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The Brief

The most important stories for you to know today
  • Trump's proposal is controversial and costly

    Topline:

    President Donald Trump has called for a temporary waiver of the federal gas tax, which costs drivers 18.4 cents per gallon.

    Why now: It's one of several attempts to relieve pain at the pump as voters grow increasingly frustrated with gasoline prices, which have hit four-year highs thanks to the oil trade disruption triggered by the war with Iran.
    What's next: A national gas tax holiday would require an act of Congress. Lawmakers have floated the idea, with several bills introduced before Trump called for a temporary pause on the tax. Even with the president's backing, it's not clear whether his proposal will make it to the floor for a vote.

    Why it's controversial: Advocates argue they provide quick relief and with critics denounce them as costly and even counterproductive. And keep in mind that state taxes are usually much higher than the federal tax. The amount varies by state — from 9 cents a gallon in Alaska to 70.9 cents in California. On average, states tack on an extra 33.3 cents per gallon.

    President Donald Trump has called for a temporary waiver of the federal gas tax, which costs drivers 18.4 cents per gallon.

    It's one of several attempts to relieve pain at the pump as voters grow increasingly frustrated with gasoline prices, which have hit four-year highs thanks to the oil trade disruption triggered by the war with Iran.

    A national gas tax holiday would require an act of Congress. Lawmakers have floated the idea, with several bills introduced before Trump called for a temporary pause on the tax.

    But even with the president's backing, it's not clear whether his proposal will make it to the floor for a vote. Gas tax holidays are controversial, with advocates arguing they provide quick relief and with critics denouncing them as costly and even counterproductive.

    Here's what you need to know.

    How much would a federal gas tax holiday save? 

    At most, waiving the tax would save drivers 18.4 cents per gallon, or $2.76 on a 15-gallon fill-up. The national average price for a gallon of gasoline is now $4.46, up from around $3 prewar, so the relief would make up for only a fraction of that price spike.

    Loading...

    But there are two reasons that drivers might save even less. First, some of the tax savings might instead go toward refineries and gas stations. That's especially true for a shorter holiday, says Kent Smetters, the faculty director at the Penn Wharton Budget Model, which researches the cost of public policies.

    "What we generally think is that over long periods of time, most of the tax cut would go to consumers," he says. "But over shorter periods of time, suppliers — even though it's fairly competitive to sell gas — they still have some market power." And that market power means they could hike their prices a little bit, eating into those tax savings and keeping some of the benefit for themselves.

    Penn Wharton estimates that about 13.2 cents a gallon in savings would actually reach consumers; Adam Hoffer, the director of excise tax policy at the Tax Foundation think tank, estimates it's about 16 cents.

    And second, waiving the gas tax can increase demand for gasoline; that's the natural result of lower prices. That could worsen the supply-demand imbalance that's driving prices up.

    A pause on the federal gas tax alone probably isn't large enough to send demand soaring. But Patrick De Haan, an analyst with the app GasBuddy, told NPR this spring that if states widely suspend their own gas taxes, that could push demand — and prices — back up.

    That's because state taxes are usually much higher than the federal tax. The amount varies by state — from 9 cents a gallon in Alaska to 70.9 cents in California. On average, states tack on an extra 33.3 cents per gallon.

    A handful of states have already cut or paused their gas taxes. Kentucky lopped 10 cents off in May. Georgia completely froze its gas tax in March for two months and has extended its freeze as the conflict with Iran continues.

    The price of a gas tax pause

    While waiving gas taxes may save drivers a bit at the pump, it means less money for keeping roads safe.

    Revenue from the federal gas tax goes into the Highway Trust Fund, which is used to pay for interstate construction and repair, as well as to invest in mass transit. Revenue from state gas taxes is often used for local road repairs.

    The Penn Wharton Budget Model estimated that when Georgia paused its tax for two months, this cost the state about $361 million.

    "Now we're talking real money," Smetters said.

