Dietrich, Valentino, Astaire ... Who knew LA is in the business of old Hollywood artifacts?

A pair of brown leather shoes worn by Oscar-winning actor Ingrid Bergman in the 1948 film, Joan of Arc. A couple red togas with gold leaf embroidery thespian Laurence Olivier likely donned in the 1960 epic Spartacus. A leather briefcase used by the great Cecil B. DeMille between 1920 and 1940. A pair of Levi's from 1952 worn by Gary Cooper.

Those are just a handful of clothing and accessories — hats, shoes, scarfs, gowns and more — from old Hollywood the city of Los Angeles calls its own.

The 300-some pieces have been in the care of ASU FIDM Museum in downtown for more than three decades. The collection is open to the public, and the museum displays and lends pieces out for exhibition.

Swedish actress Ingrid Bergman tries the armor that she will wear for her role of Joan of Arc, a movie directed by Victor Fleming in 1947. A pair of shoes worn by Bergman is part of a collection of memorabilia owned by the city of Los Angeles.

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AFP

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AFP via Getty Images

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Next fall, some of the garments will be on display at an exhibition at ASU FIDM Museum on legendary costume and fashion designer Gilbert Adrian.

Los Angeles and Hollywood are oftentimes synonymous, but how did the city of L.A. come to possess these silver screen artifacts?

The Hollywood Museum?

We go back to the 1960s and the broken dream to build a museum of American film and television history.

At the center of the proposed Hollywood Museum (not to be confused with one on Highland Avenue since 2003) was the collection of artifacts and costumes culled from studios, production companies and actors themselves that numbered in the thousands.

The exhibition space never came to pass, according to city documents, because the funding never caught up to the vision.

The empty jail in Lincoln Heights once held a collection of Hollywood memorabilia owned by the city of L.A.

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Works Progress Administration Collection/Los Angeles Public Library

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In 1968, L.A.'s recreation and parks department took over the collection. When private storage was price prohibitive, the garments and accessories were stocked away at the empty jail in Lincoln Heights for two decades — until the deal with the fashion institute in 1988.

Dietrich, Astaire, Valentino...

As part of a loan agreement with the city that has just been recently extended, ASU FIDM Museum provides services to store, conserve and restore these 300 fashion and costume objects (for an inventory, go to pg. 19) that span the 1920s to about 1970.

There are tons of prized items in the mix — including more than a dozen pairs of dance shoes owned by Fred Astaire.

One name you'll keep seeing is screen diva Marlene Dietrich. About 100 pieces were donated to the Hollywood Museum from a storage unit she kept in L.A., said Christina Johnson, senior curator at ASU FIDM Museum.

 "It includes pieces that she wore on film, pieces in her personal life," Johnson said.

And sometimes, both. Like a paisley lamé evening gown created by a costume and fashion designer known by the mononym Irene.

"There's photos I found of [Dietrich] wearing it at Ciros nightclub with her then lover Jean Gabin," Johnson said. "Then she wore it when she was part of the USO entertaining the troops during World War II."

Dietrich purposely wore that same gown in A Foreign Affair — the 1948 Billy Wilder dark comedy set in post-war Germany.

" It's been so many places and I think that's one reason that fashion and costume history are so important because it makes history come alive for people," Johnson said. " When I'm handling something, it really makes me reflect on, what did this person experience while wearing this?"

Unlit Lucky Strikes

The collection contains ribbons, sash, ties, an entire costume ensemble worn by Rudolph Valentino (leggings and all) from the 1920s, and even a torso metal armor believed to be used in both the 1925 and 1959 versions of Ben Hur.

But probably none are more curious than the four unsmoked Lucky Strike cigarettes in their midst.

They belonged to silent movie star Mabel Normand, who worked with Charlie Chaplin and Roscoe "Fatty" Arbuckle.

" Her wardrobe items came in a Louis Vuitton trunk," Johnson said. "Those Lucky Strike cigarettes were in a pocket."

Normand was a heavy smoker and eventually died from tuberculosis. Still part of the collection, the possibly century-old cigarettes are stored separately so as not to stain the garment.

" But that's the thing, these belonged to real people who did real things," Johnson said. "And some of her unused cigarettes came with the collection."