The Frame

The bassist for the Red Hot Chili Peppers has a new memoir that recounts his days before he met his bandmates in high school; the Grammy nominations make history, but could still use some improvement.

The 19-year-old filmmaker shot the movie while he was still in high school, and it won him awards at the Tribeca Film Festival; the U.S. Justice Dept. may allow studios to once again own movie theaters; the comedians who warm up TV studio audiences.

The writer/director strives for a sense of sisterhood in all her projects; Louie C.K.'s return to the stage; comedian Gabriel Iglesias reunites with an influential high school teacher of his.

Lena Waithe and Melina Matsoukas want “Queen & Slim" to make an impact on the culture as a form of protest art; Congressman Julian Castro questions in Hollywood is engaged in "systemic exclusion" of Latinos; "Ford v Ferrari" director James Mangold; "Scandalous" doc tell story of National Enquirer

Director Trey Edward Shults and actress Taylor Russell talk about their drama focused on an African-American family; Taylor Swift's ongoing battle for her early music; Josh Homme's "Desert Sessions."

The actor takes on a new challenge for Lauren Yee's play at The Pasadena Playhouse; the Country Music Association Awards and a dichotomy in country music; the composers of "Dickinson" use modern music for the classic tale.

Mark Landsman's documentary looks at the roots and the modern history of the notorious tabloid; Anna Waronker and the revival of the band That Dog; Song Exploder with Raphael Saadiq.

Daniel J. Jones, the Senate investigator who uncovered the CIA's use of torture in the wake of 9/11, talks about the movie based on his work, in which he's played by Adam Driver; Disney's new streaming service got off to a shaky start because of tech issues; Sam Beam of Iron & Wine and Joey Burns from Calexico have teamed up for another album.

The director and co-writer talks about making a movie that's more than just racing scenes; the Congressional Hispanic Caucus meets with Hollywood execs about representation; veterans turn to ancient Greek dramas to tell their own stories.

Mark Ruffalo wants to make movies that make a difference and make Marvel films too; "Honey Boy" director Alma Har'el on how she and Shia LaBeouf bonded; Nell Scovell confronts David Letterman; How "Moonface" was made; Writer Nell Scovell confronts her old boss, David Letterman.

On today's show: Samantha Bee said she crossed a line with her vulgar comment about Ivanka Trump, but where is that line these days on TV?; actor Simon Baker makes his film directing debut with "Breath"; music under the stars at the Mt. Wilson Observatory.

On today's show: Writer/director Bart Layton talks about the true story behind his new heist film, "American Animals"; Spotify's founder admits the company erred in its attempt to punish some recording artists accused of misconduct; The Miracle Project brings together teenagers and young adults with autism to create and perform a musical.

On today's show: TV critics Lorraine Ali (Los Angeles Times) and Daniel Fienberg (Hollywood Reporter) talk with John Horn about the broader issues raised by the "Roseanne" debacle; With "The Americans" coming to an end, we learn trade secrets from the show's costumer and makeup artist.

On today's show: Ted Johnson of Variety talks about ABC's dramatic move after Barr's racist tweet about former Obama official Valerie Jarrett; actress Shailene Woodley talks about her role in the new film, "Adrift"; L.A. Times art critic on how MOCA should solve its leadership issues.

The Frame's John Horn and L.A. Times reporter Jen Yamato guide you through the summer movie lineup. We've got interviews with Ethan Hawke, Shailene Woodley and Tessa Thompson, "Incredibles 2" director Brad Bird, and the paleontologist who consulted on all the "Jurassic" movies. Plus, John visits with concession stand vendors who are marketing the next generation of movie snacks.

On today's show: actor Jussie Smollett is an executive producer of "America Divided." His episode looks at the inheritance of slavery; songwriter Mary Gauthier wrote an entire album with veterans; an attorney who represents sexual harassment victims talks about the significance of Harvey Weinstein's arrest.

On today's show: The acclaimed filmmaker responded to the pope's invitation to make a documentary about the Catholic Church under his leadership; with "Solo: A Star Wars Story" opening, are fans suffering from galactic fatigue?; screenwriter Zak Penn on what makes for a successful Summer blockbuster.

On today's show: L.A. Times pop music critic emeritus Robert Hilburn talks about his new Paul Simon biography and about the singer/songwriter's final tour; the Portland-based musicians who record as Wonderly on how they created the theme song for The Daily — the radio version of the New York Times’ hugely popular daily news podcast.

On today's show: Olivia Milch wrote and directed the Netflix film, "Dude," and she co-wrote the much anticipated "Ocean's 8"; GLAAD's annual report says movie studios have regressed when it comes to LGBTQ representation; music producer Sebastian Krys' path from lowly intern to studio wizard.

On today's episode, filmmaker Jennifer Fox adds a personal chapter to the #MeToo movement with her film, "The Tale" (starring Laura Dern); Kyle Buchanan of Vulture.com talks about the highlights of the Cannes Film Festival; and writer Robert Gordon explores Memphis blues and R&B.

The documentary, “Bombshell,” tells the amazing life story of movie star and wartime inventor Hedy Lamarr; YouTube will compete with Spotify and Apple Music through its new streaming platform; the schlocky horror comedy, "Killer Klowns from Outer Space," turns 30.

Broadcast networks finished pitching to advertisers today, with the news that "Crazy Ex-Girlfriend" will end after next season; a look at the Billboard Top 40 charts reveals that rock just isn’t very popular these days; Canadian singer-songwriter Lindi Ortega's latest album was inspired by spaghetti Westerns, Ennio Morricone film scores and Quentin Tarantino movies.