Sponsored message
Logged in as
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen
Arts & Entertainment

Legacy studios are trying to catch up to their tech competitors

 The Paramount logo is displayed at Columbia Square along Sunset Boulevard in Hollywood, Calif. on March 9, 2023.
The Paramount logo is displayed at Columbia Square along Sunset Boulevard in Hollywood, Calif. on March 9, 2023.
(
Patrick T. Fallon
/
AFP via Getty Images
)

One year ago, Congress defunded public media. Now that we're 100% community funded, please become a sustaining member or increase your existing membership today.

Topline:

David Ellison called his vision of Paramount a “media and technology enterprise,” and he’s not alone among the legacy studios competitively vying for tech talent.

Why it matters: Tech-first companies are already prominent in the entertainment industry (Amazon, Apple, Netflix), and if legacy studios want to compete with them, they have to, in some sense, become tech companies themselves. That means hiring tech workers, who studios must appeal to despite having more of a track record courting movie stars than courting computer-dwelling data and engineering talent.

Talent relations: While a talented engineer can be a star in Silicon Valley, in Hollywood they’re treated as a mere cog in the machine. That could be in part because their metrics for success are hazy at best, whereas in Silicon Valley, their output speaks for itself. Plus, there is also the issue of compensation, which can be tough for legacy studios who can’t compete with the likes of Nvidia or Microsoft and the windfall that equity in a hot tech company can offer.

The Hollywood pitch: Life in Tinseltown isn’t all bad, and recent tech layoffs means more reason for talent to cross over. The work-life balance of the sleeping-in-your-office ethos of Silicon Valley compares poorly with Hollywood’s more civilized vibe. With the work itself, tech talent can assume a wider range of responsibilities than in tech proper, where you can be stuck working on the same minute detail for years on end. Then of course, there’s the whole appeal of attending movie premieres and schmoozing with A-listers.

For more . . . read the full story on The Ankler.

This story is published in partnership with The Ankler, a paid subscription publication about the entertainment industry.

One year ago, Congress voted to defund public media, eliminating a critical $1.7 million from our budget every year going forward. But they couldn’t silence us, and we’re not going anywhere. LAist is now 100% community funded and that means we’re taking our future into our own hands and turning to you to keep local reporting strong.

You come to LAist because you want independent reporting and trustworthy local information. Our nonprofit newsroom doesn’t answer to shareholders looking to turn a profit. Instead, we answer to you and our communities. We are free to follow facts wherever they lead and to hold power to account without fear or favor. Our only loyalty is to our readers and listeners and our mission: to inform, engage, and strengthen Southern California’s communities.

If this story helped you, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.
Senior Vice President News, Editor in Chief

Make your tax-deductible donation today