    That's less funding available to the state for repairs. "Anytime you take away a source of funding for highway construction and maintenance, then you're running the risk of the roads getting worse and not better," said Rob Bhatt, an insurance analyst at LendingTree, which recently issued a report about the condition of U.S. roads.

    Drivers feel the pain of poorly maintained roads in very familiar ways: in potholes and dips. Patrick Marshall, a music teacher in New Orleans, wasn't watching close enough one morning and hit a dip that nearly broke a wheel off his 1989 GMC Sierra. The incident cost Marshall $2,500 and resulted in a 10-block walk to work.

    "It's a tough hit to take when it's an unexpected expense," Marshall said.

    (Well, not that unexpected — at least not in a city infamous for rough roads. When Marshall leads his students on brass and drum lines through New Orleans' streets, they know to shout warnings of "Pothole!" loud enough to eclipse the trumpets and French horns.)

    All those pothole-related damages add up: AAA estimated that damage from potholes cost drivers some $26.5 billion in repairs in 2021.

    Overall, this month's LendingTree report, which was based on federal data from 2024, found that 8.9% of the nation's road miles are in poor condition. Rhode Island scored the worst, with 31.5% of road miles rated as poor, with California and Massachusetts coming in second and third at 27.0% and 24.5%, respectively.

    Minnesota stood out as the most improved between 2019 and 2024 — the state reduced the share of road miles rated as poor by more than 60%. But nationally, the report didn't find much improvement at all over that five-year span.

    And even drivers in Rhode Island, the report's lowest-rated state, say potholes are bad everywhere. "I hit a pothole in New York City about a month ago, though that literally took life out of me," said Rhode Island resident Carleen Quattrucci.

    The bigger problem: The gas tax is broken 

    Here's even more bad news: The federal gas tax hasn't collected enough money to fully fund highway construction and repairs for years. And that fundamental problem is only getting worse.

    It wasn't always like this. The gas tax was based on the premise that the people who use highways the most should pay the most for their upkeep. And the more miles a driver puts on their car, the more gasoline or diesel they purchase, so the more tax they pay — no toll booth required.

    From the mid-1970s through the mid-1990s, that worked well, says the Tax Foundation's Hoffer.

    "The revenue from gas tax collections was sufficient to cover all federal highway road construction and maintenance expenses," he says. "So the drivers were paying for the roads to be maintained and more roads to be built, when they drove on the roads. It was a terrific system."

    But the last time the gas tax was raised was in 1993. It was 18.4 cents a gallon then; it's 18.4 cents a gallon now.

    Yet since 1993, the cost of road repairs and construction has risen — and the price of gasoline has tripled.

    "It's a weird tax," says Smetters, because it's not pegged to the price of gasoline, so it doesn't rise with inflation.

    Meanwhile, new vehicles have gotten more fuel efficient, and per capita miles driven per year peaked 20 years ago. That means the government collects less and less with the gas tax.

    Now, the tax falls short of the highway fund's needs every year. For 2026, the shortfall is estimated to be $17 billion. Congress has to keep making up the gap with general taxpayer funds.

    Raising the federal tax wouldn't fix the problem for long 

    Hypothetically, the national tax could be increased. After all, many states' gas taxes are set to raise automatically.

    One problem: "Nobody likes gas taxes. Politicians don't like them. Drivers don't like them. Voters don't like them," Hoffer says. "So increasing these taxes is a real political challenge." That's even though higher gas taxes do have benefits. For example, by discouraging driving, they cut down on carbon emissions, which improves air quality and human health. And a well-designed gas tax is a fairer way of paying for highways than drawing from the general tax pool, Hoffer says.

    But there's another problem: Gas taxes make less sense as more drivers choose electric vehicles. EVs use roads and highways, so they add to the wear and tear on infrastructure. But they don't burn gasoline. So as EVs make up a growing share of vehicles, even a significantly higher gas tax would be doomed. It would bring in less money over time, because fewer drivers would pay it.

