The Frame

The Frame pays tribute to Prince: music critic Melissa Ruggieri reports on Prince's final concerts; singer Judith Hill had her debut album produced by Prince; Alex Pappademas of MTV News on Prince's legacy in music and film; and Scott Goodman got a personal request from Prince to have his music removed from Goodman's file sharing website.

Kathryn Bostic has a varied music career as a composer for film, stage and the concert hall, and a singer/songwriter; the Ford Amphitheatre in the Hollywood Hills is nearing the end of an extensive renovation; an unprecedented number of women comic book writers and artists are up for Eisner Awards.

Kamau Bell's new CNN docu-series gets off to a wild start when he spends time with some Ku Klux Klan members on their turf; on a new episode of Song Exploder, punk legend Iggy Pop and Josh Homme of Queens of the Stone Age dissect their collaboration.

Rachel Bloom, star and co-creator of the CW show, “Crazy Ex-Girlfriend,” reveals how she took her love of musical theater and made it into a modern day commentary on sex and the single woman; Plus, electronic music rules at Coachella this year. We'll hear a wrap-up of the first weekend and a review of some wearable tech aimed at audiophiles.

Former "Daily Show" correspondent puts a twisted spin on the family sitcom with "The Detour"; at CinemaCon in Las Vegas, vendors tease movie theater ideas, including a robotic bar; L.A. theater veteran Diane Rodriguez takes her expertise to a national stage.

Eric Spitznagel's new book chronicles his quest for prized albums he disposed of over the years; Pacific Symphony tries to find new audiences in bars and restaurants; Amazon lays out its plans in the original feature film arena.

Screenwriter Susannah Grant revisits the 1991 hearings that pitted Supreme Court nominee Clarence Thomas against law professor Anita Hill; the spokesman for movie theater owners says theaters should remain the first venue for film releases; Arctic Monkeys frontman Alex Turner teams up with Miles Kane on a side project.

Rob Delaney and Sharon Horgan, the stars and creators of the Amazon series "Catastrophe" explain why they may push the boundaries of language but not of nudity. Musician Mayer Hawthorne muses on his upbringing and his Detroit roots. Host John Horn reports from CinemaCon in Las Vegas-- where theater owners and movie studio execs strategize ways to generate box office boffo.

Ben Falcone opens up about directing his wife, Melissa McCarthy, in "The Boss"; Karyn Kusama made her new movie with support from a group of investors who fund movies made by women; N.W.A. injects some West Coast rap style into the Rock and Roll Hall of Fame.

The Pulitzer Prize-winning playwright once again ties history to the present day in "Father Comes Home From The Wars."

Gigi Saul Guerrero, who was born in Mexico, directed the episode that's part of the Hulu horror anthology series, “Into the Dark”; Variety's Todd Spangler on Netflix losing subscribers in the U.S.; composer Bobby Krlic (aka The Haxan Cloak) on writing the score for “Midsommar.”

Writer/director Riley Stearns and stunt coordinator Mindy Kelly talk about their film that's set in a sexist karate school; is Disney having buyer’s remorse over its purchase of Fox's film studio?; behind the appeal of the band Durand Jones & The Indications.

The acclaimed visual artist and musician walks through his retrospective with his wife and frequent collaborator, Jo Harvey Allen; breaking down the Emmy nominations; in the studio with singer-songwriter J.S. Ondara.

The singer is the subject of a warts-and-all documentary, "David Crosby: Remember My Name"; The Hollywood Reporter's Scott Johnson talks about his story on the so-called "Con Queen of Hollywood"; catching up with Linda Ronstadt.

Kumail Nanjiani's "Stuber" and writer/director Lulu Wang's "The Farewell" just opened in theaters, as did the documentary "Sea of Shadows," about drug cartels invading a fishing village in Baja California. Morgan Neville's four-part documentary about music producer Rick Rubin debuts on Showtime. And we also visit with the French piano duo Katia and Marielle Lebeque.

The director and actor talk about their new film, "Sword of Trust"; The Hollywood Reporter's Eriq Gardner on so-called "deep fakes" in Hollywood — ultra-realistic manipulation of digital imagery; a profile of the singer and pianist Rhye.

Academy Award-winning documentary filmmaker Morgan Neville examines the career of the idiosyncratic record producer; the dilemma faced by cultural instititutions when they have received donations from alleged sexual predators; Black artists make a statement in "Soul of a Nation."

The comedian and actor wanted to go in a different direction after "The Big Sick," so he signed on for an atypical buddy-cop comedy; the latest battle in the video streaming wars; "Sea of Shadows" chronicles a marine life disaster in the Gulf of Mexico.

The piano-playing sisters perform everything from the classics to contemporary works by the likes of Thom Yorke and Bryce Dessner; will Jeffrey Katzenberg's big idea for short content fly?; the long-running Tuesday Night Café in Little Tokyo.

The film is based on a true story from the writer/director's own family about refusing to tell their grandmother that she is gravely ill; an appreciation of Brazilian songwriter João Gilberto, who has died at the age of 88.

"Midsommar" filmmaker says it's a horror film about co-dependency and the showrunner of the new ABC comedy "Mixed-ish" wants to inspire nuanced conversations about race. Given the massive TV audience for the World Cup why hasn't Hollywood tapped soccer fever for a great movie? All that and more on The Frame Weekend.

The play "Good Boys," written by "Riverdale" creator Roberto Aguirre-Sacasa, is updated in light of the Kavanaugh hearings; LA's Rogue Machine Theatre company tackles racism and gun violence with "Gunshot Medley: Part 1"; why are there so few movies about soccer?