The Frame

The actor worked with filmmaker Cary Fukunaga and hundreds of non-professional actors to make "Beasts of No Nation;" Grantland's Andy Greenwald gives a status report on the new TV season; the Isango Ensemble transports Bizet's opera to a South Africa township.

Choreographer Twyla Tharp has kept her company and artistic vision going for 50 years with unflagging determination; after spending time in Ghana, ethnomusicologist Brian Shimkovitz scoured the continent and then launched the label, Awesome Tapes from Africa; author Salman Rushdie considers the literary merits of the rapper, Drake.

The actress' next role as a fighter for women's voting rights is in keeping with her activist profile in Hollywood; Kyle Eastwood has scored films for his dad, Clint, but he's made his own name as a jazz bassist and composer; saxophonist Phil Woods was a jazz great, but became known for his solo on a huge pop hit.

Deaf West Theatre's production of "Spring Awakening" started out in a small theater on L.A.'s Skid Row, and now it's on Broadway; Showtime's David Nevins kicks off our talks about the state of the TV industry; Stephin Merritt of The Magnetic Fields deconstructs a song from the band's new album in a new installment of Song Exploder.

Mark Pellington has applied his distinct style to music videos, feature films and now NBC's "Blindspot," about a woman whose tattooed body holds clues to crimes; Trevor Powers records as Youth Lagoon and his new album chronicles some personal losses; How do TV networks choose among streaming services?

Performer Geoff Sobelle has turned the Kirk Douglas Theatre into a warehouse of boxed-up memories; Carolina Miranda of the L.A. Times on the trend toward mega-galleries in Los Angeles; Charlton Heston's family will auction three works by Andrew Wyeth that the actor collected.

Los Lobos' Louie Pérez offers insights into the band's new album, "Gates of Gold"; Margaret Cho has become a role model for a new generation of Asian-American comedians; J.A. Micheline is glad Ta-Nehisi Coates will write some Black Panther comic books, but she says the industry has more work to do regarding diversity.

Playwright Rolin Jones reimagines Shakespeare's "Much Ado About Nothing," setting it in London's swingin' 1960s; Prince and the publishing house claiming a copyright to "Happy Birthday to You" both lose in court; Heidi Duckler Dance Theatre moves its soap opera dance-drama around L.A.

Box office hits such as "Bridesmaids" are being cited as part of an effort to push for more movies and TV shows by, for and about women; The Budos Band makes do as a part-time group; The new TV season is chock-full of new shows that were once feature films.

Emily Mortimer, Dolly Wells and their husbands and kids star in HBO's "Dolly & Em," but it's not about them; Diversity and gender equity were top of mind at the Emmy Awards; The Toronto International Film Festival supplied its annual dose of Oscar buzz.

Playwright Heidi Schreck and actress Maria Dizzia on how the nation’s most treasured document connects with violence against women; can the best picture win for "Parasite" be attributed to the Motion Picture Academy's diversification efforts?

Conversations with Oscar nominees and stories about how the most loved films of the year came to be; interviews with actors Renee Zellwegger, Cynthia Erivo, and Adam Driver and filmmakers Greta Gerwig, Taika Waititi and Bong-Joon Ho among others.

The actress, who stars in the film, talks about her personal connection to the story about mental illness with director Jeff Baena; how much has the Motion Picture Academy membership actually changed?; the L.A. post-punk band, French Vanilla.

The singer-songwriter wrote and recorded the album, "The Gospel of Water," after being diagnosed with cancer; Jeff Kanew talks about directing Kirk Douglas in the actor's one-man stage show; a campaign for the DGA to improve its parental leave policy.

The filmmaker's first feature has won her a prize from the Directors Guild and a nomination for the Independent Spirit Awards; The Lucas Museum has acquired a prominent collection of ephemera related to African American film history.

South Korean director Bong Joon-ho talks about his surprise hit, which has six Oscar nominations, including for Best Picture; Disney takes full control of Hulu; "JoJo Rabbit" costume designer Mayes Rubio.

The former Police frontman is front and center in a musical that's set in his hometown; Hollywood's awards season is nearing its conclusion; WWI through the ears of the Oscar-nominated sound team behind “1917.”

"The Good Place" has been one of the few broadcast network breakout hits in recent years. With the series ending tonight, we revisit our interviews with series creator Michael Schur, writer Jen Statsky, and cast member D’Arcy Carden.

The writer/director has an Academy Award nomination for her adaptation of the Louisa May Alcott classic; photographer Thomas Kiefer turns border detritus into art.

The veteran animator talks about collaborating with the NBA legend on their Academy Award-winning short animated film; Carlos Lopez Estrada's "Summertime" is a collaboration with 25 spoken word poets; the Oscar-nominated production design for “Once Upon a Time in Hollywood.”

The film festival presented the premiere of "Hillary," a four-part series coming to Hulu in March; filmmaker Gotham Chopra talks about his 2015 documentary, “Kobe Bryant’s Muse.”