The Frame

Don Randi recalls his days as a pianist with the legendary studio band The Wrecking Crew in his memoir, "You've Heard These Hands"; the documentary "Song of Lahore" tells the unlikely story of how a group of Pakistani musicians found worldwide acclaim; YouTube enters the streaming biz with an app.

The actor goes behind the camera to direct his first feature, "Shelter," starring his wife, Jennifer Connelly; Katie Theroux is the sole L.A. semi-finalist in the Thelonious Monk Jazz Competition; the Hollywood Reporter will still name the industry's 100 most powerful women, but they won't be ranked.

Director Patricia Riggen and cinematographer Checco Varese — her husband — were partners above and below ground on the mining disaster film, "The 33"; Boston Globe reporter Mike Rezendes is played by Mark Ruffalo in "Spotlight"; Song Exploder dissects a song by Dan Auerbach's side project, The Arcs.

One year out from the 2016 Presidential election, we hear from Beau Willimon, an executive producer of "House of Cards," and Jay Roach, director of an HBO film about Lyndon Johnson.

Ewan McGregor and filmmaker Rodrigo Garcia share stories of making their movie about Jesus wandering the desert; Leon Bridges' quick rise to soul stardom; Do box office results impact Oscar voting?

Michael Keaton leads the cast in "Spotlight," about the Boston archdiocese cover-up of sexual abuse cases; NBC and "Saturday Night Live" have resisted calls to remove Donald Trump as host of the show; Performance artist and composer Laurie Anderson examines love and loss in the documentary, "Heart of a Dog."

Director Catherine Hardwicke's new movie is written by and about women. As an advocate for women in Hollywood she practices what she preaches; Flailing TV shows remain on the air in this new era; Two Chicago institutions bring dance and sketch comedy together.

The actor says the experience of Dalton Trumbo and other blacklist victims still resonates today; Quentin Tarantino is facing a boycott of his films because of comments he made at a protest against police brutality; the German classic film, "M," was remade for American audiences but never released.

Disney is delaying publication of a companion book to "The Force Awakens" in hopes of keeping the story line under wraps; Jason Segel's performance as David Foster Wallace is another example of a cult figure on the big screen; Women wrote just 22 percent of the plays produced last year in the U.S.

The Irish actress plays a young immigrant in a story that mirrors what her own parents experienced; Kyle Buchanan of Vulture.com assembled a list of women directors who Hollywood studios should be hiring; "Songs from Suicide Bridge" is another excavation project from Light In the Attic records.

Jill Soloway on the making of the "musicale finale" of "Transparent" — without actor Jeffrey Tambor; a group of up-and-coming film composers and indie directors convene at Skywalker Ranch for some intensive collaboration.

Jim Gaffigan is best known for his comedy, but can play a mean child kidnapper too; what the retirement of the head of the Rock & Roll Hall of Fame could mean for overlooked artists; singer/songwriter Lupita Infante carries on her grandfather's legacy.

The LA-based contemporary dance company BodyTraffic debuts new works; what The Black Keys concert fiasco says about the live music industry; how the prolific musician Alex G transforms his voice.

Executive producers Susannah Grant and Sarah Timberman on their Netflix adaptation of a true story about the search for a serial rapist; concerns in Aurora, Colorado about the themes in "Joker"; the band Trashcan Sinatras.

The actress talks about playing the iconic singer and actress Judy Garland; Emmys were a big night for Phoebe Waller-Bridge, not so good for the broadcast networks; our resident "Downton Abbey" nerds revel in their big weekend.

Television is exploding and it’s time to celebrate! Join The Frame's John Horn and L.A. Times TV critic Lorraine Ali as they break down the year in television and this year's Emmy-worthy shows.

Documentary filmmaker Irene Taylor Brodsky turns the camera on her 11-year-son and his effort to learn Beethoven's composition; Hollywood struggles to strike the right note of climate urgency; how sound becomes a character in the film, "The Sound of Silence."

The writer/director of the hit film talks about the making of the movie, and life as a woman director in Hollywood; "Bandersnatch" is not your average TV movie.

In the animated series from the people behind “Bojack Horseman” (Raphael Bob-Waksburg and Kate Purdy), there’s no horse, but there’s still an existential crisis; the play Mike Pesca on SNL's on- again, off-again casting of Shane Gillis; "American Mariachi" is a soundtrack for Mexican-American life.

The director and co-writer of the space epic talks about his new film, which stars Brad Pitt as an astronaut on a perilous mission; NBC announces plans for its streaming service, which will be called Peacock; Rhiannon Giddens talks about her affinity for country music.

The singer and songwriter has a new album and a new movie score coming up, plus a documentary about his time with The Band; Variety film critic Peter Debruge wraps up the Toronto International Film Festival.

Nick Offerman goes on tour; NYT TV critic deconstructs Donald Trump's TV character; Gay of Thrones and The Handmaid's Tale costumer go for Creative Arts Emmys; La Santa Cecilia plays in El Paso and "This Close" is a TV show created by and starring deaf people.