The UK vote to leave the European Union has roiled world markets and fueled debates about immigration and national identity.
With two years until the actual divorce is final, there are still plenty of unknowns.
But right away some truths are clear: the value of the British pound has dropped precipitously, and many in the creative communities both in Europe and in the U.S. are lamenting the referendum.
We address what Brexit means for the film and television industries first and then get into what it means for those working in the music industry.
The effect on U.K. film
Nancy Tartaglione covers the international entertainment business for Deadline and is based in France. She took a break from the Cannes Lions Creativity Festival to talk to The Frame about reactions she’s gotten about the Brexit vote.
She first commented on Harvey Weinstein's take on the new legislation.
Tartaglione: He called it a disaster and a huge mistake. He said that he believes that the vote was not an economic vote, it was about immigration and that people voted out of fear.
Harvey Weinstein On Brexit: “A Huge Mistake”; People “Voted Out Of Fear”
— Deadline Hollywood (@Deadline)
Harvey Weinstein On Brexit: “A Huge Mistake”; People “Voted Out Of Fear” https://t.co/tULmN0JbUK pic.twitter.com/bseCd3vsxp
— Deadline Hollywood (@DEADLINE) June 24, 2016
The vote also has massive implications for the kinds of freedom that U.K. film crews previously had to move across E.U. borders.
Tartaglione: If you look at U.K. productions when Disney, Marvel or Lucasfilm or anybody is working at Pinewood, they have a lot of U.K. crews. If you're going to take a production to Hungary or Romania and you want to take the fantastically skilled U.K. below the line people with you, there may be questions about work visas and this that and the other.
E.U. arts funding gave close to $44 million to British films in 2014 and 2015. With the decision to leave the E.U., that kind of financing may not be available to British film studios going forward.
Tartaglione: The U.K. could end up with status that allows it to access that funding, but you have to ask a question, in terms of when all of these negotiations and re-negotiations are going down: Is Brussels going to want to give money to a country that just said basically, "See ya?"
The effect on U.K. music
The U.K. music industry faces many of the same issues as those of the film and television industry. As we speak, the Glastonbury Festival — one of the largest music festivals in the world — is underway in England.
Earlier today at the festival, Damon Albarn, lead singer of the bands Blur and Gorillaz, slammed the Brexit vote to the support of festival-goers.
Damon Albarn first Glastonbury star to mention EU result. "Democracy failed us because it was ill-informed."
— Kaya Burgess (@kayaburgess)
Damon Albarn first Glastonbury star to mention EU result. "Democracy failed us because it was ill-informed." pic.twitter.com/4tnok61MUH
— Kaya Burgess (@kayaburgess) June 24, 2016
In general, the Festival's reaction to the Brexit vote is one of dismay:
— Glastonbury Festival (@GlastoFest)
— Glastonbury Festival (@glastonbury) June 24, 2016
Jem Aswad, a senior editor at Billboard, joined The Frame to talk about the Brexit vote’s consequences for the music industry. He commented that the music industry was largely against the movement to separate from the EU.
Aswad: The BPI conducted a poll before the vote and two thirds of the people in the British music business did not want it to happen. Most of the music business trade organizations said they were opposed to it.
Among the main concerns, Aswad said, are the costs and limitations that U.K. artists will soon face while touring Europe.
Aswad: The whole concept of the E.U is open borders. What this means is that there are now a lot more restrictions and complications, not just with the people traveling, but also with the cargo that's coming in. There's a lot of paperwork and processing that has to be done that didn't have to be done before. The real deciding factor, though, is the exchange rate, and how financially difficult it is for people to remain there and for people to tour overseas.
An additional perspective Aswad shared, taken from a recent Billboard article, looks at the foundation created by European immigrants at the music industry's distribution level. It says that, for independent distributors like Proper Music, whose 120 warehouses rely on migrant workers, that foundation could easily crumble once Brexit goes into effect.