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Explore LA

LA's independent publishers want readers to know they're putting out plenty of great books

Several dozen people walk across a courtyard buying books. A woman in the foreground wears a blue hat, blue sweatshirt, a white skirt, and carries a brown bag. She is putting something into the bag. People can be seen walking and in conversation behind her.
People walk through a courtyard full of small publishers during LITLIT.
(
Los Angeles Review of Books
)

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West Coast small publishers show off their wares at lit fair in downtown LA
Dañiel Martinez reports on LITLIT, or Little Literary Fair.

Held by the Los Angeles Review of Books since 2019, LITLIT, or The Little Literary Fair, started out as a way to introduce students from workshops to the publishing industry.

It has since grown into a gathering of independent West Coast publishers from Seattle to Santa Monica. This year’s iteration on June 6 and 7 is the biggest yet, with more than 50 publishers participating in the event at Sci-Arc in Downtown L.A.

People in a room look through a small library on an exhibition table in a room full of other book exhibitors. One woman wears a brown and black jacket. To her right a man wears a blue jacket and a white shirt and takes a picture of a book. People can be seen in the background wandering from table to table.
People look through a small library of used books from "A Good Used Book," a Los Angeles based book pop-up, during LITLIT 2024.
(
Los Angeles Review of Books
)

It’s ‘small’ lit

The fair aims to get the public in front of books that don’t originate from the so-called “Big Five” publishers — behemoths like Penguin Random House and HarperCollins.

The Little Literary Fair
Southern California Institute of Architecture (SCI-Arc)
960 E. Third St., Los Angeles
Preview day: Friday, June 5, 6 p.m.
Full fair: Saturday, June 6, to Sunday, June 7, from 10 a.m. - 5 p.m.
Free admission
Info and RSVP

“They really get to control what people get to see, and so we hope LITLIT lets people see more of what is out there and what they can support directly,” said Emily VanKoughnett, public programs and engagement director for LARB.

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One of VanKoughnett’s favorite independent publishers will be there. Two Lines Press, the publishing arm of San Francisco’s Center for the Art of Translation, deals specifically in translated works.

Two people stop at a table filled with books under a white EZ-up. One of them wears a black dress and sunglasses. The other is obscured but can be seen wearing a light pink hat and a white t shirt. The seller is wearing a black polo shirt and is extending his arm to showcase the books on sale. There are people behind him and to his side. More people can be seen behind the people in front of the table of books.
Two Lines Press, which specializes in translated works, show off their books to attendees of LITLIT.
(
Los Angeles Review of Books
)

They’ve published authors from across the world, translating books from more than 100 different languages into English.

“ We do our work in quiet rooms, so it's really nice to be able to meet readers and talk to them about what's interesting them. These festivals are really valuable to us in that way,” said CJ Evans, publisher and editor-in-chief of Two Lines.

Pressed locally

Local favorite Angel City Press, which operates under the auspices of L.A. Public Library, will also be there with one of their newly published titles, Los Angeles Central Library POPS, that celebrates 100 years of the Central Library.

A crowd of people stand in a room with different tables. Books are displayed on the tables. The ground is concrete and grey. A person in the foreground carries a tote bag that says "LITLIT"
People at LITLIT 2024 look through different small presses.
(
Los Angeles Review of Books
)
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You’ll also find LA-based Errant Press, which specializes in books that break the traditional form — like a poem printed on measuring tape or a matchbox sized poetry collection.

“It’s really cool to see the kinds of risks that people are able to take, the kinds of communities they’re able to serve and really highlight here on the West Coast,” said Irene Yoon, executive director of LARB.

Panels, printing presses, and workshops

The two-day fair also hosts various panels and workshops, including one on the art of comedic writing and another on how to tell the stories of Los Angeles through archival materials.

“This is, I think, the most panels we've ever done,” VanKoughnett said.

Dozens of people sit in rows of chairs and line the white walls of a room for a panel discussion at a Literary Fair. The walls are white. A transparent glass door to an outside street can be seen on the far right side of the picture.
People sit down for a panel discussion at LITLIT 2024.
(
Los Angeles Review of Books
)

Workshops on how to navigate the literary world with a completed manuscript and making your own comics and zines are also on the itinerary.

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And Carson’s International Printing Museum will demonstrate how to screen print your own bookmark.

“It's not until we're all in the same room with all our best books literally out on the table that you get to see kind of what a phenomenal publishing culture Los Angeles truly has,” said Terri Accomazzo, editorial director of Angel City Press.

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