LonDen Scott is just one of the few Black women in the horse-riding industry who are trying to stake their claims in a male-dominated world. For her and other Black cowgirls, it feels like Beyoncé’s Cowboy Carter album came just in time.
Why it matters: The world of cowboys and the old west is often seen as predominantly white and male, but many historians note that back in the 1800s, 1 in 4 cowboys were Black. Black people were major part of the creation of the cattle industry of the West and Southwest.
Why now: Beyoncé's Cowboy Carter album has sparked conversations surrounding Black women's role in country music and in the cowboy lifestyle. Some feel like that history has been whitewashed in the mainstream. But, historians show that Black Angelenos' role in horsemanship dates back to the early Frontier days.
The backstory: LonDen Scott and a multiethnic crew of horse riders tend to their equines at a ranch they rent in the Lake View Terrace area. They are part of the newly established Cali Cowboy Company, which started out last October as a group of friends who all had a passion for horses and community.
Scott is the president and one of six founders. And they all keep busy. They have about a dozen horses they take care of, including Scott’s own gelding, 18-year-old Count on Me"
When LonDen Scott goes out in public in Los Angeles with her $380 Resistol cowboy hat and spurred boots, some people think it’s a costume. But she’s been riding and training horses way longer than Beyonce’s Cowboy Carter album drop.
For her, it’s a lifestyle.
“I get it all the time even before her album dropped, but now it's like, people feel like they have a little more license, especially white people,” says Scott, who is the daughter of former Los Angeles Lakers and NBA coach Byron Scott. “They’d say, ‘Are you wearing that because Beyoncé is trying to be country’? I'm like, ‘No, sir. My knife is dirty in my pocket.’”
From Simone Biles to Beyoncé, there’s been a lot of conversation around the country and cowboy lifestyle, and the role of Black women in that space.
Scott, a cowgirl from Ladera Heights, is one of the few Black women in L.A. who is trying to stake her claim in a male-dominated world. For her and other Black cowgirls, it feels like Beyoncé’s album came just in time.
“Enough of our story gets whitewashed and erased,” Scott says. “So, if we need a little bit of something controversial, then let’s go. We're here. We've been here and it's about time we have people talking about it.”
LonDen Scott cleans her horse's hoof in preparation to ride.
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LonDen Scott wears a limited edition belt buckle from the National Finals Rodeo.
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Creating an inclusive space
Less than an hour north of the urban hustle and bustle of downtown L.A., is a quiet, rural agricultural region of Lake View Terrace, a neighborhood in the San Fernando Valley where visitors smell livestock instead of gas exhaustion.
Here, Scott and a multiethnic crew of horse riders tend to their equines at a ranch they rent in the area. They are part of the newly established Cali Cowboy Company, which started out last October as a group of friends who all had a passion for horses and community.
Scott is the president and one of six founders. And they all keep busy. They have about a dozen horses they take care of, including Scott’s own gelding, 18-year-old Count on Me.
Members of the Cali Cowboy Company ride their horses around an outdoor arena in Lake View Terrace.
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“I do have nicknames for him,” Scott says. “We call him ‘Count’ or ‘Baboy’ or ‘Stink’ or 'Mister Steal Your Mare’." Even the cowboys and cowgirls have nicknames. Scott’s nickname is “Legit 1."
One a recent Monday on the 2-acre ranch, a group that also includes Scott’s two daughters prepare the horses — including “Count on Me” — for their afternoon ride.
During a break, the rookie cowgirl on the scene, Ashley “Baby Fox” Johns, reminisced on her days growing up in Oakland and only associating horseback riding with being rich, white and structured, like many English-style riders.
Longtime friend and Cali Cowboy Company co-founder Rafael “Wicked Smaht” Casal introduced Johns to riding last year. She fell in love with the sport after meeting Scott and attending the Bill Pickett Invitational Rodeo, which is celebrating its 40th anniversary this year.
LonDen Scott started riding horses when she was 5 years old.
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“You see Black cowgirls and you're like, ‘Yeah, we run this,’” Johns says. “It really does fit with the nature of Black women and who we are. We are incredibly resilient and strong. We will make it work. We will find a way. We’re going to do it.”
