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The Brief

The most important stories for you to know today
  • Newsom signs law walking back on data sharing
    A low angle view of a sign that reads "Double your CalFresh Dollars. Duplique su dolares de CalFresh. Get More Fruits & Vegetables." In the background, people are looking at items at a table in a stall.
    A sign advertising “Market Match,” a program that matches CalFresh benefits up to $10 for purchasing fruits and vegetables, at the Ecology Center farmers market in North Berkeley on July 11, 2019.

    Topline:

    The governor has signed a law that will walk back data sharing meant to increase CalFresh recipients. The new limitations are in response to the federal government’s attempts to collect private data.

    More details: On Monday, Gov. Gavin Newsom signed Assembly Bill 593 by Assemblymember Buffy Wicks, a Democrat from Oakland, that forbids state and local departments from sharing sensitive personal data to increase food stamp enrollment.

    Some background: But only a year ago, it was Wicks who introduced that same data sharing initiative, to get more people enrolled in CalFresh, the state’s federally funded food assistance program. Her bill from last year, Assembly Bill 518, granted state and local public entities involved in education, crime, employment, and other areas the authority to override all state privacy laws to share data about people who could potentially get CalFresh.

    Read on... more about the new law.

    A law that allowed the sharing of limitless amounts of personal data across the state to find people eligible for CalFresh was rescinded this week.

    On Monday, Gov. Gavin Newsom signed Assembly Bill 593 by Assemblymember Buffy Wicks, a Democrat from Oakland, that forbids state and local departments from sharing sensitive personal data to increase food stamp enrollment.

    But only a year ago, it was Wicks who introduced that same data sharing initiative, to get more people enrolled in CalFresh, the state's federally funded food assistance program. Her bill from last year, Assembly Bill 518, granted state and local public entities involved in education, crime, employment, and other areas the authority to override all state privacy laws to share data about people who could potentially get CalFresh.

    CalFresh is funded by the federal government, run by the state Department of Social Services and administered locally. Over 1 in 5 Californians are food insecure. About 5 million Californians are CalFresh recipients, and the state estimates almost 2 million more are eligible and haven’t signed up.

    Around 200,000 college students in California receive CalFresh, according to the California Department of Social Services. All recipients must complete an application process many consider time-consuming and confusing.

    In May, 20,000 college students applied for CalFresh, and over half of the applications were denied, often because the student couldn’t prove they were eligible, according to the social services department. CalFresh coordinators say students are unaware of their own eligibility, making outreach important. Through data sharing, Wicks intended to identify demographic groups as well as individuals who are eligible for CalFresh, and develop marketing that would appeal to them.

    Reversing course on data sharing

    In July, Wicks told a Senate committee she had changed her strategy to ensure data could not be shared beyond what is necessary for CalFresh outreach.

    She said limitations on data sharing were increasingly important as the “federal government is attempting to weaponize state data to actively prosecute a subset of Californians.” In June, the federal government shared Medicaid data with the Department of Homeland Security for the stated purpose of monitoring alleged Medicaid fraud. In September, Newsom signed Senate Bill 81, which protects medical data from immigration authorities, effective immediately.

    The feds have also asked for CalFresh data. In May, the U.S. Department of Agriculture requested all state agencies send names, addresses and Social Security numbers of people who either received or applied for food assistance, as well as the calculated value of all the benefits allotted over time. The department cited an executive order by President Donald Trump as the basis for the request.

    California’s Attorney General Rob Bonta and others representing Democratic states sued the Trump administration in July to prevent this data collection. On Oct. 15, a Northern California court issued a preliminary injunction temporarily blocking the transfer of CalFresh recipient data to the agriculture department.

    Using data to help food stamp access

    The previous law that allowed data sharing was originally written to expand paid family leave, but the bill was deactivated in September 2023. Wicks and co-author Assemblymember Corey Jackson, a Democrat from Riverside, reintroduced the bill in late August 2024, with an entirely new focus on CalFresh. Within one month, it passed both the Assembly and the Senate and was approved by the governor.

