Sponsored message
Logged in as
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen
  • Listen Now Playing Listen

This is an archival story that predates current editorial management.

This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.

Arts & Entertainment

Rubberbandance Group Slides Into the OC AND LA!!

This story is free to read because readers choose to support LAist. If you find value in independent local reporting, make a donation to power our newsroom today.

Anne Plamodon & Victor Quijada | Photo by Natalie Galazka

Victor Quijada started dancing when he was a student at the Los Angeles County High School for the Arts, taking his first classes with postmodern dance pioneer Rudy Perez. Known as "Rubberband" in the clubs and streets of LA, he began breakdancing with the best and soon found himself dancing for Twyla Tharp, Eliot Feld and Les Grand Ballets Canadiens de Montreal. Put it all together and in 2002, he formed his own collection of dancers and ideas that fuse the best in street and contemporary dance. Rubberbandance Group will be performing two shows in the area--this Friday, May 9 at the Irvine Barclay Theater and Saturday, May 10 at the Luckman Theatre at Cal State LA.

Sharing artistic direction of the company with ballet dancer Ann Plamandon, Quijada and the Rubebrbandance Group explore humanity and human relationships in this innovative mix of hip hop dynamics and contemporary classicism. They've already won some prestigious international awards and commissions from dance companies across our continent and on the other side of the pond (Great Britain) and are bringing a program they call Elastic Perspective Redux to our shores. The evening is an assemblage of work created for various hip hop and contemporary dance festivals in the US, Canada and Europe. The unknown is always a little bit scarey, but oh, what a rush. I saw the pair of directors perform excerpts at a recent dance conference and the work was beautifully gritty and elegantly performed.

You come to LAist because you want independent reporting and trustworthy local information. Our newsroom doesn’t answer to shareholders looking to turn a profit. Instead, we answer to you and our connected community. We are free to tell the full truth, to hold power to account without fear or favor, and to follow facts wherever they lead. Our only loyalty is to our audiences and our mission: to inform, engage, and strengthen our community.

Right now, LAist has lost $1.7M in annual funding due to Congress clawing back money already approved. The support we receive from readers like you will determine how fully our newsroom can continue informing, serving, and strengthening Southern California.

If this story helped you today, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.

Your tax-deductible donation keeps LAist independent and accessible to everyone.
Senior Vice President News, Editor in Chief

Make your tax-deductible donation today