    Many states have imposed EV registration fees to address this problem; the federal government is also considering adding one. However, because EVs still make up a very small share of vehicles, this doesn't come close to addressing the gas tax shortfall. Also, in many cases the fee for EVs is — or would be — much higher than the typical driver pays in gas taxes, creating an unfair system. Other potential solutions are being debated too. A lobbying group representing major automakers is pushing for a fee that all car owners would pay based on vehicle weight, so trucks would pay more than sedans. Heavier vehicles are harder on roads.

    Some states are experimenting with road-user fees, which drivers pay based on how many miles they drive. In some cases, the programs use odometer readings; in others, they rely on devices or phone apps to measure miles driven. While economists say they're a fairer way to collect revenue — because, like with a gas tax traditionally, the people who use roads the most contribute the most toward their upkeep — those plans can raise privacy concerns, depending on the technology used to track miles driven.

    Smetters, of the Penn Wharton Budget Model, also points to congestion fees and toll lanes as alternative funding mechanisms.

    None of these ideas has yet caught on as a replacement for the federal fuel tax. But one thing is clear: At some point down the road, this tax is going to run out of gas.
    Copyright 2026 NPR

  • These cafe bars and jazz clubs are worth a visit.
    Esperanza Spalding, a Black woman wearing a black dress, sings and plays guitar on stage with curtains draped behind her and a male guitarist playing in the background to her right.
    Esperanza Spalding performs at the Blue Note Jazz Club on February 23, 2025 in New York City.

    Topline:

    In Los Angeles, you don’t need to go to a big venue to catch live music. If you’re new to L.A., here’s a list to get you started.

    What it matters: L.A. is home to some big venues, but you can find good music at the smaller, but just as iconic, spots.

    Read on … for some good spots to listen to live music.

    In Los Angeles, you don’t need to go to a big venue to catch live music. Like art, music is everywhere throughout the region, so there’s something for everyone. Here’s a list to get you started.

    Two men playing guitar face eachother.
    Baked Potato is a cozy jazz club that hosts different artists on any given night.
    (
    Ken Hively/Los Angeles Times via Getty Images
    /
    Los Angeles Times
    )

    Baked Potato

    The Baked Potato is an iconic spot where you can catch live jazz performances in a very intimate setting with drinks, and yes, a baked potato. What makes this place even more special is that phones are not allowed, meaning everyone is living in the moment and enjoying the music.

    Where to go: 3787 Cahuenga Blvd., Studio City
    Check out the shows here.

    A Black man in an indigo colored outfit plays the saxophone into a microphone as other band members play their instruments behind him.
    Kamasi Washington performs with special guest Ami Taf Ra in concert at Blue Note Jazz Club in New York City.
    (
    Udo Salters Photography
    /
    Getty Images
    )

    Blue Note

    The Blue Note brings New York’s iconic jazz scene to Hollywood with a bar and menu to match the vibes. It’s open seating, meaning you get a show and get to mingle with other jazz music lovers.

    Where to find: 6372 Sunset Blvd., Los Angeles
    Check out the shows here.

    A black Troubadour sign below a marquee reading "SAVE OUR STAGES," above a bright graffiti mural.
    The Troubadour as its marquee asked for pandemic era help.
    (
    Courtesy Jason Horton
    )

    The Troubadour

    For more of an indie-rock feel, head to The Troubadour in West Hollywood. It’s a local classic that’s hosted some of music’s legends like Joni Mitchell, Led Zeppelin, Billy Joel, and many, many more. It’s standing-room only, with limited seating upstairs that is first-come, first-served.

    Where to find:  9081 Santa Monica Blvd., West Hollywood
    Check out the shows here.

    Café Tondo

    At Café Tondo, a cafe-bar in Chinatown, you can catch bolero performances on Tuesday nights, different DJs every Saturday night and jazz on Sunday nights. You can find more info on Café Tondo’s Instagram.

    Where to find: 1135 N. Alameda St., Los Angeles
    Find more information here.