After ensuring the horses got a stretch and roll, the crew saddled them up. On a usual day, they take them up a mountain trail or ride them through the Hansen Dam trails. Every full moon, they go out on a “Moonlight Trail” in the San Gabriel mountains. They end up on a spot that Scott says the crew calls “horse heaven."
“It's really, really pretty. It oversees everything. And you feel like you're right underneath the stars,” Scott says. To bond, the group travels to bars — sometimes on horseback — to drink and listen to country music. One favorite is Desert 5 Spot in Hollywood.
Eric Cepeda, Bechir Sylvain, Rafael Casal, Samantha Wehlauch, and LonDen Scott are all members of Cali Cowboy Company, a riding club based out of Lake View Terrace.
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“The trails are beautiful,” Scott says. “With L.A., you get kind of the best of everything. You just kind of got to know where to look.”
Outside of tending to horses and trail riding, the group has been training horses and teaching people how to ride. They’ve helped clients with Parkinson’s disease engage in equine therapy and they soon plan to host community events. The group is had their first equestrian event Saturday, April 20th in partnership with the well-known Compton Cowboys.
Kyla Aklilu with her mother's horse, Count On Me.
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LonDen Scott's spurs.
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Showing the next generation how to get back on the saddle
Scott says she’s been riding horses ever since she was 5 years old. And throughout her time, she’s had to face people telling her that she’s not a “real cowgirl” because she doesn’t push cattle, or because she’s Black.
“Being a Black cowgirl, just being a woman, there’s a lot of mansplaining,” Scott says. “When you add in women and then women of color, who can hang with the boys and sometimes even do better, there's a lot of bruised egos that come with it. So I think even more so than Black cowboys, Black cowgirls have their own set of struggles and obstacles and things that we have to prove.”
She’s instilling the tradition — and her strength — in the next generation: her 10-and 11-year-old daughters Kyla and Laila Aklilu, who help tend to the horses when they’re not in school. They both say that their mother has inspired them.
LonDen Scott instructs her daughter, Laila Aklilu, as she circles a riding ring in Lake View Terrace.
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“She’s had so many different forces and so many different injuries, that to see her still doing this is really inspiring to me,” Laila Aklilu says. “Being a cowgirl means you, no matter how many times you get hurt, you have to get back up and go on the saddle.”
Scott often gives the girls reminders so that they ride with a good, upright posture. “Don’t T-Rex … keep down and keep your hands low,” she calmly says to one of her daughters.
One of the riders on the trail is Samantha “Sissy” Wehlauch. She’s from Illinois with a mixed heritage of German and Korean. She owns a horse with braids down its mane named Scarlett and says she feels like she’s found her “tribe” with the group.
When asked about all the attention Beyoncé’s album has shined on Black cowboy culture, she says it’s about time.
“There's so much influence that Black culture has given to us in terms of different music styles, instruments like the banjo were brought over by the slaves, and that became their instrument,” Wehlauch says. “It’s great to see the homage paid back, because the original cowboys were Black and native and Mexican.”
LonDen Scott taught her two daughters, Laila and Kyla Aklilu, how to ride horses.
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History of Black cowboys and cowgirls
The world of cowboys and the Old West is often seen as predominantly white and male, but many historians note that back in the 1800s, 1 in 4 cowboys were Black.
In William Loren Katz’s book The Black West, he writes that Africans, Native Mexicans and Europeans were all a part of creating the cattle industry of the West and Southwest. Katz writes that an average trail crew of 11 might include two or three Black men. Some crews were all Black.
In The Black West, Katz writes that cattle crews started after the Civil War in Texas where millions of cattle roamed free and needed to be fenced in. Black men were able to get jobs managing the cattle and, as historians have noted, the term “cowboy” was first used as a derogatory word to describe them.
Eventually, the word was embraced as a universal term.
As cowboys, Black men protected and tended to cattle. Although Black people, Mexicans and Europeans often worked together, it was rare that Black cowboys could become foreman, trail boss or the ranch owner, Katz writes. The cowboys were often given the hardest jobs, and many fought to resist the positions they were in.
Scott of the Cali Cowboys says that racism persisted over the generations. "Western culture — it has not always been inclusive," she says. "You know, [white people] tried to erase us from it in the first place when we are a part of the originators of this. They weren't calling each other 'cowboy.'"
Samantha Wehlauch's horse, Scarlett, with a braided mane.
