FilmWeek

Cynthia Addai-Robinson wears regal golden scale armor with with a golden ankle-length skirt and a black cape. She rides an armored horse with a sword hilted on one side of the horse. She looks off into the distance with a slight smile while holding the reigns of the horse. In the background: A regal looking marble structure with a large door on one side and a mural on the other; townsfolk.

FilmWeek: ‘Honk For Jesus,’ ‘The Rings Of Power,’ ‘Kaepernick & America’ And More

Larry Mantle and KPCC film critics Tim Cogshell, Andy Klein and Charles Solomon review this weekend’s new movie releases on streaming and on demand platforms.

Listen • 49:36

Episode Detail

Tilda Swinton is seen from behind from the neck up. She is wearing a vivdly red collared shirt, with the collar just visible. She has a natural red-head bob cut and looks to the right just slightly to meet her eyes with Idris Elba. Her glasses can just be made out. Opposite of Tilda is Elba, who is wearing a thick brown jean/cloth jacket wtiha dark brown hood pulled up, with his face fully visible. He is seen from the shoulders up, and one of Tilda's hands rests on the side of his face. He looks at Tilda with determined eyes. He also has a black beard with a brown patch on his chin. In the background: A greyish blue sky with clouds.

FilmWeek: “Three Thousand Years Of Longing,” “Breaking,” “Funny Pages” And Many More

Larry Mantle and KPCC film critics Christy Lemire and Lael Loewenstein review this weekend’s new movie releases on streaming and on demand platforms.

Listen • 49:37

Episode Detail

Piccolo is seen from the waist up, hovering in the air. He is holding one hand with two fingers pointed up to his forehead, with the fingers beginning to glow with a fiery orange. He is a green alien with two antennae and goblin like ears, and he is wearing a purple Gi. In the background, what looks like a sheer rock wall butting against perhaps a damn wall.

FilmWeek: ‘Beast,’ ‘Dragon Ball Super: Super Hero,’ ‘Orphan: First Kill’ And More

Larry Mantle and KPCC film critics Amy Nicholson, Andy Klein and Charles Solomon review this weekend’s new movie releases on streaming and on demand platforms.

Listen • 49:36

Episode Detail

Aubrey Plaza as Emily is seen from the chest up, looking tired with a bob haircut, wearing a black tank top and a black jean jacket over it. She has one hand on a car trunk looking like she is aobut to close it, and she is looking at someone in a blue and white striped shirt, who is just in frame on the right side and is only shown from behind. In the background: a parking lot with scattered cars.

FilmWeek: ‘Emily The Criminal,’ ‘Day Shift,’ ‘Inu-Oh’ And More

Guest Host John Horn and KPCC film critics Tim Cogshell, Wade Major, and Charles Solomon review this weekend’s new movie releases on streaming and on demand platforms.

Listen • 4:15

Episode Detail

Brian Tyree Henry (left) sits across a small wall-mounted table from Brad Pitt (right) on a bullet train. Both are sitting in train seats built for one. They are both looking directly at eachother, Henry has his hands in his lap and Pitt has one on his leg and another under the table, potenially holding some object. A water bottle, latpop, and hat rest on the table. In the background: two windows of the bullet train show a cityscape at night.

FilmWeek: ‘Bullet Train,’ ‘Easter Sunday,’ ‘Luck,’ ‘Bodies Bodies Bodies’ And Many More

Guest host John Horn and KPCC film critics Christy Lemire, Peter Rainer, Charles Solomon and Tim Cogshell review this weekend’s new movie releases on streaming and on demand platforms.

Listen • 49:37

Episode Detail

Boyd Holbrook (left) wears khakis, a brown belt, a wife beater and a tan button-down shirt that is unbuttoned. He stands with one hand on his hip, and looks off to the right of the image out of the screen. To his right, B.J. Novak stands about 3 feet away, in black pants with an off-white V-neck with a white button-down shirt, also unbuttoned. He has one hand in his pocket, the other holding his phone out to Holbrook to record his voice. They are viewable from the waist up, with some of Holbrook's upper legs showing. IN the background, a white-sand lot the two stand in gives way about halfway up the image to an empty field with light arid shrubbery. On the white sand patch: two oil derricks and a breaker box.

FilmWeek: ‘Vengeance,’ ‘Sharp Stick,’ ‘My Old School,’ ‘Thirteen Lives,’ And Many More

Guest host John Horn and KPCC film critics Amy Nicholson, Claudia Puig and Charles Solomon review this weekend’s new movie releases on streaming and on demand platforms.

Listen • 49:37

Episode Detail

FilmWeek: ‘Nope,’ ‘How To Please A Woman,’ ‘My Donkey, My Lover, & I’ And Many More

Larry Mantle and KPCC film critics Andy Klein and Lael Loewenstein review this weekend’s new movie releases on streaming and on demand platforms.

Listen • 50:40

Episode Detail

"The Gray Man" is seen on the right of frame from the knees up, hanging out of a lightrail car's shattered door window. He looks ahead, witha gun clutched in his right hand by his side. In the background, three more lightrail cars wrap to the left of a turn, with some street lights and more track in the background.

FilmWeek: ‘The Gray Man,’ ‘Paws of Fury: The Legend of Hank,’ ‘Where the Crawdad’s Sing’ And Many More

Larry Mantle and KPCC film critics Tim Cogshell and Peter Rainer review this weekend’s new movie releases on streaming and on demand platforms.

Listen • 49:36

Episode Detail

Natalie Portman stands to the left of Chris Hemsworth, both are turned towards eachother and staring into eachother's eyes. They both don thor-asgard-esque armor. In the background: a pink background with a light horizontal beam cutting through it, it looks as though they are standing in some sort of light tunnel.

FilmWeek: ‘Thor: Love and Thunder,’ ‘The Sea Beast,’ ‘Fire of Love,’ ‘The King of North Sudan’ And More

Larry Mantle and KPCC film critics Amy Nicholson, Christy Lemire and Charles Solomon review this weekend’s new movie releases on streaming and on demand platforms.

Listen • 49:36

Episode Detail

Three minions in disguise as two pilots and a flight attendant enter an airplane terminal through two rotating doors. Behind them, three human flight attendants walk in, with one looking down suspiciously at the minions. In the background, glass wall-to-ceiling windows show the outside of the airplane terminal, with passengers walking about and cars parked in an unloading zone.

FilmWeek: ‘Minions: The Rise of Gru,’ ‘The Forgiven,’ ‘Accepted’ And Many More

Larry Mantle and KPCC film critics Tim Cogshell, Lael Loewenstein and Charles Solomon review this weekend’s new movie releases on streaming and on demand platforms.

Listen • 49:37

Episode Detail

About The Show

Latest Episode

About the Show

Ways to Subscribe

About The Show

Latest Episode

About the Show