    A light-skinned man wearing a blue and white polka dot button up stands behind a DJ set. A large speaker is set up behind him.
    Eastside Luv Wine Bar in Boyle Heights plays different kinds of music on any given night, like mariachi, country and norteños.
    (
    Lawrence K. Ho/Los Angeles Times via Getty Images
    /
    Los Angeles Times
    )

    Eastside Luv

    Eastside Luv is another must-see in the heart of Boyle Heights. It’s a cozy community spot where every night holds something different, from boleros and mariachi to norteños and country. The DJ at the 21+ bar also mixes songs throughout the night in both English and Spanish.

    Where to Find: 1835 1st St., Los Angeles
    Check out the shows here.

  • Sponsored message
  • L.A. County Fair, lucha libre wrestling and more
    Three people in indigenous dress play drums outside for a crown of people surrounding them.
    The Celebrating Words Art and Literacy Festival happens this Saturday.

    In this edition:

    Lucha Va Voom, last chance for the L.A. County Fair, a bird migration celebration and more of the best things to do this weekend.

    Highlights:

    • Mexican wrestling-inspired variety extravaganza Lucha VaVoom de La Liz is back at the Fox Theater in Pomona. Featuring world-class lucha libre-style wrestling, award-winning burlesque, death-defying aerialists, comedy legends, live music, classic lowriders, visual art and more, the show has a "Drinko de Mayo" theme this time around.
    • Take a freshwater marsh tour, enjoy a performance from the Bob Baker Marionettes and see a raptor presentation at the Friends of Ballona Wetlands Migration Celebration at Ballona Discovery Park in Playa Vista. Let your inner birdwatcher roam free and get to know the beauty of the birds right here at home in the Ballona Wetlands. 
    • The L.A. County Fair wraps up this weekend, as does its accompanying music fair, NEXTfest. Catch the last of the blue-ribbon-winning bakes and jams, carnival games, farm animal visiting and the new band showcase before it’s gone. On Sunday, catch L.A.-based Latin pop duo MYRANDAS, KCRW DJ Raul Campos and many more.

    Two of the heaviest of heavy classical music hitters — cellist Yo Yo Ma and L.A. Phil conductor Gustavo Dudamel — take the stage at Disney Hall Thursday and Saturday for a world premiere performance, but even if you can’t score a coveted seat this week, let this serve as your reminder that your days left to see Dudamel as he prepares to depart for the New York Philharmonic are closing in swiftly. But have no fear, the Venezuelan maestro will be back for several performances a year, and the L.A. Phil just made the exciting announcement that conductor Daniel Harding will be taking over as music director for the 2027-2028 season (fun fact: he’s also an Air France pilot!). Plus, there are plenty of classical summer nights at the Hollywood Bowl on the horizon.

    Licorice Pizza has your rock 'n' roll picks for the weekend. Friday, Ladytron is at the Novo; the Last Dinner Party plays the Orpheum; Violet Grohl (yes, daughter of Dave) is at the Moroccan Lounge, while Spike Hellis is at Que Sera; and the big Slide Away 2026 shoegaze festival, featuring Hum, Nothing, Chapterhouse and more, takes over the Palladium Friday and Saturday.

    Other Saturday shows include Pitbull and Lil Jon getting low at the Hollywood Bowl; We Are Scientists performing their classic album With Love and Squalor in full at the Troubadour. Fat, Evil Children featuring Truman Sinclair is at the Roxy, and the all-star Jesse Colin Young Tribute concert “Get Together Now!” is at the Orpheum. Plus, Lords of Acid with Mz Neon and Princess Superstar are at the Echoplex. Sunday’s rock ‘n’ roll extravaganza at the Roxy features Licorice Pizza’s Kelsy Karter & The Heroines with Frankie and the Studs.

    Elsewhere on LAist, you can avoid getting scammed on a World Cup ticket and make your plan to vote in next Tuesday’s primaries.

