The Frame

The bassist for the Red Hot Chili Peppers has a new memoir that recounts his days before he met his bandmates in high school; the Grammy nominations make history, but could still use some improvement.

The 19-year-old filmmaker shot the movie while he was still in high school, and it won him awards at the Tribeca Film Festival; the U.S. Justice Dept. may allow studios to once again own movie theaters; the comedians who warm up TV studio audiences.

The writer/director strives for a sense of sisterhood in all her projects; Louie C.K.'s return to the stage; comedian Gabriel Iglesias reunites with an influential high school teacher of his.

Lena Waithe and Melina Matsoukas want “Queen & Slim" to make an impact on the culture as a form of protest art; Congressman Julian Castro questions in Hollywood is engaged in "systemic exclusion" of Latinos; "Ford v Ferrari" director James Mangold; "Scandalous" doc tell story of National Enquirer

Director Trey Edward Shults and actress Taylor Russell talk about their drama focused on an African-American family; Taylor Swift's ongoing battle for her early music; Josh Homme's "Desert Sessions."

The actor takes on a new challenge for Lauren Yee's play at The Pasadena Playhouse; the Country Music Association Awards and a dichotomy in country music; the composers of "Dickinson" use modern music for the classic tale.

Mark Landsman's documentary looks at the roots and the modern history of the notorious tabloid; Anna Waronker and the revival of the band That Dog; Song Exploder with Raphael Saadiq.

Daniel J. Jones, the Senate investigator who uncovered the CIA's use of torture in the wake of 9/11, talks about the movie based on his work, in which he's played by Adam Driver; Disney's new streaming service got off to a shaky start because of tech issues; Sam Beam of Iron & Wine and Joey Burns from Calexico have teamed up for another album.

The director and co-writer talks about making a movie that's more than just racing scenes; the Congressional Hispanic Caucus meets with Hollywood execs about representation; veterans turn to ancient Greek dramas to tell their own stories.

Mark Ruffalo wants to make movies that make a difference and make Marvel films too; "Honey Boy" director Alma Har'el on how she and Shia LaBeouf bonded; Nell Scovell confronts David Letterman; How "Moonface" was made; Writer Nell Scovell confronts her old boss, David Letterman.

Series creator Damon Lindelof and director Stephen Williams walk us through the pivotal sixth episode; Kanye West's "opera" at the Hollywood Bowl; The Grammy Museum adds a gallery for Latin music.

The Red Hot Chili Peppers' Flea writes about his violent step-father who also inspired his love of music; Elizabeth Banks wants to up-end Hollywood’s outdated ideas of what kinds of movies women can direct; and Comedian Gabriel Iglesias reunites with the high school teacher who helped him find his voice.

The actor plays a corporate attorney who switches sides to go after an environmental polluter; Hollywood Reporter TV critic Daniel Feinberg on the glut of TV programming.

Native American playwright Larissa FastHorse examines cultural pitfalls of the holiday; late-night TV hosts are having a field day with the impeachment hearings; singer Dorian Wood channels Chavela Vargas.

After her longtime stint in Sonic Youth, followed by a two-person band called Body/Head, the singer and bassist has her first solo album, "No Home Record"; writer Nell Scovell mends fences (sort of) with David Letterman; Mati Diop's Senegalese film, "Atlantics."

The author's latest deep dive into pop culture is about his love for cinema; why did the Marciano Art Foundation suddenly shut its doors?; "The Red Thread" magic show.

The director wrote the script based on conversations with friends about marriage and divorce; Adam Driver talks about "Marriage Story," his fourth collaboration with Baumbach; Mexican composer Gabriela Ortiz on her ongoing relationship with the L.A. Philharmonic.

Alma Har'el talks about making her narrative feature directing debut in the film that stars Shia LaBeouf in his first feature-length screenplay; an oral history of "Blade Runner."

The former first lady of the Philippines gave access to filmmaker Lauren Greenfield for a new documentary; why are same-sex love scenes being edited out of films on Delta Airlines?; the new podcast "Moonface" examines homosexuality and cultural barriers.

Ed Norton brings "Motherless Brooklyn" to theaters 20 years after he first had the idea; star Cynthia Erivo and director Kasi Lemons tell the story of telling the story of Harriet Tubman on screen; Should arts orgs partner with Saudi Arabia?; Josh Homme of Queens of the Ston

On his new double album, the mixmaster works with other prominent hip hop artists, but he also composed instrumentals for an orchestra; why isn't Martin Scorsese's "The Irishman" in more theaters?

Over more than a half-century, George Rodriguez has taken countless photos of celebrities, but also of social movements such as farmworker strikes and student protests; after a high-profile departure, what's next for the "Star Wars" franchise?; singer San Cha