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From The TV Screen To The Silver Screen
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FilmWeek Tile 2024
Sep 27, 2019
Listen 8:54
From The TV Screen To The Silver Screen
“Downton Abbey,” Focus Features’ adaptation of the popular PBS `period drama, topped the weekend box office with an estimated $31 million.
(
Jaap Buitendijk - © 2019 Focus Features
)

“Downton Abbey,” Focus Features’ adaptation of the popular PBS `period drama, topped the weekend box office with an estimated $31 million.

“Downton Abbey,” Focus Features’ adaptation of the popular PBS `period drama, topped the weekend box office with an estimated $31 million

It became the largest opening in Focus Features’ history and pulled ahead of “Ad Astra,” Fox’s sci-fi feature starring Brad Pitt, which opened with $19.2 million. The success of “Downton Abbey" is in large part due to its cult-like TV following—the series finale, which aired in 2015, drew an audience of nearly 10 million viewers. Reviving a fanbase’s affection for the television characters they love has proven to be an effective strategy for filmmakers. Sex and The City and The Simpsons commanded huge opening weekends for their film adaptations, as did franchises like Star Trek, Transformers and Mission: Impossible, all based on television classics. 

Other highly anticipated television adaptations are still to come this fall. In October, viewers will follow the bleak trials of Breaking Bad’s Jesse Pinkman in El Camino: A Breaking Bad Movie, a revival of AMC’s popular drama. That same month, The Addams Family will bring the ghoulish family back in animated form. Charlie’s Angels, which was previously adapted from the television show in 2000, will be released in theaters this November.

What makes a good TV-to-film adaptation? What are some examples of the good and bad of TV series adapted to film? What’s your personal favorite? 

Call us and weigh in at 866-893-5722. 

Guests:

Amy Nicholson, film critic for KPCC, film writer for The Guardian and host of the podcasts ‘Unspooled’ and the podcast miniseries “Zoom”; she tweets

Tim Cogshell, film critic for KPCC, Alt-Film Guide and CineGods.com; he tweets

Charles Solomon, film critic for KPCC, Animation Scoop and Animation Magazine

Critics
Film Critic, FilmWeek
Film Critic, FilmWeek
Film Critic, FilmWeek
Film Critic, FilmWeek
Film Critic, FilmWeek
Film Critic, FilmWeek
Film Critic, FilmWeek
Film Critic, FilmWeek
Film Critic, FilmWeek
Film Critic, FilmWeek
Credits
Host, AirTalk
Associate Producer, AirTalk & FilmWeek
Apprentice News Clerk, FilmWeek