    The law granted state and local entities the authority to flag Californians eligible for CalFresh, allowing them to bypass all existing state laws to do so. The law authorized departments overseeing justice, veteran services, employment, financial aid, and homelessness, as well as all three public higher education systems, to share data. Types of data included utility bills, criminal records, immigration and tax records, and health information.

    There was no limit on what kinds of information could be shared, which Bill Essayli, acting U.S. Central District Attorney and former Republican assemblymember representing the 63rd Assembly District, criticized.

    End Child Poverty California, an advocacy network fighting to eradicate poverty, supported the previous law, saying data sharing could streamline CalFresh enrollment. If the state were provided data, they argued, households wouldn’t have to submit their own verification proving their food stamp eligibility, which could speed up the process.

    Though the original law was entered late in the 2024 session, it garnered several opponents, including the ACLU, the Electronic Frontier Foundation, and Oakland Privacy. The latter group argued to the Senate that the “preposterously broad” bill didn’t let Californians opt in or out of data sharing.

    Assemblymember Alex Lee, a Democrat from San Jose, concurred with Oakland Privacy that the bill was “far too broad.”

    “I'm deeply concerned how this will impact low-income individuals,” Lee had said on the Assembly floor. “This population deserves the same privacy as everyone in this room.”

    Lee as well as Essayli took issue with the gut-and-amend process that allowed the legislators to completely change the bill without approval from any Assembly policy committees. When bills are rushed in this way, Essayli said, they “can have unintended consequences.”

    However, Wicks promised to add clauses limiting the bill’s scope during the following year. Four assemblymembers voted no on the bill, three of them Republicans and the last one being Lee. Newsom signed the bill into law on Sept. 28, 2024.

    Clean-up leads to limitations

    Wicks proposed initial drafts of the clean-up bill in early 2025. Early drafts set some limits on the scope of shareable data, but were “pretty weak,” according to Tracy Rosenberg, advocacy director for Oakland Privacy.

    Another draft of the bill removed the sharing of public data related to income and health. It also required the data only be used for CalFresh outreach, facilitating enrollment, and measuring impact. To Rosenberg, this “catch-all” language was still too broad, and still would have “justified… using the data for all kinds of things.”

    Oakland Privacy collaborated with Wicks to draft this year’s bill, and Rosenberg noted Wicks was very open to protecting people’s privacy. “We think the changing political environment probably played a role,” she said.

    As proven by federal probes into Medi-Cal data, Rosenberg said, California’s social services department couldn’t guarantee their data was safe from federal interference. “That was certainly a concern in 2024, but it’s a much bigger concern in 2025,” she said.

    Finally, after facing Senate amendments, the last bill draft removed authorization for the data sharing entirely. The bill passed the Senate and Assembly with only two dissenting votes in total, and was signed by Newsom and chaptered into law on Oct. 13.

    CalFresh data is crucial for colleges

    Not all aspects of the data sharing law were rescinded this week. For example, the state social services department is still tasked with developing a methodology for estimating the rate of CalFresh participation, to be released to the public each year.

    The department will also determine the typical characteristics of people who are CalFresh-eligible, including but not limited to “race, ethnicity, preferred language, age, and location.” The department is required to develop marketing schemes that correspond to these demographics. Promoting CalFresh in underserved communities could make for more “equitable” SNAP access, Jackson said.

    The department is also required to identify all public data sets that could name potential CalFresh participants.

    State social services will not receive county data under this new law. But according to the people who run CalFresh programs at colleges and universities, analyzing participation is critical at the local level.

    At Cal Poly San Luis Obispo, almost 30% of all students are on CalFresh, according to Olivia Watts, program manager of CalFresh outreach at the university. She largely attributes the program’s success to their close relationship with the San Luis Obispo Department of Social Services.