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Horse decor at the ranch where LonDen Scott and members of the Cali Cowboy Company keep their horses.
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There were also fierce frontier women like “Stagecoach Mary” Fields who tended to horses and carried a rifle in the late 1800s. She became the first Black woman — and second woman — to drive a U.S. mail route.
There were others who were pioneers in settling the West — Black women in California who secured and protected their land and property like Laura Pearson, Mary Pleasant and Biddy Mason.
As more Black Americans moved west during The Great Migration, they found pockets of communities in places like Compton’s Richland Farms.
Fast forward to the early ‘80’s, real-estate agent Mayisha Akbar started the Compton Jr. Posse in Richland Farms, an urban agricultural hub for Black Angelenos since the 1950s and '60s, to keep young Black boys and men out of street gang life. Akbar’s organization is recognized as the predecessor to the Compton Cowboys riding club.
Kyla Aklilu learned how to ride horses at a young age and is part of the riding club her mother helped found.
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Making it accessible for all
As the urban sprawl spreads and technology continues to develop, gone are the days where cowboys are seen as pioneering, rural and rough like in the early American West era. Now the leisure and competitive sport of equestrianism — which includes Western, English and Charro horse-riding styles — are known to be expensive, and for the privileged.
Scott, the daughter of a former NBA player, said she thinks it’s a misconception that horsemanship is solely for the privileged.
“I think that’s a misconception that’s kind of already been floating around, that you have to look a certain way, have a certain status, a certain amount in the bank to really get out and do this and that’s not the case,” Scott says. “I think the only access it gave me above anybody else was just being able to travel and do different things in different places. I would say in terms of just finding where the horses were everywhere I went, that was on me.”
LonDen Scott, her daughter Kyla Aklilu, and Cali Cowboy Company member Samantha Wehlauch ride their horses in Lake View Terrace.
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Long Beach cowgirl Chanel Rhodes also emphasized that horseback riding is not just for the rich. But she says she has to pass up on some things — like getting her nails done and even a few doctor’s appointments — to upkeep her horse.
“We are just trying to hold on to our lifestyle that we love,” Rhodes says. ““I understand that golf is cheaper. Playing basketball is cheaper. But I have made certain sacrifices to be able to live this life.”
Rhodes manages horses at Disneyland and is the founder of a horse wig company called Mane Tresses, but her long-term goal is to start the first Black-owned ranch in Orange County and make it affordable for people who may not otherwise have access to a stable.
Rhodes says she’s faced multiple instances of misogyny in the industry. She’s been in spaces where people would stare at her, question her knowledge of horses or avoid clapping for her during English riding competitions, her preferred style of riding.
“I just felt that sinking feeling of ‘This is why I don't belong here. What am I doing here?’ But you have to choose to conquer that,” Rhodes says.
For Scott, she feels responsibility as president of Cali Cowboy Company and its crew of 20-30 people, but she enjoys what she does.
“Horses are my passion,” Scott says. “So just being able to be a part of something allows me to lend that to a group of like-minded individuals who all have the same desire and goals in mind. It's really special. So I feel very honored.”
A vibrant sunset framed by clouds was visible across Los Angeles yesterday. Atmospheric conditions might have something to do with it.
The backstory: The high clouds yesterday were likely related to Hurricane Odalys, which was downgraded to a tropical storm Sunday. “We were getting some high-based tropical moisture coming in far away from the center of the storm,” Robbie Munroe, meteorologist with the National Weather Service, said.
What's next: High clouds are expected to stick around through at least today, according to the National Weather Service, which could make for another picturesque sunset.
Angelenos looking up Saturday may have noticed a particularly striking sight — a vibrant sunset framed by clouds.
Tropical moisture coming in from far off the coast could explain it.
“One thing that might have played a role in making it look awfully nice yesterday was those high clouds that were moving in,” Robert Munroe, meteorologist with the National Weather Service, said. “The way the sun was hitting the high clouds made some bright yellows and oranges in the sky. That moisture is actually related to probably mostly Odalys.”
An early sunset at yesterday's "Be The Light" 5K event in Valencia last night.
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Odalys is the hurricane (since downgraded to a tropical storm) churning off the coast of Mexico, along with Hurricane Polo.
