Support for LAist comes from
Audience-funded nonprofit news
Stay Connected
Audience-funded nonprofit news
Listen

Share This

Arts and Entertainment
Your space to help you get the most out of LGBTQ+ life in Greater Los Angeles. Queer LA is a long-term project to help you figure out things big and small — with a focus on joy.

In Outfest’s absence, let Queer Rhapsody fill up your movie plans

A wide shot of two actors walking in a school hallway crowded by students. On the left is a Black woman wearing a cream blazer and blue shirt, looking nervous. On the right is a woman with a medium light skin tone wearing a black blazer and pink skirt, looking confident.
A film still of Riele Downs as Darby Harper and Auli'i Cravalho as Capri in 20th Century Studios' Darby and the Dead, directed by Silas Howard.
(
Courtesy Disney
)

With our free press under threat and federal funding for public media gone, your support matters more than ever. Help keep the LAist newsroom strong, become a monthly member or increase your support today. 

This weekend kicks off Queer Rhapsody, a new series of screenings for contemporary LGBTQ+ cinema, which runs from Friday, July 19 through Sunday, July 28.

The series fills a gap left by Outfest’s recent public troubles, which was one of the most prominent film circuits for queer media in L.A. But the creators of Queer Rhapsody aren’t looking for it to be a replacement.

Instead, they’re focused on making this effort as community focused as it can be.

How Queer Rhapsody began

May Hong HaDuong, director of the UCLA Film and Television Archive, started thinking about it nine months ago when it became evident LGBTQ+ films wouldn’t have a stage like previous summers.

Support for LAist comes from

The desire also comes at a time when gay and transgender needs have been politicized across the country. HaDuong, who was raised in a conservative area of Huntington Beach, says film can bring like-minded folks together and allow them to see a new world on screen.

“I viscerally on a day-to-day level think about this in terms of the community I grew up in and the people who may not have spaces to be themselves,” HaDuong said. “My immediate reaction out of the pain and sorrow of that is what can we bring and come together for that?”

Enter, Queer Rhapsody.

To build and curate the lineup, she reached out to Martine McDonald to be the series’ creative director and senior programmer. McDonald used to work for Outfest prior to last year’s dramatic staff layoff, but she isn’t interested in following any templates.

“As programmers and community engaged citizens and cultural workers, it wasn’t about any particular institution, but it was just an opportunity to amplify and celebrate,” McDonald said.

Support for LAist comes from

What to expect from the series

Queer Rhapsody will showcase more than 50 narrative, documentary short, and feature films. You can get tickets here. HaDuong and McDonald highlighted a few.

Documentaries and features:

  • On opening night, viewers can check out director Drew Denny’s documentary feature film Second Nature, narrated by Elliot Page. The film follows trans biologist Joan Roughgarden as she meets scientists exploring how more than 1,500 animals engage in same-sex behavior.
  • Director Julia Fuhr Mann’s Not a Competition But I'm Winning also explores the experiences of historically excluded LGBTQ+ athletes.
  • Director Silas Howard's feature film, Darby and the Dead. A queer prom party will follow the showing on July 23.
  • Feature film The Queen of My Dreams from director Fawzia Mirza, called a “strong and magnetic” debut by HaDuong. It’s about a Pakistani Canadian young woman who travels home after her father’s death and explores her memories by traveling through time in a Bollywood-esque dream sequence of flashbacks.

Sets of shorts:

  • Queer Sanctuaries, which showcases where LGBTQ+ people find belonging, including a documentary on local favorite Stud Country, the gay country dance night at Club Bahia.
  • Love in focus: Black Queer Rhapsody, a collection which focuses on Black queer films that feature drag queens, Black elders and coming of age stories.
A view from above of two people with medium skin tones laying on the hood of a green car. On the left is a woman smiling and looking toward her left, which is where a man with a mustache is looking off to the sky.
A film still from Fawzia Mirza's "The Queen of My Dreams."
(
Courtesy Baby Daal Productions
)

The team hasn’t decided whether or not the series will be annual. HaDuong agrees that this isn’t about replicating what’s come before, but rather serving a passionate community of film lovers who need a new spot.

“I’d be remiss not to say things are happening in this city and we are all affected by it,” HaDuong said. “Honestly, when we think about queer cinema, we think not about any single organization, any single type of film, any single filmmaker, but that sort of rhapsody that we do feel when we’re in a theater with each other.”

Support for LAist comes from

The team also includes more folks with serious resumes.

Queer Rhapsody’s senior programmer Moi Santos is the manager of equity, impact and belonging at the Sundance Institute; senior programmer Daniel Crooke comes from the Vancouver Queer Film Festival and is a former Outfest programmer; and associate programmer Natalie Jasmine Harris has a film showing that’s also played at Sundance.

A view of two Black men wearing black and white abstract outfits in mid-movement on a road outside on a cloudy day. They appear excited, looking toward something in the distance. In the background is another Black person who's dancing.
A film still from director Justice Jamal Jones' "How to Raise a Black Boy," a short that's showing in Black Queer Rhapsody.
(
Courtesy Teri Bond
)

Where you can watch

Theaters have been picked from across the city to reach as many folks as possible.

You can check out showings at each of these five spots:

Billy Wilder Theater showings are free, but tickets are on a first come, first serve basis. They suggest that you get to screenings at least an hour in advance to claim a spot.

Support for LAist comes from

At LAist, we believe in journalism without censorship and the right of a free press to speak truth to those in power. Our hard-hitting watchdog reporting on local government, climate, and the ongoing housing and homelessness crisis is trustworthy, independent and freely accessible to everyone thanks to the support of readers like you.

But the game has changed: Congress voted to eliminate funding for public media across the country. Here at LAist that means a loss of $1.7 million in our budget every year. We want to assure you that despite growing threats to free press and free speech, LAist will remain a voice you know and trust. Speaking frankly, the amount of reader support we receive will help determine how strong of a newsroom we are going forward to cover the important news in our community.

We’re asking you to stand up for independent reporting that will not be silenced. With more individuals like you supporting this public service, we can continue to provide essential coverage for Southern Californians that you can’t find anywhere else. Become a monthly member today to help sustain this mission.

Thank you for your generous support and belief in the value of independent news.

Chip in now to fund your local journalism
A row of graphics payment types: Visa, MasterCard, Apple Pay and PayPal, and  below a lock with Secure Payment text to the right
(
LAist
)

Trending on LAist