    Through the data provided by that department, the university learned that half of all CalFresh applicants in the county are its students.

    The data they receive is scrubbed of personal information, Watts said. It’s just numbers, which she said are integral to CalFresh functionality. “Without knowing how many students are enrolled, it makes it difficult for us to do our job, to really see, are we making progress?”

    Other university programs strive for that kind of open information. Amy Gonzales, Cal Fresh director at Chico State, has repeatedly requested CalFresh participation data from her local social services department in Butte County. They rejected the requests.

    But according to Tiffany Rowe, director of Butte County’s Department of Employment and Social Services, the department doesn’t have direct access to that data, and would have to request it from the state. If they had that data, she said, they wouldn’t deny Chico State’s access.

    With access to data, Gonzales said, the CalFresh program at Chico State could improve its outreach initiatives. They could attempt to target student groups that are eligible but under-enrolled.

    Gonzales would be “all about” data sharing, even across the state, as long as the information is shared with “trusted” agencies. “I think it can be very beneficial to share that eligibility data,” she said, and flag people for different social service programs based on their characteristics.

    Still, Gonzales manages to conduct outreach without countywide data. At Chico State, she partners with some of the college’s academic programs and workplaces to find students eligible for CalFresh.

    College students are eligible for food assistance based on their participation in employment training programs. Certain majors count toward this criteria. Students are often unaware of their eligibility, which is why targeted outreach is important, Gonzales said.

    But though she’d appreciate data on eligible people, “I do have concerns with data sharing, given the current administration’s priorities and what they have requested,” she said.

    Watts and Gonzales both help students at their universities with CalFresh applications. They both said they wish that all college students were automatically eligible for the program.

    Under the new law, counties can continue to harvest data about the efficacy of their own CalFresh programs. They’re just prevented from sharing data on eligible individuals with the state. But interagency relationships at local levels, Watts said, need to be protected.

    “We’ve had a lot of success… because of our ability to share data, and communicate in these ways, and problem-solve together,” Watts said.

    Phoebe Huss is a contributor with the College Journalism Network, a collaboration between CalMatters and student journalists from across California. CalMatters higher education coverage is supported by a grant from the College Futures Foundation.

    This article was originally published on CalMatters and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.

  • Trump admin moves to erase convictions

    Topline:

    In the latest move to rewrite the history of the violent Jan. 6, 2021, attack on the U.S. Capitol, the Department of Justice has filed papers seeking to vacate the seditious conspiracy convictions against members of the Proud Boys and Oath Keepers extremist groups, who previously received commutations rather than full pardons from President Donald Trump.

    Why it matters: About a dozen defendants who received lengthy sentences for their roles in planning and executing the riot were released from prison once Trump returned to office, though the felony convictions remained on their records. If approved by the federal courts, the move would wipe out those convictions and, among other things, restore the defendants' right to own guns.

    The backstory: During the Biden administration, the indictments and subsequent convictions on the rarely used seditious conspiracy charge underscored how law enforcement viewed the Jan. 6 attack: as a historic threat to democracy and the defendants as key orchestrators. Judges and juries largely agreed.

    Read on ... for more on the latest move from the Trump administration.

    In the latest move to rewrite the history of the violent Jan. 6, 2021, attack on the U.S. Capitol, the Department of Justice has filed papers seeking to vacate the seditious conspiracy convictions against members of the Proud Boys and Oath Keepers extremist groups, who previously received commutations rather than full pardons from President Donald Trump.

    About a dozen defendants who received lengthy sentences for their roles in planning and executing the riot were released from prison once Trump returned to office, though the felony convictions remained on their records. If approved by the federal courts, the move would wipe out those convictions and, among other things, restore the defendants' right to own guns.

    On Tuesday, the Trump administration described the decision in court filings as "in the interests of justice."

    Members of the Oath Keepers and Proud Boys celebrated.