    Events

    L.A. County Fair + NEXTfest

    Through Sunday, May 31, 11 a.m. to 11 p.m. 
    1101 W. McKinley Ave., Pomona
    COST: FROM $19.50; MORE INFO

    The L.A. County Fair wraps up this weekend, as does its accompanying music fair, NEXTfest. Catch the last of the blue-ribbon-winning bakes and jams, carnival games, farm animal visiting and the new band showcase before they're gone. On Sunday, catch L.A.-based Latin pop duo MYRANDAS, KCRW DJ Raul Campos and many more.


    Scuba Show

    Saturday and Sunday, May 30 and 31
    Long Beach Convention Center 
    300 E. Ocean Blvd., Long Beach 
    COST: FROM $33; MORE INFO 

    A scuba diver underwater in blue water.
    (
    Bobbi Wu
    /
    Unsplash
    )

    Whether you’re like me (a warm-water, vacation-only scuba diver), a technical obsessive who heads to the Catalina kelp forests, or a brand-new beginner, the Scuba Show in Long Beach will get you ready for your next underwater adventure. The weekend-long convention has a discovery pool to try scuba, all the dive gear you could want to check out and a full schedule of talks from marine biologists, explorers, photographers and enthusiasts.


    Tia Chucha’s Celebrating Words Art and Literacy Festival

    Saturday, May 30, 3 p.m. to 7 p.m. 
    11200 Herrick Ave., Pacoima 
    COST: FREE; MORE INFO 

    A large figure in green with a marigold face at a festival.
    (
    Courtesy Tia Chucha's Centro Cultural & Bookstore
    )

    Venture to Pacoima for this long-running art and literacy festival featuring fun workshops like cyanotyping (sun prints), tattoo-inspired button-making, mini-zine creation and more. Plus, you'll find local food options, book giveaways and vinyl tunes from DJ Linda Nuves.


    Hell’s Kitchen 

    Through Sunday, June 21
    Pantages 
    6233 Hollywood Blvd., Hollywood
    COST: FROM $49; MORE INFO

    A medium-light-skinned woman sits on a piano bench next to a medium-dark-skinned woman.
    (
    Marc J. Franklin
    /
    Broadway in Hollywood
    )

    The Alicia Keys songbook gets the stage treatment in this first tour of the popular Broadway show, with music and lyrics by Keys and directed by Tony winner Michael Greif (RENT). Opening Thursday at the Pantages, the show follows a teenager named Ali finding her voice in the big city. I hear she’s … on fire.


    Lucha VaVoom de La Liz

    Saturday, May 30, 8 p.m.  
    Fox Theater
    301 S. Garey Ave., Pomona 
    COST: FROM $60.95; MORE INFO

    Mexican wrestling-inspired variety extravaganza Lucha VaVoom de La Liz is back at the Fox Theater in Pomona (make a day of it after the fair!). Featuring world-class lucha libre-style wrestling, award-winning burlesque, death-defying aerialists, comedy legends, live music, classic lowriders, visual art and more, the show has a "Drinko de Mayo" theme this time around.


    Migration Celebration

    Saturday, May 30, 10 a.m. to 2 p.m.
    Ballona Discovery Park
    13110 Bluff Creek Drive, Playa Vista
    COST: FREE; MORE INFO

    Five reddish-brown birds perched on bare tree branches against a clear blue sky.
    (
    Friends of Ballona Wetlands
    )

    Take a freshwater marsh tour, enjoy a performance from the Bob Baker Marionettes and see a raptor presentation at the Friends of Ballona Wetlands Migration Celebration at Ballona Discovery Park in Playa Vista. Let your inner birdwatcher roam free (no Antarctic birdwatching cruise necessary!) and get to know the beauty of the birds right here at home in the Ballona Wetlands.


