The Frame

The actor worked with filmmaker Cary Fukunaga and hundreds of non-professional actors to make "Beasts of No Nation;" Grantland's Andy Greenwald gives a status report on the new TV season; the Isango Ensemble transports Bizet's opera to a South Africa township.

Choreographer Twyla Tharp has kept her company and artistic vision going for 50 years with unflagging determination; after spending time in Ghana, ethnomusicologist Brian Shimkovitz scoured the continent and then launched the label, Awesome Tapes from Africa; author Salman Rushdie considers the literary merits of the rapper, Drake.

The actress' next role as a fighter for women's voting rights is in keeping with her activist profile in Hollywood; Kyle Eastwood has scored films for his dad, Clint, but he's made his own name as a jazz bassist and composer; saxophonist Phil Woods was a jazz great, but became known for his solo on a huge pop hit.

Deaf West Theatre's production of "Spring Awakening" started out in a small theater on L.A.'s Skid Row, and now it's on Broadway; Showtime's David Nevins kicks off our talks about the state of the TV industry; Stephin Merritt of The Magnetic Fields deconstructs a song from the band's new album in a new installment of Song Exploder.

Mark Pellington has applied his distinct style to music videos, feature films and now NBC's "Blindspot," about a woman whose tattooed body holds clues to crimes; Trevor Powers records as Youth Lagoon and his new album chronicles some personal losses; How do TV networks choose among streaming services?

Performer Geoff Sobelle has turned the Kirk Douglas Theatre into a warehouse of boxed-up memories; Carolina Miranda of the L.A. Times on the trend toward mega-galleries in Los Angeles; Charlton Heston's family will auction three works by Andrew Wyeth that the actor collected.

Los Lobos' Louie Pérez offers insights into the band's new album, "Gates of Gold"; Margaret Cho has become a role model for a new generation of Asian-American comedians; J.A. Micheline is glad Ta-Nehisi Coates will write some Black Panther comic books, but she says the industry has more work to do regarding diversity.

Playwright Rolin Jones reimagines Shakespeare's "Much Ado About Nothing," setting it in London's swingin' 1960s; Prince and the publishing house claiming a copyright to "Happy Birthday to You" both lose in court; Heidi Duckler Dance Theatre moves its soap opera dance-drama around L.A.

Box office hits such as "Bridesmaids" are being cited as part of an effort to push for more movies and TV shows by, for and about women; The Budos Band makes do as a part-time group; The new TV season is chock-full of new shows that were once feature films.

Emily Mortimer, Dolly Wells and their husbands and kids star in HBO's "Dolly & Em," but it's not about them; Diversity and gender equity were top of mind at the Emmy Awards; The Toronto International Film Festival supplied its annual dose of Oscar buzz.

Bruce Springsteen's long-time guitarist has his first solo album in 20 years —and it's just one of his many gigs; Democratic presidential hopefuls are starting to make the rounds in Hollywood.

The streaming service, now mostly owned by Disney, unveiled its new projects that include big stars and an expansion of the company's comic book properties; playwright Eleanor Burgess deals with 'The Niceties'; Jonny Pierce leads the way for the band The Drums.

The musical "Hadestown" led the way with 14 nods, but the big surprise was the omission of "To Kill a Mockingbird" and "Network" in the best new play category; Michelle and Robert King talk about their hit TV series, "The Good Fight."

The campaigns of the rookie Congresswoman and three other candidates are documented in a Netflix film; filmmaker John Singleton ("Boyz n the Hood") died today at the age of 51; with "Avengers: Endgame" breaking box office records, what's next for the Marvel movie universe?

Former CBS executive speaks out about the workplace culture at CBS which she says is toxic. Then, the Victoria Riskin, daughter of Hollywood legends, writes a memoir. And one Armenian-American musician strives to keep her culture's musical history alive.

Aaron Sorkin was approved by Harper Lee to adapt "To Kill A Mockingbird" to the stage but just months before it was due to premiere her estate sued. The issues got resolved and now the play is a timely Broadway blockbuster. And, "Empire" actor Jussie Smollett's future on the show is unknown but last night his character made TV history.

Actress Kate del Castillo is back with "La Reina del Sur." She opens up about her secret meeting with El Chapo, the backlash she suffered in her career and her return in a role of a lifetime; As Disney chief Bob Iger benefits from the largess of his company, critics look at what Disneyland workers are paid and question the mogul's compensation.

The humorist, best known for his work in The New Yorker, is on tour before live audiences; students at Chapman University have successfully petitioned for the removal of posters from "The Birth of a Nation" that had been on display at the film school; Angelina Spicer fights postpartum depression through comedy.

The documentary by Penny Lane explores the misconceptions behind the Satanic Temple; L.A. Times TV critic Lorraine Ali on depictions of Muslims; Zev Feldman of Resonance Records is known as the "Indiana Jones" of lost jazz recordings.

The women behind the weekly podcast scheduled a live taping for April 18, and then had to scramble when the date was chosen for the Mueller report's release; actress Michelle Williams on playing Gwen Verdon in "Fosse/Verdon."

The Tony Award-winning actor takes on the role of newsman Howard Beale in a stage adaptation of the 1976 movie; with the final season of 'Game of Thrones' underway, we visit with the show's weapons master.

When the actresses met a few years back, they bonded over their love of music, and it led to the formation of their eclectic act; the Writers Guild of America filed suit today against Hollywood's major talent agencies, claiming some of their practices violate state law.