    "I am beyond thrilled right now," wrote Proud Boy Zachary Rehl, who was previously sentenced to 15 years in prison, on the social media site X.

    Ed Martin, who has held multiple roles in the Trump Justice Department and currently serves as the U.S pardon attorney, cast the move as a triumph and called for further action.

    "Hearing from J6rs and families tonight. They feel respected even loved. Proud," Martin wrote on X. "But there is more for you to do. Keep grinding. You were directly wronged by Biden prosecutors and you deserve more."

    Martin has previously called for former Jan. 6 defendants to receive financial restitution.

    The decision illustrates both the dramatic extent of changes at the Department of Justice in Trump's second term, as well as the stunning reversal of fortunes for the Jan. 6 defendants convicted of some of the most serious crimes that day.

    During the Biden administration, the indictments and subsequent convictions on the rarely used seditious conspiracy charge underscored how law enforcement viewed the Jan. 6 attack: as a historic threat to democracy and the defendants as key orchestrators. Judges and juries largely agreed.

    At the trial of Oath Keepers founder Stewart Rhodes, prosecutors had played a recording discussing additional violence after Jan. 6. "We should have brought rifles," Rhodes said. "We could have fixed it right then and there. I'd hang f***in' Pelosi from the lamppost."

    When federal judge Amit Mehta sentenced Rhodes to 18 years in prison, he described him as "an ongoing threat and peril to this country ... and to the very fabric of our democracy."

    Now, under the Trump administration, leaders of the Justice Department say they take orders directly from the president, who has called Jan. 6 a "day of love," described the rioters as "great people" and denied — falsely — that his supporters assaulted police.

    "I pardoned people that were assaulted themselves. They were assaulted by our government," Trump told reporters last year. "They didn't assault. They were assaulted."

    Todd Blanche, the acting attorney general, recently touted the mass pardons of Jan. 6 defendants as one of the administration's greatest achievements.

    Greg Rosen, who led the "Capitol Siege" unit that prosecuted more than 1,500 Jan. 6-related cases, castigated the Trump administration for its latest move to vacate the conviction of Rhodes and several others.

    "This is a sad and selfish reminder that constitutional due process — jury verdicts, judicial findings, years of hard-fought litigation and mountains of evidence — doesn't appear to matter once again," said Rosen, who is now with the law firm Rogers Joseph O'Donnell. "This isn't about fairness or justice. It's about overriding the considered will and judgments of judges and juries and rewarding individuals solely because of their political alignments with an administration."

    An estimated 140 police officers were injured in the Jan. 6 attack, including many who testified to lifelong physical and mental trauma from what they endured.

    Meanwhile, since receiving presidential pardons, dozens of former riot defendants have been charged with or convicted of additional crimes. On the same day the Justice Department moved to vacate the seditious conspiracy cases, it also filed documents in the ongoing case against David Daniel, who assaulted police Jan. 6 and was separately accused of child sexual abuse.

    Daniel, prosecutors said, agreed to plead guilty to allegations that he sexually abused two young girls, including one who was under 12 years old at the time of the abuse.
    Copyright 2026 NPR

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  • First African artist to enter Hall of Fame


    Topline:

    Fela Kuti, the Afrobeat pioneer and activist who died in 1997, now holds two landmark honors.

    Historic firsts: On Dec. 19, he became the first African musician ever awarded a Grammy Lifetime Achievement Award, joining an elite group of legends recognized for making "creative contributions of outstanding artistic significance to the field of recording." This week it was announced that he is one of the musicians who will be inducted into the Rock & Roll Hall of Fame in 2026.

    Breaking musical rules: Fela's emphasis on complex polyrhythms and the inclusion of traditional African instruments like the talking drum were revolutionary at the time — a rebellion against the dominance of Western pop and a marked effort to forge a post-colonial African identity. One of his most famous albums, Confusion, was composed of a lone tune broken into two sides, Confusion Pt. I and Confusion Pt. II — the first half entirely instrumental. His 1976 album, Zombie, was inducted into the Grammy Hall of Fame last year, becoming only the fourth record by an African artist among the 1,165 releases.