    Home is a Hotel screening in Costa Mesa and Burbank

    Thursday, May 28, 6:30 p.m. (Costa Mesa);  Friday, May 29, 6:30 p.m. (Burbank)
    PBS SoCal Studios 
    3080 Bristol St., #100, Costa Mesa
    2900 W. Alameda Ave., Suite 500, Burbank
    COST: FREE; MORE INFO 

    A poster for "Home Is a Hotel" with a young girl wearing a pink jacket and pink bow, and an adult woman adjusting the girl's jacket.
    (
    Courtesy PBS SoCal
    )

    Join PBS SoCal for two free local screenings of the new documentary, Home Is a Hotel. The film takes viewers inside single room occupancy (SRO) housing “through intimate portraits of San Francisco residents, filmed over six years, in their search for a place to call home.” Check out the trailer here.


    Walking Altadena 

    Saturday, May 30, 10 a.m. to 12 p.m. 
    Bob Lucas Memorial Library 
    2659 Lincoln Ave., Altadena 
    COST: FREE; MORE INFO

    Students from UCLA’s Department of Architecture and Urban Design will take visitors through a two-hour interactive exhibition, inviting public feedback on projects and proposals that imagine a rebuilt and reinvigorated post-fire Altadena.

  • Fury, anger underline show
    A person with glasses and light skin tone stands for a portrait, leaning against a table filled with art supplies.
    Camilla Taylor, a Los Angeles artist, in their temporary studio after their home and studio were destroyed in the Eaton Fire. Taylor’s artwork exploring emotions such as rage and anger is featured in the “Post-Fire 1” show in Culver City.

    Topline:

    The art show "Post-Fire 1" features 22 artists from the Altadena area who experienced the traumatic loss of homes and studios due to the Eaton fire. The Des Artistes organization plans for this 2026 show to be the first of four annual shows in support of artists who were affected by the Eaton and Palisades fires.

    What's in the show? Showcased in the "Post-Fire 1" group show running until June 1 are artworks made after the Eaton Fire that tap into an array of emotions. The show evokes unease in warped window frames and a whirling floor-facing fan, and finds hope in drawings of colorful plants growing aside charred tree trunks.

    Why it matters: Connectedness plays an important role in recovery from a traumatic event. “Social support turns out to be one of the biggest predictors of recovery,” said Robin Jacobowitz, interim director of the Institute for Disaster Mental Health at SUNY New Paltz. “Also, the level of perceived social support you have, that includes everything from strong family ties and/or peer networks, community support.”

    Read on: For details about the show.

    After sculptor and printmaker Camilla Taylor lost their home, studio and nearly all possessions, including their artwork, to the Eaton Fire in January 2025, they attended groups processing grief and sadness. Taylor didn’t feel sadness though — they felt deep, deep anger.

    Anger that “something so big was taken away from me.”

    Anger at the “extreme inconvenience” of their loss.

    Anger at themselves for being upset when comparing their loss relative to “people in Gaza who are actively being subjected to a genocide.”

    Anger that people minimized their lost artwork as merely objects, when these were the objects they made.

    “As an artist, I define myself by the objects I create and can create. … The objects are who I am and now they’re gone,” they said.

    Showcased in the Post-Fire 1 group show running until June 1 are artworks Taylor and others made after the fires that tap into an array of emotions. The show evokes unease in warped window frames and a whirling floor-facing fan, and finds hope in drawings of colorful plants growing aside charred tree trunks.

    Taylor’s piece titled "Fury" hangs from the wall in the shape of a shiny cloak, made of hundreds of etched and handcut copper feathers, to represent the Greco-Roman mythological creature the Furies. Another artwork has the word “rage” etched in a copper silhouette of a grease moth.

    Post-Fire 1 features 22 artists from the Altadena area who experienced the traumatic loss of homes and studios due to the Eaton fire. The Des Artistes organization plans for this 2026 show to be the first of four annual shows in support of artists who were affected by the Eaton and Palisades fires.

    In a public talk tied to the exhibition, artist Eddie Rodolfo Aparicio said before the fires a lot of his work was socially inclined, but he did not really have a social practice as he does now.

