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Arts & Entertainment
On FilmWeek, we delve into the allusive title of "film producer" and how the credit has changed over the years with Deadline senior TV and labor reporter Katie Campione.
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All the power lies with the streamers, and yet most are shrinking their series and film commissions.
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Hungry Ghost Festival in Chinatown, Michael Feinstein conducts California favorites, a Beatles talk, half-off burgers at Barney’s Beanery, and more.
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Venu, co-owned by three studios, had plans to make it easier for sports fans to avoid linear TV, but those have now been made more difficult.
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Sci-Fi, Magick, Queer L.A.: Sexual Science and the Imagi-Nation runs Aug. 22 - Nov. 23 at USC’s Fisher Museum of Art
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Hello Kitty night at Dodger Stadium, Mike Birbiglia at the Largo, a new show at Gabba Gallery, Eagle Rock Brewery Battle of the Bands, and more.
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Maude Latour introduces herself to Los Angeles with her debut album, "Sugar Water."
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One of the creators of Tiger King is back with another examination of human-wildlife relationships in HBO's Chimp Crazy. Plus, we look at Bad Monkey starring Vince Vaughn, the new season of Emily in Paris and more.
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Sony and Lionsgate’s strategy of sticking with traditional film and TV studios, as they were before the streaming boom, has largely served them well.
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From car chases through the L.A. River to dreams in the desert, there’s something for everyone playing this weekend.
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AI isn’t some distant reality for animation workers, but animators worry that studios will prematurely replace jobs with the technology.
