Sponsored message
Logged in as
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen

This is an archival story that predates current editorial management.

This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.

Arts & Entertainment

Dance Festival Bootlegged!

glass.jpg
photo by Rollence Patugan, courtesy of Keith Glassman

One year ago, Congress defunded public media. Now that we're 100% community funded, please become a sustaining member or increase your existing membership today.

When it rains, it pours. And don’t we know it. Lotta good dance going on this week. The first Bootleg Dance Festival opens this Friday and runs through the weekend, presenting the choreography of seven intrepid local dancemakers. Alongside the traditional centers for “experimental” dance, the Bootleg Theater has embarked on an ambitious performance event. Housed in its 1930’s warehouse that was, at one recent time known as The Evidence Room, the theater boasts a programming menu that includes musical performers, spoken, word, theater and dance. And, in an effort to beef up LA’s East Side with a substantial every-seat’s-a-good-seat dance venue, Bootleg’s Artistic Director Alicia Hoge-Adams and award-winning choreographer Heidi Duckler have curated a sampling of diverse perspectives on the ephemeral art.

Each of the three nights will reveal ideas ranging from hip-hop to dramedy to interactive video to improvisation and any hybrid within those descriptions. Presenting the artists in either 2 or 3 to-a-show one-night stands, the producer hopes to promote the varying styles, cultures and approaches that represent contemporary dance in the world today. Ms. Hoge-Adams says, “These choreographers were selected and recognized because their ideas explore what we can never put into words. These are works that have no single meaning. They are temporal, experimental . . . human and magical. And they cannot exist without an audience. This festival celebrates the communal connection of audience and artist in the shared space.”

Looks like a good chance to see what’s flying low in LA dance. Check out some of the clips below and head out to the Bootleg!

WIFE

Post Natyam Collective

Keith Glassman

Amy Campion

One year ago, Congress voted to defund public media, eliminating a critical $1.7 million from our budget every year going forward. But they couldn’t silence us, and we’re not going anywhere. LAist is now 100% community funded and that means we’re taking our future into our own hands and turning to you to keep local reporting strong.

You come to LAist because you want independent reporting and trustworthy local information. Our nonprofit newsroom doesn’t answer to shareholders looking to turn a profit. Instead, we answer to you and our communities. We are free to follow facts wherever they lead and to hold power to account without fear or favor. Our only loyalty is to our readers and listeners and our mission: to inform, engage, and strengthen Southern California’s communities.

If this story helped you, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.
Senior Vice President News, Editor in Chief

Make your tax-deductible donation today