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Meet Molly Lewis, professional whistler
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ARI SHAPIRO, HOST:
At the Academy Awards this weekend, there will be Oscars handed out for a range of talents, from best director to best makeup. But, of course, any movie requires so many more professionals in a variety of fields. Take some of the work that went into a scene from "Barbie" where Barbie goes back in time and...
MOLLY LEWIS: She kind of opens a door and enters a room where she meets the creator of Barbie. And there's a radio playing and - in the room, and it's playing this song.
SHAPIRO: That is Molly Lewis, and her job is - well, we're going to let her tell you.
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(SOUNDBITE OF ANDREW WYATT, MARK RONSON AND MOLLY LEWIS' "MEETING RUTH")
LEWIS: I'm a musician, and I happen to be a professional whistler. I always brace myself for that what-do-you-do question. I know there's going to be a long conversation after that when I say I'm a whistler. And I understand why. It's not very common that you meet a whistler. You know, I didn't move to Hollywood to become a professional whistler. I've been really blown away, for lack of a better term, at the opportunities and the things that have come about because of this talent.
(SOUNDBITE OF ANDREW WYATT, MARK RONSON AND MOLLY LEWIS' "MEETING RUTH")
LEWIS: When I was 22, I went to a whistling competition in North Carolina. So for the classical category, I chose the "Queen Of The Night" aria from "The Magic Flute," you know, wanting to do something complex and difficult. (Whistling). I did learn after I did this at the competition that this song is extremely common. I would never perform this one again, just because it's really basic. You know, people have said to me, oh, you must be so happy, you're whistling all the time. But, you know, whistling is - for me, it's emotional. I'm playing this instrument, so I'm kind of whistling through all feelings.
(SOUNDBITE OF MOLLY LEWIS' "CRUSHED VELVET")
LEWIS: The music that I'm creating with whistle, it's definitely not just a happy jingle sound.
(SOUNDBITE OF MOLLY LEWIS' "MOON TAN")
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LEWIS: It kind of crosses many different emotional territories.
(SOUNDBITE OF MOLLY LEWIS' "COCOSETTE")
LEWIS: Over the years just because I've been whistling, I have had some incredible interactions with people and animals that have felt very magical.
(SOUNDBITE OF MOLLY LEWIS' "COCOSETTE")
LEWIS: I was whistling on my balcony. A guy walking past on the street yelled up, are you Molly the whistler? I've also talked to an 18-year-old parrot before, an African grey. And that bird really was incredible. We definitely had a romance.
(SOUNDBITE OF MOLLY LEWIS' "COCOSETTE")
LEWIS: I guess people often think of whistling as a little earworm jingle thing, maybe, or maybe some catchy, annoying riff that they've heard. You know, I get it. Like, any instrument can be really annoying if people are playing it badly. But I do want people to think about whistling differently, and I hope people do after they hear my music.
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(SOUNDBITE OF MOLLY LEWIS' "PORQUE TE VAS")
SHAPIRO: Molly Lewis' new album is "On The Lips." Our story was produced by Matt Ozug.
(SOUNDBITE OF MOLLY LEWIS' "PORQUE TE VAS") Transcript provided by NPR, Copyright NPR.
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But the game has changed: Congress voted to eliminate funding for public media across the country. Here at LAist that means a loss of $1.7 million in our budget every year. We want to assure you that despite growing threats to free press and free speech, LAist will remain a voice you know and trust. Speaking frankly, the amount of reader support we receive will help determine how strong of a newsroom we are going forward to cover the important news in our community.
We’re asking you to stand up for independent reporting that will not be silenced. With more individuals like you supporting this public service, we can continue to provide essential coverage for Southern Californians that you can’t find anywhere else. Become a monthly member today to help sustain this mission.
Thank you for your generous support and belief in the value of independent news.
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