The Frame

George C. Wolfe, an accomplished writer and theater director, talks about his Broadway musical, inspired by the 1921 show, “Shuffle Along"; The Broadway hit "Hamilton" won't be on the West Coast until 2017, but devoted fans here have figured out a way to bring it to life now.

Oscar-winning documentarian Charles Ferguson turns his camera to the climate crisis with "Time To Choose"; Stephanie Allain, Director of the L.A. Film Festival is on a mission to showcase filmmakers who Hollywood typically ignores; The rock duo The Kills are back with a new album, and they reveal why they don't have a drummer.

Comedian Quincy Jones was diagnosed with terminal cancer, but that didn't stop him from achieving his goal of filming a stand-up special. This week it airs on HBO; Fandango Fronterizo is an annual event that brings together musicians across the U.S.-Mexico border in celebration and in protest; L.A. theater company Chalk Rep mounts a play in a cluttered garage to bring an immersive experience to their audience.

Bryan Cranston is busier than ever with a number of films in various stages of production and distribution. He reflects on his life in acting — lessons learned and given; Slate culture writer Aisha Harris discusses the piece she co-wrote with Dan Kois, "The Black Film Canon: The 50 Greatest Movies by Black Directors."

"Honky" is a play by Greg Kallares that takes a humorous and provocative look at race, racism and marketing; Starting in September, Netflix will have exclusive rights to valuable Disney titles; South Africa is an increasingly popular locale for American films and TV shows.

Aziz Ansari wasn't happy with the parts he was being offered, so the comic actor created “Master of None” for Netflix; Ellis Ludwig-Leone of the band San Fermin brings together classical music and pop for his own brand of indie rock; Slate culture writer Aisha Harris previews this year's highly-anticipated slate of summer movies.

Kate Beckinsale opens up about Lady Susan, her role in "Love & Friendship," an 18th Century character who behaves very much like a 21st Century woman; DC Comics reboots its universe of familiar characters with "Rebirth"; the González siblings prepare to perform together for the first time in 20 years.

Director Susanne Bier on adapting John Le Carré's novel 'The Night Manager' for TV and lifting women filmmakers by example; meet musician Will Toledo, aka Car Seat Headrest, whose latest album is getting good reviews; Spotify is the leading streaming service with close to 100 million users, but the Swedish company isn't yet making a profit.

Nick Stoller's huge success directing the first "Neighbors" movie led to the inevitable sequel, which centers around a sorority; Asian-American men have a particularly difficult time landing lead roles in films and TV shows; HBO programming chief Michael Lombardo steps down and leaves challenges for his successor.

We visit the set of Maria Bamford's Netflix show “Lady Dynamite” to see how she blends the absurd with autobiography. The filmmakers of the documentary "Song of Lahore" track how musicians revived their art form and found an international audience with their cover of the Dave Brubeck song, "Take Five." What's hot and not at this year's Cannes Film Festival.

Now that "Game of Thrones" is over (and many viewers are over it), HBO and other networks are looking for The Next Big Thing; Andrew Bird's latest album is cleverly titled, "My Finest Work Yet"; rapper Little Simz explores the "Grey Area."

The popular HBO series concludes this Sunday, but can it possibly go out on a high note?; Megan Mullally and Stephanie Hunt talk and perform as their musical altar egos, Nancy and Beth.

The comedian was the victim of a rumor that his wife had left him, so he wrote an entire album of heartbreak songs inspired by his non-existent divorce; Amy Lemisch talks about her long tenure as head of the California Film Commission.

Anna Konkle and Maya Erskine co-created and co-star in the Hulu series that finds all the awkwardness and humor in being a young teen; broadcast and cable networks continue to pitch their Fall schedules to advertisers in New York City.

The singer, who has roots in both Mexico and the U.S., has a new album that takes on issues of the day; TV networks are laying out their fall plans for advertisers and the press; a new KPCC series reunites artists with the high school teachers who influenced them.

KPCC's newest podcast, "Tell Them, I Am," profiles Muslims from various walks of life who defy stereotypes about Islam and its followers; comedian Ramy Youssef has a new series on Hulu; the Japanese pop-punk band, Chai.

Actress D'Arcy Carden has become a fan favorite on the popular NBC series, but her success didn't come overnight; a preview of the Cannes Film Festival.

The Tony Award-winning actor and playwright has an ambitious podcast musical titled “Anthem: Homunculus”; Disney's $400 million bet on Vice Media is coming up dry; Anita Sarkeesian is out to halt harmful depictions of LGBTQ characters in video gaming.

The anniversary festival is up in the air as the promoter and his one-time backer are at odds; Max Joseph made a film that's a paean to bookstores and reading; Song Exploder deconstructs a song from The Cranberries' final album.

"Gay of Thrones" is the hilarious Funny or Die web series that recaps each episode of the HBO hit; Georgia's governor signed an abortion bill that might impact film and TV production in the state; the singer who goes by Cimafunk is known as "the Cuban James Brown."

The Korean boy band performed two shows to loud audiences, cementing its place in the global pop music world; filmmaker Mike Mills made an unlikely collaboration with the band, The National; the Write Girl program gives teen girls a boost.

Latinos go the movies in numbers that far surpass their percentage of the U.S. population. So why don't studios cater more to that audience?; the HBO documentary, "At the Heart of Gold," looks at the U.S. gymnastics sexual abuse scandal; creating a soundtrack for "Conversations With a Killer: The Ted Bundy Tapes."