affected the Toronto and Chicago film festivals; In our latest installment of "Song Exploder," Hrishikesh Hirway breaks down "Feeling OK" with the band Best Coast.

Producer Jessica Elbaum and writer-director Leslye Headland team up for "Sleeping With Other People" (starring Alison Brie and Jason Sudeikis); Apple introduces new products, but you still can't stream Amazon shows through Apple TV; "The Princes of Kings Road" is a new play that examines the complicated relationship between iconic L.A. architects Rudolph Schindler and Richard Neutra.

The British actor stars as the leader of child soldiers in the West African civil war that is the first feature release from Netflix. Elba talks about how he taught non-actors to become professionals on set, and his personal connection to the film.

The director of "He Named Me Malala" reveals how making the documentary about the young Pakistani activist impacted him as a father.

Velvet Underground co-founder John Cale has re-imagined an album from his long solo career, "Music For a New Society"; as the "X-Files" returns, we get the story behind its iconic theme music; even at the Sundance Film Festival, the talk of the town is #OscarsSoWhite.

Actor Matthew Spencer, who plays the lead in a new adaptation of George Orwell's dystopian novel, says the story has new resonance today; TV networks are casting doubt about the popularity of original programming on streaming services; Andrew Ahn passed up med school for a film career, and now his directing debut is at Sundance.

Carrie Brownstein, "Portlandia" co-creator and Sleater-Kinney co-founder, pulls back the curtain on her creative process; members of the U.K. punk band Savages reveal how they remain unpredictable on stage and in the recording studio; what's in store at this year's Sundance Film Festival?

In the two years since Lupita Nyong'o won an Oscar for "12 Years a Slave," no actor of color has been nominated for an Academy Award. Academy member Stephanie Allain says the Oscars reflect bigger problems in the industry; James Lecesne continues his advocacy for LGBTQ youth with "The Absolute Brightness of Leonard Pelkey."

Alicia Vikander's breakout year now includes an Oscar nomination for "The Danish Girl"; singer-songwriter Courtney Barnett deconstructs her song, "Depreston"; and we find out which new TV shows are on the must-watch list for the new year.

John Horn and Kyle Buchanan of Vulture.com dig into the snubs and surprises in the Oscar nominations, and the return of #OscarsSoWhite. And we hear from the directors nominated for "Room" and "The Revenant."

Actress Judith Light has been passionate about LGBT issues for decades, which makes her a natural fit for Amazon's "Transparent"; Spotify has partnered with Genius to augment music with a feature called "Fact Track"; Contra-Tiempo is a dance company with a social conscience.

"Making a Murderer" continues to spark debate about the intersection between art, journalism, public reaction and the law; the Directors Guild Award nominees are announced; "Star Wars" opens in China, but the world's second largest movie market is a challenge for the franchise.

We pay tribute to David Bowie's life and career with Los Angeles Times critic-at-large Sasha Frere-Jones, Devo frontman Mark Mothersbaugh, poet Tracy K. Smith, singer/actress Lea DeLaria, and New York Times theater critic Ben Brantley.

In our continuing series of conversations with TV network chiefs, ABC's Paul Lee talks about how diversity has become a cornerstone for the company; the Palm Springs Film Festival is a showcase for foreign films from around the world.

Writer/director David O. Russell has completed a trifecta with Jennifer Lawrence and Bradley Cooper in his latest film, "Joy"; the Producers Guild and the Writers Guild have announced their award nominees, one week before the Motion Picture Academy does the same; there really is a company called Central Casting that's been casting extras for 90 years.

Sarah Silverman's career took a serious turn when she took on the lead role in "I Smile Back," and now she's getting award buzz; Phyllis Nagy worked for 18 years to adapt a Patricia Highsmith novel for the movie, "Carol"; composer and conductor Pierre Boulez had a long connection to the Ojai Music Festival.