Sponsored message
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen
NPR News

1924 Copyrighted Works To Become Part Of The Public Domain

This story is free to read because readers choose to support LAist. If you find value in independent local reporting, make a donation to power our newsroom today.

Listen 2:02
Listen to the Story

(SOUNDBITE OF THE BOSTON POPS ORCHESTRA'S PERFORMANCE OF GEORGE GERSHWIN'S "RHAPSODY IN BLUE")

NOEL KING, HOST:

That is one of the best-known American classical compositions ever - George Gershwin's "Rhapsody In Blue." On Wednesday, it and other works published in 1924 became part of the public domain.

JENNIFER JENKINS: Which means anyone can create their own "Rhapsody In Blue" that will be there to inspire the next Gershwin.

KING: That's Jennifer Jenkins. She runs the Center for the Study of the Public Domain at Duke.

JENKINS: Believe it or not, the U.S. Constitution, by design, mandates that copyrights last for limited times so that works fall into the public domain, where the public has free access to them and, importantly, where future creators can freely build upon them.

STEVE INSKEEP, HOST:

Sponsored message

And under current law, notable works of fiction from 1924 will soon be copyright-free.

JENKINS: Thomas Mann's "The Magic Mountain," E. M. Forster's "A Passage To India." Some great children's books going into the public domain - one of them is A. A. Milne's "When We Were Very Young."

INSKEEP: Oh, gosh - and also a number of great silent films.

JENKINS: There are two films by Buster Keaton - "Sherlock Jr." and "The Navigator" - and two by Harold Lloyd - "Girl Shy" and "Hot Water." And they are just wonderful. They are going into the public domain.

INSKEEP: As will a lot of music, including "Rhapsody In Blue."

KING: Jennifer Jenkins says that work was actually supposed to go into the public domain about 20 years ago. But the Gershwin Family Trust and Disney and other stakeholders lobbied Congress to extend the terms of copyrighted works from 75 years to 95 years, and they won.

JENKINS: It's entirely understandable that the Gershwin Family Trust would want to keep copyright over their works. But the problem is that only maybe 1% of works is still generating any income. And so for those 99% of works, no one got any benefit. But the rest of us - the public, all of the future creators - we lost out on the ability, for 20 years, to freely build upon those works.

Sponsored message

KING: But as of this Wednesday, "Rhapsody In Blue" - more than 95 years old - is fair game.

(SOUNDBITE OF THE BOSTON POPS ORCHESTRA'S PERFORMANCE OF GEORGE GERSHWIN'S "RHAPSODY IN BLUE") Transcript provided by NPR, Copyright NPR.

You come to LAist because you want independent reporting and trustworthy local information. Our newsroom doesn’t answer to shareholders looking to turn a profit. Instead, we answer to you and our connected community. We are free to tell the full truth, to hold power to account without fear or favor, and to follow facts wherever they lead. Our only loyalty is to our audiences and our mission: to inform, engage, and strengthen our community.

Right now, LAist has lost $1.7M in annual funding due to Congress clawing back money already approved. The support we receive from readers like you will determine how fully our newsroom can continue informing, serving, and strengthening Southern California.

If this story helped you today, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.

Your tax-deductible donation keeps LAist independent and accessible to everyone.
Senior Vice President News, Editor in Chief

Make your tax-deductible donation today

A row of graphics payment types: Visa, MasterCard, Apple Pay and PayPal, and  below a lock with Secure Payment text to the right