    Editor's note: This is an update of the profile published in December of the great African musician Fela Kuti. The original post was published when it was announced that Kuti would become the first African musician ever awarded a Grammy Lifetime Achievement Award. Now this week, he is on the list of Rock and Roll Hall of Fame inductees and again is a historic "first" — the first African musician to be inducted into the hall.

    Fela Kuti, the Afrobeat pioneer and activist who died in 1997, now holds two landmark honors.

    On Dec. 19, he became the first African musician ever awarded a Grammy Lifetime Achievement Award, joining an elite group of legends like The Beatles, Johnny Cash, Aretha Franklin, Bob Marley and Frank Sinatra — all recognized for making "creative contributions of outstanding artistic significance to the field of recording."

    This week it was announced that he is one of the musicians who will be inducted into the Rock & Roll Hall of Fame in 2026. He is being honored in the category of "musical influence." The Hall of Fame paid this tribute: "Fela Kuti was a revolutionary voice who spoke out against injustice through his innovative music — provoking political change while infusing jazz, West African and soul music to pioneer the Afrobeat genre."

    He has long been acclaimed by his fellow African artists. "Fela Kuti's music was a fearless voice of Africa — its rhythms carried truth, resistance and freedom, inspiring generations of African musicians to speak boldly through sound," says the legendary Senegalese singer Youssou N' Dour.

    Nicknamed the "Black President" for his role as a political and cultural leader, Fela is one of the rarified artists who's recognized by a single name. He saw huge success as a pioneer of the Afrobeat genre, with its multilayered and shifting syncopation, psychedelic horns and chants. He was never nominated for a Grammy during his lifetime — although his musician sons, Femi and Seun, and grandson Made, have received eight nominations collectively.

    A really big sound

    Fela embraced a massive sound. His band often swelled to more than 30 members (including backup singers and dancers) and featured two bass guitars and two baritone saxophones. He himself played saxophone, keyboards, guitar, drums and trumpet (his first instrument as a child). His emphasis on complex polyrhythms and the inclusion of traditional African instruments like the talking drum were revolutionary at the time — a rebellion against the dominance of Western pop and a marked effort to forge a post-colonial African identity.

    From the start of his career, Fela aimed to reach a larger and Pan-African audience by singing almost exclusively in Nigerian Pidgin English (rather than his mother tongue, Yoruba, which doesn't translate throughout most of the continent).

    He did not play by the rules of the music biz. He expressed disdain for party tunes and love songs. He'd release as many as seven albums in a single year. And he refused to perform songs live once they'd been recorded.

    His music broke new ground with songs that could stretch to 45 minutes. One of his most famous albums, Confusion, was composed of a lone tune broken into two sides, Confusion Pt. I and Confusion Pt. II — the first half entirely instrumental.

    BCUC (Bantu Continua Uhuru Consciousness) from Soweto, South Africa, the incendiary live band and 2023 winner of the WOMEX Artist Award, sent a statement to NPR: "Fela is our spiritual muse and if he didn't pursue music without boundaries of song length and speaking his truth — even when it was putting his life in danger — we wouldn't have had the guts to be ourselves without fear or favor."

    A political awakening — and repercussions

    During a 10-month stay in Los Angeles in 1969, Fela befriended members of the Black Panther Party. Afterward, his music grew political. He became an outspoken opponent of Nigeria's military dictatorship and of South African apartheid.

    The year following his 1976 album Zombie's scathing indictment of the Nigerian government, The New York Times reported that a force comprising 1,000 Nigerian military members burned Fela's Lagos home and recording compound (including all his instruments and master recording tapes). Fela was beaten unconscious, and his mother, Funmilayo Ransome-Kuti, was thrown from an upstairs window and later died from the resulting injuries.

