The Frame

Don Randi recalls his days as a pianist with the legendary studio band The Wrecking Crew in his memoir, "You've Heard These Hands"; the documentary "Song of Lahore" tells the unlikely story of how a group of Pakistani musicians found worldwide acclaim; YouTube enters the streaming biz with an app.

The actor goes behind the camera to direct his first feature, "Shelter," starring his wife, Jennifer Connelly; Katie Theroux is the sole L.A. semi-finalist in the Thelonious Monk Jazz Competition; the Hollywood Reporter will still name the industry's 100 most powerful women, but they won't be ranked.

Director Patricia Riggen and cinematographer Checco Varese — her husband — were partners above and below ground on the mining disaster film, "The 33"; Boston Globe reporter Mike Rezendes is played by Mark Ruffalo in "Spotlight"; Song Exploder dissects a song by Dan Auerbach's side project, The Arcs.

One year out from the 2016 Presidential election, we hear from Beau Willimon, an executive producer of "House of Cards," and Jay Roach, director of an HBO film about Lyndon Johnson.

Ewan McGregor and filmmaker Rodrigo Garcia share stories of making their movie about Jesus wandering the desert; Leon Bridges' quick rise to soul stardom; Do box office results impact Oscar voting?

Michael Keaton leads the cast in "Spotlight," about the Boston archdiocese cover-up of sexual abuse cases; NBC and "Saturday Night Live" have resisted calls to remove Donald Trump as host of the show; Performance artist and composer Laurie Anderson examines love and loss in the documentary, "Heart of a Dog."

Director Catherine Hardwicke's new movie is written by and about women. As an advocate for women in Hollywood she practices what she preaches; Flailing TV shows remain on the air in this new era; Two Chicago institutions bring dance and sketch comedy together.

The actor says the experience of Dalton Trumbo and other blacklist victims still resonates today; Quentin Tarantino is facing a boycott of his films because of comments he made at a protest against police brutality; the German classic film, "M," was remade for American audiences but never released.

Disney is delaying publication of a companion book to "The Force Awakens" in hopes of keeping the story line under wraps; Jason Segel's performance as David Foster Wallace is another example of a cult figure on the big screen; Women wrote just 22 percent of the plays produced last year in the U.S.

The Irish actress plays a young immigrant in a story that mirrors what her own parents experienced; Kyle Buchanan of Vulture.com assembled a list of women directors who Hollywood studios should be hiring; "Songs from Suicide Bridge" is another excavation project from Light In the Attic records.

On today's show: Lea Thompson didn’t always like the way women were depicted in movies. So she directed a female-positive feature — written by and starring her daughter; mixed news for people who work in Hollywood; Jeff Tomsic, director of the buddy comedy, "Tag."

On today's show: Hanks is spending a good chuck of his summer playing Falstaff in "Henry IV" under the stars on the grounds of the V.A. campus in Brentwood; Spotify's curated playlists are hugely influential, but are they also sexist?

On today's show: Director Domee Shi mined her childhood for the story about a Chinese dumpling that comes to life in the animated short, "Bao"; Fox can only hope for the best as the World Cup kicks of without the U.S. team; between streaming services and countless cable channels, why are there still movies that can't be seen?

On today's show: the British actress has gone from an Oscar-nominated role in "Phantom Thread" to sharing the stage with Jeremy Irons; the E3 gaming convention is not just about guns and bombast; a new episode of Song Exploder features Liz Phair revisiting her 1993 debut album, "Exile in Guyville."

On today's show: Director X (that's what he goes by) says his film is a "re-imagining" of the '70s blaxploitation classic; what does it mean that the major film critics are overwhelmingly white and male?; we take you out to the ol' ballgame with the L.A. Dodgers' organist.

On today's show: actress Toni Collette talks about her intense performance in the new horror film, "Hereditary"; remembering Anthony Bourdain, the author and TV host who had a profound influence on food culture; a preview of the Tony Awards with New York Times co-theater critic Jesse Green.

On today's show: the theater satire trio known as Culture Clash revisits the volatile region in its latest show, “Bordertown Now”; the ReFrame coalition is partnering with IMDbPro to recognize standout, gender-balanced film and TV projects; the L.A.-based American Contemporary Ballet performs at its studio on the 32nd floor of a downtown high-rise.

On today's show: director Brad Bird explains the long gestation between the original and "Incredibles 2"; is the traditionally conservative country music industry changing its stripes?; the PLAY organization helps people tap into their creative, playful selves.

On today's show: 50 years after the assassination of Robert F. Kennedy, filmmaker Dawn Porter talks about her Netflix docu-series, "Bobby Kennedy For President"; until recently, singer-guitarist Naia Izumi could barely survive by performing on the streets of L.A. Now, he’s on his very first national tour after winning NPR’s Tiny Desk Song Contest.

On today's show: Filmmaker Morgan Neville adds Fred Rogers to his eclectic list of documentary subjects; Jihan Zencirli is unlike any balloon artist you've ever encountered.

On today's show: Samantha Bee said she crossed a line with her vulgar comment about Ivanka Trump, but where is that line these days on TV?; actor Simon Baker makes his film directing debut with "Breath"; music under the stars at the Mt. Wilson Observatory.

On today's show: Writer/director Bart Layton talks about the true story behind his new heist film, "American Animals"; Spotify's founder admits the company erred in its attempt to punish some recording artists accused of misconduct; The Miracle Project brings together teenagers and young adults with autism to create and perform a musical.