Support for LAist comes from
Audience-funded nonprofit news
Stay Connected
Audience-funded nonprofit news
Listen

Share This

NPR News

The 'Jingle Bells' Song Has Roots In Minstrelsy

With our free press under threat and federal funding for public media gone, your support matters more than ever. Help keep the LAist newsroom strong, become a monthly member or increase your support today during our fall member drive. 

(SOUNDBITE OF SONG, "JINGLE BELLS")

FRANK SINATRA: (Singing) Jingle bells, jingle bells, jingle all the way. Oh, what fun it is to ride in a one-horse open sleigh.

AILSA CHANG, HOST:

For years a controversy has raged over where the song "Jingle Bells" was first written. It was either Medford, Mass. or Savannah, Ga.

Support for LAist comes from

(SOUNDBITE OF SONG, "JINGLE BELLS")

SINATRA: (Singing) Oh, what fun it is to ride in a one-horse open sleigh.

CHANG: One researcher started investigating, but then stumbled upon something far more interesting. Kyna Hamill is a senior lecturer at Boston University and she joins us from member station WBUR are in Boston. Welcome, Kyna.

KYNA HAMILL: Hi, Ailsa.

CHANG: So what I really want to get into is not so much where the song was first written, but where it was first performed. You've done some digging. Where was it first performed?

HAMILL: Well, it turns out that the earliest performance I could find is in a blackface minstrel hall in Boston, a hall called Ordway Hall which was situated in the old Province House on Washington Street in September, 1857.

CHANG: Describe the scene in the minstrel show that this song, "Jingle Bells," might have been performed.

Support for LAist comes from

HAMILL: The minstrel performances traditionally had different parts to them. At Ordway Hall, which was a very middle class entertainment type of a theater, would have instrumental music. And then they would include a section called the Dandy Darkies (ph), where they would have white men in blackface perform pretty standard songs. And "Jingle Bells," - or as it was known in 1857, "The One Horse Open Sleigh" - was performed by someone named Johnny Pell.

CHANG: And he was a fairly well-known minstrel actor at the time?

HAMILL: He would have been in Boston. He performed in New York and came to Ordway Hall in 1854 and was highly billed through 1857.

CHANG: Are there lyrics still in the song that are questionable that we still sing, but maybe not know the double meaning behind?

HAMILL: There are some remnants of the blackface performance. So for example, the laughing all your way, oh, what sport it is to ride and sing a sleighing song tonight, and then the chorus where we laugh.

CHANG: Yeah.

HAMILL: Johnny Pell was known to perform a song called "The Laughing Darkie" and this was a song that stereotyped a very particular kind of racialized performance - burlesque performance of what Northern blackface performance thought Southern men would have been like. So when he sings anything that has to do with laughing, there's usually something a little bit loaded about that particular line.

Support for LAist comes from

CHANG: Do you think any of the lyrics have been changed over time to avoid being offensive?

HAMILL: Whether they've been changed, I'm not sure because I'm not sure that in the 20th century it's really been recognized as a blackface minstrel song. It was known to have been in that tradition at least in 1898 when the Edison Quartet performed it. But once we get into the 20th century, it's put into anthologies - college glee anthologies and Christmas anthologies. And I think that legacy of the blackface tradition had fallen away.

CHANG: OK. So I have to ask you this question, did you ever resolve the big mystery? Which one is it, Savannah, Ga. or Medford, Mass., where was "Jingle Bells" first written?

HAMILL: I just stopped asking that question because I think that it can sometimes lead us to a dead end. You know, I was listening to the story about the Christmas tree origin of is it Latvia or Estonia, and I think we have to just start asking different questions or we'll never know which side it is.

CHANG: Kyna Hamill is a senior lecturer at Boston University. Thank you so much.

HAMILL: Thank you so much, Ailsa. Transcript provided by NPR, Copyright NPR.

At LAist, we believe in journalism without censorship and the right of a free press to speak truth to those in power. Our hard-hitting watchdog reporting on local government, climate, and the ongoing housing and homelessness crisis is trustworthy, independent and freely accessible to everyone thanks to the support of readers like you.

But the game has changed: Congress voted to eliminate funding for public media across the country. Here at LAist that means a loss of $1.7 million in our budget every year. We want to assure you that despite growing threats to free press and free speech, LAist will remain a voice you know and trust. Speaking frankly, the amount of reader support we receive will help determine how strong of a newsroom we are going forward to cover the important news in our community.

We’re asking you to stand up for independent reporting that will not be silenced. With more individuals like you supporting this public service, we can continue to provide essential coverage for Southern Californians that you can’t find anywhere else. Become a monthly member today to help sustain this mission.

Thank you for your generous support and belief in the value of independent news.

Chip in now to fund your local journalism
A row of graphics payment types: Visa, MasterCard, Apple Pay and PayPal, and  below a lock with Secure Payment text to the right
(
LAist
)

Trending on LAist