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The Getty Villa to offer rare look at ancient Egyptian 'Book of the Dead'

An ancient papyrus in brown and beige has an ink drawing of a ruler and several ancient Egyptian gods
The Getty collection of 19 manuscripts written on scrolls of papyrus and linen fragments are fragile
(
Courtesy Getty Museum
)

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This week the Getty Villa Museum will begin offering a rare look at scrolls from its ancient Egyptian “Book of the Dead” collection.

The collection of 19 manuscripts written on scrolls of papyrus and linen fragments are fragile, with one of them dating back nearly 3,500 years. Because of that, the materials are not usually on display to the public and the gallery will be carefully lit, temperature and humidity-controlled.

Sara Cole, associate curator of antiquities, told LAist that a lot of the language in the spells is written in first person speech for the deceased spirit to say while navigating the afterlife.

“One of my favorite phrases that I have on a wall of the gallery is ‘May I join with the stars that call out to me in the night boat,’” Cole said.

Cole explained that the manuscripts have been in the Getty’s collection since 1983, when they were donated by a bookseller in New York, who got them from the private collection of a British rare manuscript collector.

An ancient Egyptian mummy wrapping includes ink drawings on linen material. Gods and Egyptian deities are depicted with bird-like heads.
Egyptian mummy wrapping of Petosiris, Son of Tetosiris, from around 332–100 BCE.
(
Courtesy Getty Museum
)

A years-long project is underway to translate the spells and rituals immortalized in the Getty's “Book of the Dead” scrolls and fragments, with a “large publication” in the works, Cole said.

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The exhibition will feature four papyri belonging to women named Webennesre, Ankhesenaset, and Aset. Cole said “Book of the Dead” materials belonging to women are rare, because most were reserved for men.

Twelve of the manuscripts in the exhibition are written on fragments of linen that were used to wrap the mummified remains of the people they belonged to. Cole said she hopes visitors will understand that the material was very intimately associated with peoples’ burials.

Cole said her goal is to foreground the identities of the people who owned the scrolls, including two women who were ritual singers for the god Amun in the ancient city of Thebes.

“We see in these manuscripts the ancient Egyptians really grappling with this question and thinking about what might happen when we die... And I think that’s something we can all connect with and understand,” she said.

Cole recommends visiting the Getty’s website for a calendar of curator tours and special events related to the exhibition, including an upcoming talk by an Egyptologist.

The “The Egyptian Book of the Dead” at the Getty Villa runs from March 4 to Nov. 30.

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