    He found that “doing things beyond myself and being involved in other community projects has been really healing.” Aparicio has worked on a memorial project in Altadena’s Triangle Park, hearing community members share stories about the fire, their lives, and what Altadena has meant to them.

    Recovery through connection

    Connectedness plays an important role in recovery from a traumatic event.

    “Social support turns out to be one of the biggest predictors of recovery,” said Robin Jacobowitz, interim director of the Institute for Disaster Mental Health at SUNY New Paltz. “Also, the level of perceived social support you have, that includes everything from strong family ties and/or peer networks, community support.”

    See the show

    "Post-Fire 1" runs until June 1.

    Jacobowitz said that after Hurricane Katrina in 2005 there was a lot of outmigration due to the long road to recovery and its challenges. “Having strong social ties has been shown to even prevent that,” said Jacobowitz, while recognizing that structural issues still remain, like the loss of housing, lack of insurance or employment opportunities.

    Still, these ties may provide social, financial support, or even just accurate information. Jacobowitz said research has shown faith institutions drew the Vietnamese community back to New Orleans.

    “When people have those community institutions involved in recovery, they stay,” she said.

    Organizing for those who lost homes

    Jacobowitz said communities begin to heal by acknowledging their loss, “through memorials, legacy, or anniversary events,” she said. “The loss is honored and now part of the community story and the community’s life, and how the community will continue to function and thrive together.”

    After the fires, as acts of altruism spread across Los Angeles, Taylor was invited to participate in art shows where organizers would receive no commission so that proceeds would go directly to its artists, who self-identified as fire victims. Taylor was surprised to meet more than one artist who participated but had no real direct relation to the fire. They said one artist did not live in an area where the fires burned.

    Upset at people taking advantage of the situation, Taylor channeled this anger to doing what they were already good at doing, which is curating shows. A connector in their own right, Taylor organized an intimate group show titled, “My House Burned Down,” which recognized artists who lost homes in the recent and older fires.

    Taylor also helped to co-curate "Post-Fire 1."

    A person with glasses and light skin tone works on forming a piece of art with their hands.
    Camilla Taylor sculpts a piece resembling a braid in lost wax before it is cast in bronze.
    (
    Julie Leopo for LAist
    )

    Taylor said the anger they've felt has lessened. “It’s really exhausting. It takes so much energy to be angry.”

    Anger is a common, if powerful, emotional reaction to loss, among other emotions, according to the authors of the book Disaster Mental Health Theory and Practice, James Halpern and Mary Tramontin. Emotional reactions after a disaster can depend on a variety of factors, including an individual’s history. For Taylor, they said they have historically had a tendency toward anger in response to trauma, going back to their childhood.

    Taylor said they do not make art to heal, but rather to understand. In discussing their artwork Fury, Taylor explained that “the Furies could punish the gods for breaking divine law with extreme self-awareness.” Fury was part of a body of work around transformation and becoming a completely new thing.

    Taylor clarified though that their art is not about themselves. If it were so specific to their own experience, then the art would just be for them and art would not be doing its “first job,” which is “to communicate.”

    Taylor’s artwork in the show titled The Dead, is in reference to the memory of Altadena. On a white paper the word memory is repeated in different lettering styles, made from rubbing a black crayon in the shape of Taylor’s hand, which is also part of the art on display, over different headstones in Altadena’s Mountain View cemetery.

    The outside of a blue building on a street corner. In a window is the sign "Post-Fire 1."
    Artwork is displayed during the “Post-Fire 1” show at Des Artistes gallery in Culver City.
    (
    Julie Leopo for LAist
    )

    Taylor used to go on frequent walks through the historic cemetery, which was established in 1882. Century-old headstones and plaques sit among a variety of trees.

    “All the houses, like a horseshoe around the cemetery, are completely gone, but the house of the dead is fine,” Taylor said. Taylor described the surviving cemetery as representing the historically Black community, the tree-stump headstones by the fraternal society, the Woodmen of the World, and the waves of immigrants.