Neither is expected to make landfall here, but they're forecast to bring high surf, dangerous rip tides and potential flooding to coastlines already battered this month by Hurricane Marie.
The bright side is Munroe said those high clouds from yesterday will be sticking around through at least today, which could make for another pretty sunset this evening.
Josie Huang
is a reporter and Weekend Edition host who spotlights the people and places at the heart of our region.
Published September 27, 2026 9:27 AM
The star marks the epicenter of a small quake Sunday morning off shore in the South Bay.
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Topline:
An earthquake with a magnitude of 3.6 struck near Hermosa Beach, and it was reported as being felt as far off as Oxnard.
Keep reading ... for more on what we know for now.
An earthquake with a magnitude of 3.6 struck off the South Bay at about 8:40 a.m. and was reported as being felt as far as Oxnard.
The U.S. Geological Survey says it was centered about four miles west-southwest of Hermosa Beach. More than 1,500 people reported feeling it within the first hour after it struck. [You can report what you felt to the USGS.]
No significant damage has been reported, which is typical at this low of a magnitude.
The quake was below the threshold of 4.0 magnitude that triggers an alert on the ShakeAlert app.
We don't want to scare you, but the Big One is coming. We don't know when, but we know it'll be at least 44 times stronger than Northridge and 11 times stronger than the Ridgecrest quakes in 2019. To help you get prepared, we've compiled a handy reading list:
Experience what the first hours after a massive earthquake could be like and get motivated to get ready.
Keep up with LAist.
If you're enjoying this article, you'll love our daily newsletter, The LA Report. Each weekday, catch up on the 5 most pressing stories to start your morning in 3 minutes or less.
Members of Compás Discoteca (L to R): Adrian Silva, Albert Piña, Ricardo Carlos, and Elias Ruiz.
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Topline:
Compás Discoteca, a four-person DJ collective, fosters community and connections with eclectic live vinyl mixing at restaurants in and near the Inland Empire.
The backstory: Ricardo Carlos, Elias Ruiz, Albert Piña and Adrian Silva have been friends for about two decades. They all DJ as a hobby and often share music. The crew decided to form the collective after seeing what they thought of as a "sign" in 2024.
On a Sunday night at the Mexican restaurant La Popular in Claremont, diners are eating to a soundtrack that starts with cumbia and jumps to J Balvin and Bad Bunny before landing on Luther Vandross.
That’s the aim of DJ collective Compás Discoteca — to bring connection and community through live vinyl mixing at La Popular and El Balcon in Ontario.
How Compás Discoteca was born
Ricardo Carlos, Elias Ruiz, Albert Piña and Adrian Silva have been friends for about two decades. They all DJ as a hobby and often share music. On a night out in 2024, they saw a sign: a parking space for a “compact car,” minus two letters.
“The C and T are missing — compá. Like, ‘We're compás,’” Carlos said, recounting that night.
A "Compás Discoteca" turntable mat.
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Their DJ collective, Compás Discoteca, was born. “Compás” means “buddies” in Spanish and “Discoteca” means “nightclub."
Seasoning the scene
When Compás Discoteca first formed, the members said Southern California’s vinyl-listening scene was more focused on track selection, letting songs play out in full. The collective wanted to bring more life to the experience by mixing music live.
“It just seemed a little stale,” Silva said. “I feel like we helped to bring some seasoning to that.”
They also wanted to play genres people wouldn’t normally hear together.
“You might hear us jump from funk to cumbia to hip-hop to disco, soul to house. We're just trying to take people on a journey with us,” Silva said.
Each compá takes their turn at the turntables for two 30-minute sets. And each brings their own sound.
Three of the "compás" pose for a picture in between their sets.
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Silva is the “party-starter.” He gets people dancing.
Carlos has a Latin bent, taking influence from his Puerto Rican, Salvadoran and Creole roots.
Ruiz lives for “jaw-drop moments” and brings records he thinks will surprise his fellow DJs.
Piña spins rare world grooves in the funk and boogie vein.
“He probably gets the most Shazams from us and from the audience,” Ruiz said of Piña. “But most importantly, you feel like you're hanging out and with some good music.”
Albert Piña prepares looks through a box of vinyl records during his DJ set at "La Popular" in Claremont.
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Feeding off the energy
Compás Discoteca DJs at El Balcon in Ontario on the first Friday of each month and at La Popular in Claremont on the third Sunday.
