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Josh Tate

  • Pixar's Toy Story 3 enjoyed a very strong second weekend and easily claimed the weekend box office crown with a hefty haul of $59M ($226.5M). The terrible Grown Ups was a distant second with $41M, but that was still twice as much cash as the disappointing Knight and Day ($20.5). The Kung Fu Kid continues to do well ($15.4M | $135.6M) while The A-Team will struggle to hit the magical $100M barrier ($6M | $62.8M)....
  • So let me get this straight: take Adam Sandler (not funny), Kevin James (not funny), David Spade (once funny), Chris Rock (once funny) and Rob Schneider (once sort of funny) and you get a summer comedy blockbuster? I would almost see Sex and the City 2: Venality Reigns before seeing Grown Ups. What I will see, though, is Knight and Day. Cruise and Diaz were solid together in Vanilla Sky, and they look finely matched...
  • Bear witness to loads of laughs as the cult of comedy continues at Cinefamily! Friday, celebrate 40 years of National Lampoon (the National Lampoon of Harvard days, NOT the National Lampoon of Dorm Daze) with side-splitting satires Lemmings...
  • Who knew that people in London were such big Springsteen fans? Or was Hyde Park just full of expats? It was sad to see a solid film like The Green Zone completely fall flat at the box office. Its failure made it increasingly less likely that high-budgets will be spent on smart, complex films. Shame that. How can anyone not think that Exile on Main Street is the Stones' best album? Same goes for this...
  • After a summer of mostly lackluster debuts, Toy Story 3 demolished the competition this weekend, setting a Pixar opening record of $109M. Surprise powerhouse The Kung Fu Kid finished a distant second ($29M | $106.2M), well ahead of the mediocre and disappointing The A-Team ($13.7M | $49.7M). The unexpectedly funny Get Him to the Greek showed good legs in its third weekend ($6.1M | $47.8M) while Shrek Forever After continues to print money against all...
  • It isn't like we needed a Toy Story 3, but there's no doubt it will be awesome. Pixar's perfect string of massive commercial and critical hits continues with seemingly no end in sight. Barring the last minute addition of a full-frontal nude scene from Megan Fox, expect Jonah Hex to sink quickly to the bottom of the box-office charts. Who exactly is interested in seeing this movie? It still astonishes me how deeply the influence...
  • Photo courtesy of Red Flag Releasing This week, the real world marks the closing arguments in the court case against Prop. 8. Fittingly, the reel world responds with the premiere of documentary 8: The Mormon Proposition, at Laemmle's Sunset. Produced by former Mormons, and narrated by Milk scribe Dustin Lance Black, the film follows the money and the movement that pushed the legislation into being. To put the struggle in a historical perspective, the...
  • There are few actors that I will watch just to watch. Even if the movie is bad, I'll still dutifully buy my ticket, buy my popcorn and relax into the row on the rail at the Landmark. Denzel Washington is one of those actors. The Book of Eli is not a great film, but it is a solid piece of entertainment that is worth your rental or purchase dollars. Who knew that Unthinkable would cause...
  • While it was expected that The Karate Kid and The A-Team would tussle for the weekend box office crown, the reality is that it was no contest. The pointless remake of the seminal 80s hit waxed on to the tune of $56M to easily dispatch the middling TV show reboot ($26M). Shrek Forever After continued to do better than anyone expected ($15.8M | $210M) while Get Him to the Greek ($10.1M $36.5M) and Killers ($8.1M...
  • While transitioning a moderately bad TV show like The A-Team to the big screen is little more than a lazy idea, re-making The Karate Kid is just downright awful and evil and pathetic. I can't remember the last time I was rooting so hard for a movie to utterly fail. Okay, maybe Sex and the City 2 a few weeks ago, but still! Winter's Bone was one of the breakout hits from this past year's...

Stories by Josh Tate

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