    “It has archived the history of Altadena,” Taylor said.

    “What I really loved about Post-Fire 1 is that many people who came to the opening did not realize what we all had in common.”

    The attendees “just thought it was a really good group show.”

    Funding for this story was provided by UC Berkeley's Greater Good Science Center, as part of its "Spreading Love Through the Media" initiative, supported by the John Templeton Foundation.

  • You can keep tabs on facilities like the one in OC
    A photo of a giant tank with smoke and chemical coming out of it. On the photo it says, "CBS News Los Angeles: Hazmat Situation"
    Many residents of Garden Grove and nearby cities had to evacuate because of the risk of an explosion or leak from a chemical tank.

    Topline: What could have been a catastrophic toxic disaster was narrowly avoided in Garden Grove thanks to the quick work of first responders, cool weather and some luck. If you want to get involved in monitoring facilities like that one, you can attend meetings, contact regulators and take note of potentially hazardous sites near you.

    The background: The chemical tank mishap at GKN Aerospace’s Garden Grove facility is a reminder that many potentially dangerous facilities are right next door to neighborhoods in Southern California.

    Read on ... to learn which agencies regulate with types of facilities.

    What could have been a catastrophic toxic disaster was narrowly avoided in Garden Grove thanks to the quick work of first responders, cool weather and some luck.

    But the chemical tank mishap at GKN Aerospace’s Garden Grove facility is another reminder that many potentially dangerous facilities are right next door to neighborhoods in Southern California.

    For Deborah Morris-Quintero, who lives less than a mile from GKN’s Garden Grove facility and had to evacuate, there are still many open questions.

    “ Any city that's got anything that could potentially impact the citizens and the environment, the cities really need to make these plants accountable,” she said outside a community meeting Tuesday in Garden Grove. “They need to take steps to make sure that stuff like this doesn't happen again. They need to be proactive.”

    If you want to be proactive on this topic, you can attend meetings, contact regulators and take note of potentially hazardous sites near you. Here’s a quick guide on how to watchdog your local industrial facility.

    Got a news tip for a reporter?

    Have a pollution worry in your neighborhood? Reach reporter Erin Stone at estone@laist.com or @erins.62 on Signal.

    Who regulates the facility? 

    A hodgepodge of local, state and federal regulators are tasked with overseeing companies like GKN Aerospace. Most of these agencies are understaffed and rely on self-reporting by the companies themselves, or complaints from nearby residents. (See some previous reporting from LAist on this issue here and here.)

    When logging a concern, first identify what the issue you’re worried about is. Is it air pollution? A bad smell? Water contamination? Hazardous waste?

    Different agencies oversee different types of pollution, so multiple complaints may be required. And, without risking your safety, try to document the issue you’re observing with a photo or video.

    • At a local level, the South Coast Air Quality Management District regulates air pollution across the region, but they have just one inspector for every 200 industrial sites, according to the Voice of O.C. You can search for violations by facility through the agency’s public search tool here. You can report any concerns about strong odors, excessive dust, smoke or other air pollutants here. Find LAist’s in-depth guide on reporting air pollution concerns here
    • Local fire departments are tasked with inspecting facilities that could cause a fire. In Orange County, for example, the Orange County Fire Authority does “periodic inspections” of “facilities using or storing hazardous materials,” according to their website. For ongoing concerns about the chemical tank situation in Garden Grove, the public can call OCFA at (714) 628-7085. 
    • You can search for violations by various types of regulated facilities across the state using this map from the California Environmental Protection Agency, or CalEPA. GKN Aerospace, for example, has dozens of violations logged there. You can also file a complaint with CalEPA here or to the federal EPA directly here
    • The California Department of Toxic Substances Control regulates hazardous waste sites. You can use their tool, EnviroStor, to search for public information about hazardous sites near you. 
    • The California Geologic Energy Management Division oversees oil and gas facilities across the state. You can search for wells near you via their searchable map here. L.A. County also has its own searchable map for oil and gas wells here