Sponsored message
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen
NPR News

'Sopranos' Finale: A Nod to Nothingness

With our free press under threat and federal funding for public media gone, your support matters more than ever. Help keep the LAist newsroom strong, become a monthly member or increase your support today.

Listen 0:00
Listen

ROBERT SIEGEL, host:

Last night was the final episode of HBO's wildly successful series, "The Sopranos." And commentator Peter Sagal is ticked off.

PETER SAGAL: I write plays and I know from experience how hard it is to come up with a really good ending, particularly an ending that defies the audience's expectations. You carefully set them up to expect either A or B and then you give them Z, which they never saw coming but it works perfectly, better than A or B ever could've.

"The Sopranos," over most of its eight years, excelled at this. If the show hadn't been so consistently clever, surprising and complete, if it had indulged in the kind of wooly-headed ambiguity seen in its finale, no one would have ever cared about it.

Sponsored message

But there's a certain kind of hostility that sets them of creators, of really successful ongoing stories. They start to resent the popularity of what they've done and they take out their resentment on their audience. Think of Arthur Conan Doyle, sick to death of his most famous creation deciding to kill off Sherlock Holmes at Reichenbach Falls, and then having to bring him back to life when nobody wanted anything from him but more Sherlock Holmes.

For David Chase, the creator of "The Sopranos," it must have become tempting. Faced with the audience's desire for better and better endings to give them nothing. Giving the audience nothing may feel like a surprise, but it's really nothing. And with all those pretentious shots and moments in the final scene, the guy in the restaurant, the trouble parking, it was a pointed tease of a nothing, a hostile nothing.

We loved it too much, Mr. Chase, we're sorry. In the end, you proved that you, not the audience, owned these characters. And you, not us, are going to decide what happened to them. You win. If you can find it in your heart to forgive us, we'd really like another TV show now, please.

SIEGEL: Peter Sagal is the host of NPR's WAIT WAIT, DON'T TELL ME.

(Soundbite of "The Sopranos" theme "Woke Up This Morning")

MICHELE NORRIS, host:

This is NPR, National Public Radio. Transcript provided by NPR, Copyright NPR.

At LAist, we believe in journalism without censorship and the right of a free press to speak truth to those in power. Our hard-hitting watchdog reporting on local government, climate, and the ongoing housing and homelessness crisis is trustworthy, independent and freely accessible to everyone thanks to the support of readers like you.

But the game has changed: Congress voted to eliminate funding for public media across the country. Here at LAist that means a loss of $1.7 million in our budget every year. We want to assure you that despite growing threats to free press and free speech, LAist will remain a voice you know and trust. Speaking frankly, the amount of reader support we receive will help determine how strong of a newsroom we are going forward to cover the important news in our community.

We’re asking you to stand up for independent reporting that will not be silenced. With more individuals like you supporting this public service, we can continue to provide essential coverage for Southern Californians that you can’t find anywhere else. Become a monthly member today to help sustain this mission.

Thank you for your generous support and belief in the value of independent news.
Senior Vice President News, Editor in Chief

Chip in now to fund your local journalism

A row of graphics payment types: Visa, MasterCard, Apple Pay and PayPal, and  below a lock with Secure Payment text to the right