    That album, Zombie, was inducted into the Grammy Hall of Fame last year, becoming only the fourth record by an African artist among the 1,165 releases.

    In 1979, Fela unsuccessfully ran for president of Nigeria. His political activism added to his high profile — and controversial history. He was arrested many times by Nigerian President Muhammadu Buhari's military junta, including at Lagos airport while departing for a U.S. tour. He was sentenced to five years in prison and held for over a year. Amnesty International classified him as a "prisoner of conscience." Fela was freed only after the Buhari regime was overthrown in August 1985.

    Musical life after death

    Fela succumbed to complications from AIDS in 1997. His older brother, Olikoye Ransome-Kuti, a pediatrician and AIDS activist who served as health minister for Nigeria, spread the word that Fela's death was AIDS-related. According to Ransome-Kuti, Fela had believed that "all doctors were fabricating AIDS, including myself."

    Following that news, one of the nation's largest daily papers reported that condom sales surged in Nigeria. Fela's passing marked a turning point in bringing greater consciousness about the epidemic across Africa. It is estimated that over one million people attended his funeral.

    Since his death, his music has carried on. A tribute album, Red Hot + Riot: The Music and Spirit of Fela Kuti, was released in 2002, featuring such artists as Sade, D'Angelo, Nile Rodgers, Questlove and Taj Mahal. Profits went to organizations working to raise AIDS awareness. And in 2009, Jay-Z and Will Smith produced Fela!, a Broadway musical about Fela's life that earned 11 Tony Award nominations.

    For today's African musicians and worldwide, he is both a legend and an inspiration.

    Tunde Adebimpe, the Nigerian American actor (Rachel Getting Married, Twisters) and lead singer for Grammy-nominated band TV on the Radio, told NPR: "Fela for me is the chapter heading in my musical education. He is the originator who showed us music as a power move calling out corruption. Music that questions your psyche and health, worries for your ecosystem, gut checks your self-worth and pride, and keeps you lifted. And it moves nyash [ass]."

    Four-time Grammy-nominated Malian singer Salif Keita puts it this way: "Brother Fela was a great influence for my music. I loved him very much. He was a brave man. His legacy is undisputed."

    Ian Brennan is a Grammy-winning music producer (Tinariwen, Parchman Prison Prayer, The Good Ones, West Virginia Snake Handler Revival) who has recorded over 50 records by international artists across five continents. He is the author of 10 books. His latest is Missing Music: Voices From Where the Dirt Roads End.

    Copyright 2026 NPR

  • Disintegrating paintings and nature films
    A view of a museum gallery, with wood floors, white walls, and piles of dirt with boulders on them. A painting of a human-like figure is visible in the far background.
    "Several Eternities in a Day: Form in the Age of Living Materials," installation view, on display at the Hammer Museum in Los Angeles through Aug. 23.

    Topline:

    From a daylong festival at the Natural History Museum to an exhibition of art made from living materials at the Hammer Museum, there’s lots to learn about sustainability at L.A. museums this Earth Month.

    The context: The first Earth Day on April 22, 1970, led to the creation of the Environmental Protection Agency and landmark legislation like the Clean Air Act. In the years since, it's expanded to Earth Month, with schools, governments and organizations — including museums — using it as a way to spark conversations about protecting the environment.

    Read on … for our picks of Earth Day-related events and museum exhibitions to check out.

    The first Earth Day, in April 1970, led to the creation of the Environmental Protection Agency and landmark legislation like the Clean Air Act.

    In the years since, it's expanded to Earth Month, with schools, governments and organizations — including museums — using it as a way to spark conversations about protecting the environment.

    Here are some sustainability-focused museums, art exhibitions and events to check out in Los Angeles this Earth Month.

