Truth matters. Community matters. Your support makes both possible. LAist is one of the few places where news remains independent and free from political and corporate influence. Stand up for truth and for LAist. Make your tax-deductible donation now.
This is an archival story that predates current editorial management.
This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.
Merce Cunningham--Where Today's Dance Began
Photo of a young Merce Cunningham courtesy of Flickr
Pioneering dance innovator Merce Cunningham died of natural causes this past Sunday at his home in New York City. At the age of ninety and having already influenced thousands of dancers and choreographers across the globe, the impact of his artistry will continue to be felt in his absence.
The recipient of countless awards and international honors, the always forward-thinking creator only recently announced plans for his legacy to remain true to its origins. His iconoclastic dance technique, related to ballet but tilted, extended and re-imagined beyond ballet’s range, has been documented, codified and disseminated in the teachings of many of his previous company members and the many who trained at his studio in the West Village.
His approach to dance making, however, influenced by Eastern philosophies, chance and a broad vision of the landscape for performance, will remain specifically his, in spite of the many derivative exponents of the art form. Cunningham, aligned with his professional and personal partner, composer John Cage, re-scripted the process for making work. They produced plotless dances, with all of the accompanying elements—music/sound, costume and décor—being designed and developed independently of the dance. It was at the first performance that all these contributions came together, making for an often surprising new relationship of each art form to the other.
Cunningham was born in Centralia, Washington in 1919 and began his training there as a tap dancer. He soon moved to New York, where he made his way into the company of another pioneer, the indefatigable Martha Graham. And, whereas Graham opted for narrative and emotion in her choreography, Cunningham explored the unknown. His first dances—solos for himself with sound scores by Cage—were not well received, but by 1953, he formed his own company. They made their big international splash in 1964 and the rest has truly been history!
His early collaborators included people like Andy Warhol, Jasper Johns and Robert Rauschenberg and Cunningham was one of the first to experiment with dance on video and dance on the computer. In the ‘90s he blazed a trail of new creative energy as he used newly created software to re-design the human body and its potentials. A few years ago, he brought his company to southern California and each audience member was loaned an audio ipod with a personalized shuffle so that each viewer heard a different score to accompany the dancing on the stage. His company members were always the most highly refined athletes and artists, able to do nearly impossible feats and demand our focused attention in performance.
Sponsored message
Cunningham authored books about his work—both dancing and drawing—and his foundation maintains a comprehensive archive of his life work and experience.
His zest for innovation will be missed, but he will never be forgotten!
Check out these youtube vids (lots more):
Recent interview and video portrait
Early experiment with video and dance:
You come to LAist because you want independent reporting and trustworthy local information. Our newsroom doesn’t answer to shareholders looking to turn a profit. Instead, we answer to you and our connected community. We are free to tell the full truth, to hold power to account without fear or favor, and to follow facts wherever they lead. Our only loyalty is to our audiences and our mission: to inform, engage, and strengthen our community.
Right now, LAist has lost $1.7M in annual funding due to Congress clawing back money already approved. The support we receive from readers like you will determine how fully our newsroom can continue informing, serving, and strengthening Southern California.
If this story helped you today, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.
Your tax-deductible donation keeps LAist independent and accessible to everyone.
Right now, LAist has lost $1.7M in annual funding due to Congress clawing back money already approved. The support we receive from readers like you will determine how fully our newsroom can continue informing, serving, and strengthening Southern California.
If this story helped you today, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.
Your tax-deductible donation keeps LAist independent and accessible to everyone.
Senior Vice President News, Editor in Chief
