The Frame

The bassist for the Red Hot Chili Peppers has a new memoir that recounts his days before he met his bandmates in high school; the Grammy nominations make history, but could still use some improvement.

The 19-year-old filmmaker shot the movie while he was still in high school, and it won him awards at the Tribeca Film Festival; the U.S. Justice Dept. may allow studios to once again own movie theaters; the comedians who warm up TV studio audiences.

The writer/director strives for a sense of sisterhood in all her projects; Louie C.K.'s return to the stage; comedian Gabriel Iglesias reunites with an influential high school teacher of his.

Lena Waithe and Melina Matsoukas want “Queen & Slim" to make an impact on the culture as a form of protest art; Congressman Julian Castro questions in Hollywood is engaged in "systemic exclusion" of Latinos; "Ford v Ferrari" director James Mangold; "Scandalous" doc tell story of National Enquirer

Director Trey Edward Shults and actress Taylor Russell talk about their drama focused on an African-American family; Taylor Swift's ongoing battle for her early music; Josh Homme's "Desert Sessions."

The actor takes on a new challenge for Lauren Yee's play at The Pasadena Playhouse; the Country Music Association Awards and a dichotomy in country music; the composers of "Dickinson" use modern music for the classic tale.

Mark Landsman's documentary looks at the roots and the modern history of the notorious tabloid; Anna Waronker and the revival of the band That Dog; Song Exploder with Raphael Saadiq.

Daniel J. Jones, the Senate investigator who uncovered the CIA's use of torture in the wake of 9/11, talks about the movie based on his work, in which he's played by Adam Driver; Disney's new streaming service got off to a shaky start because of tech issues; Sam Beam of Iron & Wine and Joey Burns from Calexico have teamed up for another album.

The director and co-writer talks about making a movie that's more than just racing scenes; the Congressional Hispanic Caucus meets with Hollywood execs about representation; veterans turn to ancient Greek dramas to tell their own stories.

Mark Ruffalo wants to make movies that make a difference and make Marvel films too; "Honey Boy" director Alma Har'el on how she and Shia LaBeouf bonded; Nell Scovell confronts David Letterman; How "Moonface" was made; Writer Nell Scovell confronts her old boss, David Letterman.

From his hideaway studio in Northeast L.A., Younge creates modern music that's inspired by classic R&B and film scores from the '70s.

In the 1960s, Dolores Huerta co-founded the United Farm Workers union with Cesar Chavez. But for years, Huerta didn't get nearly the same recognition as Chavez for leading the farm worker movement. The documentary, “Dolores,” aims to set the record straight.

The FX series "Trust" explores the characters and circumstances surrounding the 1973 kidnapping of J. Paul Getty III. Director Danny Boyle and screenwriter Simon Beaufoy who won Oscars for "Slumdog Millionaire" re-team for their first American TV series.

"On the Exhale" is a play that's told from the perspective of a mother whose child was a victim at Sandy Hook Elementary; "Roxanne, Roxanne" charts the unlikely rise of rapper Roxanne Shonte; incentivizing diversity in the state’s film & TV tax credit program could help change the industry’s biased hiring practices.

In his new HBO series, Hader plays an assassin who doesn’t find his career totally satisfying. When he accidentally walks into an acting class, a whole new world opens up for him.

Actress Lola Kirke talks about her new noir thriller, which is set in Los Angeles; in The Actors' Gang's "The New Colossus," the audience votes on which characters should be allowed to stay in the U.S.; The Weinstein Co. releases employees from the non-disclosure agreements that kept them silent.

"Wild Wild Country" tells the story of an Indian guru who in the 1980s tried to transform an Oregon town into a massive utopia of enlightenment. But friction and violence ensued; "Rise" revolves around a group of high school drama kids in a struggling, working-class Pennsylvania town.

In “Sell/Buy/Date," playwright and performer Sarah Jones explores empowerment, sex and culture by inhabiting a variety of characters; the film and TV industries are undergoing a reckoning with #MeToo, but the music business has certain barriers that have kept women silent.

Filmmaker Rebecca Miller takes on a tough documentary subject: her iconic playwright father; Merrill Garbus addresses cultural appropriation on Tune-Yards' new album; Aaron Sorkin’s Broadway adaptation of "To Kill a Mockingbird" hits a legal roadblock from the estate of author Harper Lee.

Playwright Lauren Yee play is inspired by Cambodian psychedelic rock of the '70s, before Pol Pot singled out the nation’s artists; CherryPicks will aggregate movie, music and video game reviews from female critics; Ludwig Göransson dissects a song from his score for "Black Panther."

Taylor Mac is the theater artist, drag performer, MacArthur fellow and creative mind behind a 24-hour-long retelling of American history through popular songs; was James Levine allowed to remain in power at the Metropolitan Opera because of "maestro worship"?

Boots Riley of the hip-hop group The Coup talks about his directing debut, "Sorry To Bother You" – a satire about race in America; “High Maintenance” co-creator Katja Blichfeld says she and fellow co-creator Ben Sinclair kept the show intact despite their breakup; the massive SxSW tech, film and music fest is underway in Austin.