The Frame

The Walking Dead's Greg Nicotero's zombie lesson; LACMA brings rain to a drought-riddled city with The Rain Room; 'Saw' composer and former Nine Inch Nails keyboardist Charlie Clouser on how to score a scary movie.

LA-based opera company “The Industry” has created an experimental opera that takes place in 24 cars around the city. Starz CEO Chris Albrecht wants his channel to reach a diverse audience. LA taco place partners with bands.

Ilene Chaiken runs "Empire" while co-creator Lee Daniels develops his next show for Fox, "Star"; the SxSW Interactive Conference is getting heat for canceling sessions about sexism in the gaming industry; the Hammer Museum will benefit from UCLA's purchase of the Occidental Petroleum building.

The duo's production company, Smokehouse, has examined politics in the TV series, "K Street," and the films “The Ides of March" and "Good Night and Good Luck." Their latest is "Our Brand is Crisis."

Rock star Courtney Love has acted in films and TV, but now she's hitting the boards in Todd Almond's "Kansas City Choir Boy"; the "Steve Jobs" biopic got good reviews from critics, but audiences are staying away in droves; Upright Citizens Brigade is taking its comedy franchise online.

Sean Rameswaram of WNYC and Soraya Nadia McDonald of the Washington Post talk about the week's top stories from the wide world of culture; the new music ensemble Bang on a Can All-Stars performs Brian Eno's "Music for Airports" for the first time in an American airport.

Mark Mothersbaugh, a founding member of the new wave band Devo, is also a film and TV composer with a long list of credits that includes "The Last Man on Earth"; an exhibition of Cuban art arrives as the island nation develops a new relationship with the United States.

"Suffragette" screenwriter Abi Morgan and director Sarah Gavron made a period film that has current-day resonance; Disney is going all out to sell "Star Wars" in the world's second-biggest film market; Pakistani and L.A. musicians collaborated to create a new East-meets-West sound.

Filmmaker James Vanderbilt revisits the story that led to Dan Rather and a "60 Minutes" producer losing their jobs at CBS; producer Noah Hawley says the key to making "Fargo" a TV series was to not be bound by the Coen brothers movie.

As the most prominent woman on HBO's "Project Greenlight," film producer Effie Brown has had to address race and gender issues; Lenny Abrahamson wrote a long letter to "Room" novelist Emma Donoghue to convince her that he was the right director for the film version.

"Mockingjay" director Francis Lawrence admits he reads reviews; Pasadena Playhouse takes a risk with "Stop Kiss," a show about a lesbian love affair; Beyonce’s least known collaborator goes by the name of Boots; and how did Mike Tyson end up with a TV cartoon?

Five musicians were charged with adding music to Bob Dylan lyrics from the 1960s for a Showtime documentary (pictured); country singer Ty Herndon challenges Nashville conservatism; Lily Amirpour on her quirky “A Girl Walks Home Alone at Night”; vocal lessons from a metal singer.

The producer of "The Graduate" talks about working with Nichols; why Sandra Oh went from “Grey’s Anatomy” to producing a crowd-funded animated film; was Atari’s “ET” one of the worst video games ever made?; and musician George Clinton spills all the funk in his new memoir.

NBC has decided to shelve its development deal with Bill Cosby for a new sitcom that was slated for next year; comedian Alonzo Bodden talks about Cosby's legacy; director Amir Bar-Lev on “Happy Valley," his new feature documentary about the Penn State/Jerry Sandusky scandal.

Disney has mounted "The Hunchback of Notre Dame" (pictured) at the La Jolla Playhouse as a Broadway tryout; The "Music & Memory" program provides iPods as therapy for victims of Alzheimer's disease; Like reading? Try 200 books in six months as an awards judge.

The director of "Banksy Does New York" (pictured) talks about how the elusive street artist took the Big Apple by storm; NBC had no comment today on the status of its planned Cosby show as rape allegations swirl around him; and Hollywood prepares to use virtual reality as the next tool for storytelling.

E. Max Frye and Dan Futterman spent years trying to get the screenplay for “Foxcatcher” (pictured) just right; Gael Garcia Bernal plays an Iranian journalist in “Rosewater”; a section of the Berlin Wall has become a work of art in L.A..

Cindy Lauper on why she was fearless about writing her first Broadway show; What would happen if Hasbro buys DreamWorks Animation?; Pete Nowalk talks about creating "How to Get Away with Murder"; Jill Soloway on the first time she saw a set being built for a script she wrote.

"The Daily Show" host (far right) talks about his film directing debut, "Rosewater"; how is the LGBT community faring in depictions on television?; Jake Gyllenhaal tells us about the first time he realized he wanted to act; and singer Perla Batalla recalls her family-run record store that is gone, but not forgotten.

Hilary Swank talks about her unglamorous role in “The Homesman" (pictured); Mexico's most acclaimed filmmakers criticize the handling of a student massacre in their homeland; the grandson of General George S. Patton on how filmmaking can help veterans deal with PTSD; and Amazon unveils its next slate of TV shows.

The director on why "Interstellar" is his "most aggressive" attempt at a family blockbuster; how a high school teacher works the arts into the classroom; the butler from “The Fresh Prince of Bel-Air” becomes King Lear; Jon Stewart tells us about the first time he bombed as a stand-up comic.

The Los Angeles County Museum of Art gets a collection (including a Monet, pictured) valued at $500 million; Herbie Hancock talks about the Thelonious Monk Jazz Competition in L.A.; James Marsh's 'Theory' tells the Stephen Hawking story; and the AARP puts on its second film festival in L.A. (Did you know the "R" no longer stands for "retired"?)