    Living materials centered at new exhibition

    The new Hammer Museum exhibition titled Several Eternities in a Day: Form in the Age of Living Materials includes a collection of works made from organic materials like avocado, cacao, flowers, stone, clay, sand and natural dyes.

    It invites visitors to rethink ideas of permanence and humanity's place in nature, through sculptures, paintings and collages made by 22 artists from across the Americas, including some based here in Los Angeles.

    Two approx 16-foot-tall paintings on a white museum gallery wall. Each are fully painted a shiny brown/black with a human-like figure formed by hand on each of them. The figure on the left is light brown and the one on the right is more red.
    A view of Carmen Argote's "an archetype of stillness" and "an archetype of touch" paintings in the Hammer Museum's "Several Eternities in a Day" exhibition.
    (
    Monica Bushman
    /
    LAist
    )

    L.A.-based Mexican American artist Carmen Argote's paintings — titled "an archetype of stillness" and "an archetype of touch" — are among the works that first catch your attention upon entering the exhibition.

    The pair of 16-foot-tall human-like figures that Argote painted — without brushes — by dipping her hands and feet in a mixture of avocado, cochineal dye and lemon juice, will change color throughout the length of the exhibition as the avocado continues to dry, release oil and eventually disintegrates the paper they were painted on.

    " This piece has taught me so much about letting go," Argote told LAist. "And really accepting the life of a material and life of an artwork."

    Stacks of red, brown and grey bricks in what appear to be random piles on a large plank of wood covered in a black gravel-like substance.
    "Cuerpos terrestres en fluidez" by Jackie Amézquita in "Several Eternities in a Day: Form in the Age of Living Materials" at the Hammer Museum.
    (
    Sarah M Golonka
    /
    smg photography
    )

    Another work, titled "Cuerpos terrestres en fluidez" (or "Terrestrial Bodies in Fluidity") by L.A.-based artist Jackie Amézquita consists of a set of sculptures that Amézquita built using the rammed earth technique (which dates back to the Neolithic period) and then split into fragments.

    The materials she used included decomposed granite from the Mojave Desert, lava rocks, obsidian, rain and ocean water.

    “There's this idea that we have of nature to not be permanent when it's actually older than us,” Amézquita noted.

    The questions that her and other artists’ use of organic materials raise about permanence or impermanence, Amézquita told LAist, “is just an echo to what life is.”

    “That is part of our human condition,” she explained. “We’re always confronted with the idea of life and death.”

    Her artistic practice, Amézquita added, is also about “ reminding us that we are part of the land, that we are soil, that our bodies are made of earth and also earth is made out of us. And so our footprint, or the decisions we make, has a ripple effect.”

    What an exhibition on rice cultivation can teach us about sustainable practices

    At the nearby Fowler Museum (also affiliated with UCLA), is Mountain Spirits: Rice and Indigeneity in the Northern Luzon Highlands, Philippines, a new immersive exhibition centered around the ecological wisdom of the rice cultivation practices of the indigenous Ifugao people in the Philippines.

     ”We focus on rice because rice became this foundation for the Ifugao resistance against Spanish conquest, and they used rice to be able to consolidate their political and economic resources,” says Stephen Acabado, professor of anthropology and director of the Center for Southeast Asian Studies at UCLA.

    The exhibition is split into three galleries. In one gallery, visitors can see a time-lapsed video of the landscape that places into context the Ifugao mountain spirits and the indigenous belief system. Paired with the videos are wooden carvings of the bulul, or rice guardians, and fabrics that represent Ifugao deities.

    Two carved wooden figures of people sitting with their arms crossed and resting on their knees. They appear to have serious expressions on their faces and are unclothed.
    Wooden carvings of the bulul, or rice guardians, in the Fowler Museum's new "Mountain Spirits" exhibition.
    (
    Fowler Museum
    )

    A second gallery pairs rituals and tools that the Ifugao use for rice cultivation with videos showing them in practice. And the third gallery examines how the higher ranking Ifugao members keep the community alive through sustaining rituals.