The vibes for Sundays are chill, they said, and Fridays are for letting it all loose.
“There's like an energy there, like, ‘Oh, man, we made it through the week.’ We try to feed off of that,” Piña said.
Compás Discoteca vinyl nights
Compás Discoteca DJs at El Balcon (200 N. Euclid Ave., Unit C, Ontario) on the first Friday of each month and at La Popular (235 N. Yale Ave., Claremont) on the third Sunday.
When: Fridays, 7 p.m. to 12 a.m.; Sundays, 5 to 9 p.m.
Cost: free to diners
Next shows: Friday, Oct. 2, at El Balcon; Sunday, Oct. 18, at La Popular
Fiona Ng
is LAist's deputy managing editor and leads a team of reporters who explore food, culture, history, events and more.
Published September 27, 2026 5:00 AM
The Bagel Portal, the bagel delivery system of 29 Loaves, in Joshua Tree.
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Topline:
Joshua Tree has quirk, character and plenty of nature. Since 2024, it also has real New York-style bagels.
How? These bagels are courtesy of 29 Loaves, a home bakery operated by DIY baker and through-and-through New Yorker Richard Lee.
Read on… to find out what distinguishes a New York-style bagel from lesser ones, according to Lee, and how he learned to make his.
Along Highway 62 in Joshua Tree, a stack of high school lockers holds something the High Desert was missing: a real New York-style bagel.
For that, you have DIY baker Richard Lee to thank.
“I want a bagel. What do I do?” Lee remembered thinking after moving to Twentynine Palms in 2023 from Los Angeles, where he had lived for more than a decade.
The Bagel Portal off Highway 62 in Joshua Tree.
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It wasn’t just any bagel the born-and-raised New Yorker was craving, but the kind from back home that gives “a little crunch” when you bite into its crust — with a “chewy, softer” inside and a taste Lee calls “ineffable.”
“Like maybe a sourdough or an Italian bread,” he said.
Taught by YouTube, tested by family in New York
Richard Lee converted his garage in 29 Palms to make bagels.
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A tinkerer by nature, Lee launched 29 Loaves in early 2024, bringing bagels he handcrafts in his licensed home operation to Twentynine Palms, Joshua Tree and surrounding communities.
“I went to the culinary school of YouTube,” he said, having watched more than 100 videos on how to make a bagel. At first, he relied on his own taste buds as a guide, before sending his creations to his family in New York to taste.
After months of overnight shipping, Lee said, “Even a UPS store is asking me, ‘Why are you doing that?’”
“I know it makes no sense,” he told them. “That's how I operate.”
29 Loaves serves up New York-style bagels to Joshua Tree and other desert communities.
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Eventually, his sister gave the thumbs-up. To be extra, extra, extra sure, Lee went to folks living in the desert with New York ties to get their blessing.
“Attention is an ingredient,” Lee said of his bagels. It’s a philosophy he’s honed while running his other business providing IT services, which he now operates remotely.
“Garbage in, garbage out,” he said. “If you make a mistake or something falls on the bagel and marks it, it’ll end up that way as a finished product.”
Why bagels mean so much to him
Lee, whose father is Korean and mother is Brazilian, said his bakery is ultimately about food memories — and draws inspiration from what he ate growing up. The only other baked good 29 Loaves sells is pão de queijo, a gluten-free Brazilian cheese puff he makes.
Richard Lee handmakes New York-style bagels at his home operation.
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But nothing rivals bagels. Sundays were often bagel days in his childhood home in the Long Island suburbs. As a teenager working for his father, Lee remembered they would make detours off the Long Island Expressway to grab fresh bagels.
“They were nice and plump, and they were so hot,” he said.
Father and son would eat them straight out of the bag — no cream cheese, no nothing.
“Those were the types of memories that I wanna bring here,” Lee said.
Get your bagel
You can find 29 Loaves bagels in select cafes and markets in desert communities, including Indian Wells, Palm Desert and Pioneertown. Lee himself delivers orders within Twentynine Palms and Joshua Tree.
For a 24/7 hankering, there’s The Bagel Portal, at 61877 29 Palms Highway, Joshua Tree — look for a stack of lockers under a wooden A-frame in the parking lot facing the highway. You’ll get a combination code after making a purchase.
