With our free press under threat and federal funding for public media gone, your support matters more than ever. Help keep the LAist newsroom strong, become a monthly member or increase your support today .
Sam Cooke's Swan Song of Protest
Though only a modest hit by his standards, Sam Cooke's "A Change Is Gonna Come" became an anthem of the 1960s civil rights movement, and would come to be heralded as his magnum opus.
Released as a single around the time of Cooke's death in December 1964, the song became a sensation within the black community.
One of the pioneers of soul music, Cooke began his career in music as a gospel singer. His brother, L.C. Cooke, recalls that Sam always had his heart set on becoming a professional musician.
"He said, 'I'm preparing myself, 'cause like I told you, I'm going to be a singer — I'm never gonna have a 9 to 5 job,'" L.C. Cooke said. "And believe me, he never had one."
In 1963, having already scored many hits in the secular pop marketplace, Sam Cooke first heard Bob Dylan's "Blowin' in the Wind." Amid the civil rights movement, Cooke was inspired to create his own protest song, according to Peter Guralnick, Cooke's biographer.
As a black singer from the South, racial segregation affected Cooke personally. In October 1963, he was arrested and thrown in jail after refusing to be turned away from a Shreveport, La., hotel which had initially accepted his reservation. In December 1963, Cooke recorded "A Change Is Gonna Come."
Though Cooke didn't live to see its success and reception, "A Change Is Gonna Come" cemented his reputation as a soul-music legend. The song was covered hundreds of times, including by Aretha Franklin.
"He was one of the greatest male singers of all time," Franklin says. "You put him in the category with Caruso and Pavarotti and these other great names. Sam Cooke, bar none, was one of the greatest singers of all time."
Independent producer Ben Manilla spoke with Franklin, Guralnick and L.C. Cooke about Sam Cooke's masterpiece, added earlier this year to the National Recording Registry of the Library of Congress.
Copyright 2022 NPR. To see more, visit https://www.npr.org.
At LAist, we believe in journalism without censorship and the right of a free press to speak truth to those in power. Our hard-hitting watchdog reporting on local government, climate, and the ongoing housing and homelessness crisis is trustworthy, independent and freely accessible to everyone thanks to the support of readers like you.
But the game has changed: Congress voted to eliminate funding for public media across the country. Here at LAist that means a loss of $1.7 million in our budget every year. We want to assure you that despite growing threats to free press and free speech, LAist will remain a voice you know and trust. Speaking frankly, the amount of reader support we receive will help determine how strong of a newsroom we are going forward to cover the important news in our community.
We’re asking you to stand up for independent reporting that will not be silenced. With more individuals like you supporting this public service, we can continue to provide essential coverage for Southern Californians that you can’t find anywhere else. Become a monthly member today to help sustain this mission.
Thank you for your generous support and belief in the value of independent news.
-
The study found recipients spent nearly all the money on basic needs like food and transportation, not drugs or alcohol.
-
Kevin Lee's Tokyo Noir has become one of the top spots for craft-inspired cocktails.
-
A tort claim obtained by LAist via a public records request alleges the Anaheim procurement department lacks basic contracting procedures and oversight.
-
Flauta, taquito, tacos dorados? Whatever they’re called, they’re golden, crispy and delicious.
-
If California redistricts, the conservative beach town that banned LGBTQ Pride flags on city property would get a gay, progressive Democrat in Congress.
-
Most survivors of January's fires face a massive gap in the money they need to rebuild, and funding to help is moving too slowly or nonexistent.