     ”What we're seeing now, especially with climate change, looking at how they cared for the land for at least 400 years, [their] sustainable form of agricultural production … will give us at least an idea on how we can adapt their practices for food security and care for the environment,” Acabado says.

    Beyond sustainable practices, Acabado hopes the exhibition can dispel the idea the Philippines is a monolith and also strengthen a sense of identity for Filipinos.

    “Although we’re focusing on the Ifugao,” Acabado says, “the exhibit wants to highlight the diversity of the Philippines.”

    A museum with sustainability at its core

    LACMA’s newly opening Geffen Galleries are getting a lot of attention at the moment, but don’t overlook the nearby Craft Contemporary museum, which is also worth checking out (and a fun fact for The Pitt watchers: It was founded by Noah Wyle’s grandmother).

    A street view of a three-story house-like building painted with white, black and yellow shapes and office buildings on either side of it.
    The Craft Contemporary on Wilshire Boulevard in Los Angeles.
    (
    Craft Contemporary
    )

    Sustainability is a core tenet for the Craft Contemporary, according to its senior curator Frida Cano. The museum was a case study in the Getty’s 2025 Climate Action Report for sustainable exhibition design.

    Its practices include recycling materials from past exhibitions for public workshopping events, having artists sign printed exhibition materials so they become collectibles for guests and utilizing natural dyes in art installations.

    Its upcoming May exhibition, tierra, recycles pulp from a past paper-making workshop for artwork labels and creates paint utilizing cacti from Descanso Gardens.

    For Cano, it’s especially important to focus on the power of craft and sustainability in an increasingly tech-based era.

    “The world is larger than our little micro-universe of craft,” Cano said.  “So we're taking the power of craft to make sure that we contribute to the wellness of humanity, you know, mother Earth at large.”

    More exhibitions and Earth Day events to check out

    Earth Day Festival at the Natural History Museum: Events include exhibitions, art and science activities and free screenings of the museum’s film series “Green Screen: Our Planet on Film.” The event takes place Sunday. (And a tip: go full Earth Day and take the Metro there. The Los Angeles Times Festival of Books at USC will mean more traffic in the area.)

    Clay LA at the Craft Contemporary: A weeklong event that features air-clay activities and a market where artisans will sell their ceramic creations. This event runs from April 24-26.

    Material Prophecies: Craft as Divination at the Armory Center for the Arts: A group exhibition (which also features a work by Jackie Amézquita) that reflects on time through artists’ works made from fiber, wood, bronze, terracotta and earth. The exhibition is ongoing until Aug. 1.

  • Adopt fruit trees, eat chocolate and more
    A light-skinned man in a t-shirt holds a sign that says "No Island Save the Pier" while two men in black suits stand behind him.
    'Save the Pier' is a free play that happens nightly on the Santa Monica Pier.

    In this edition:

    Adopt fruit trees, learn about cookies and other sweets, head to the Great Altadena Poppy Festival and more of the best things to do this weekend.

    Highlights:

    • Friends of Elysian Park hosts this screening of the Ed Ruscha short film, Elysian Park and the Stone Quarry Hills, which local favorite Ruscha made in 2023 with narration by none other than actor Benicio del Toro.
    • Check out the blooming poppies while supporting local Altadena businesses at the Great Altadena Poppy Festival. The Pasadena Jaycees will be handing out passports so you can keep track of where you’ve been, take photos at the flower wall, and drive through the scenic poppies.
    • Ummmm, can you say yum? Fat & Flour’s Nicole Rucker will chat with Edd Kimber about his new book, Chocolate Baking: The Ultimate Guide to Cakes, Cookies, Desserts, and Pastries. Of course, there will be treats to go with the book signing. 
    • Part art collective, part food waste activist group, part community farm, the Fallen Fruit folks are always up to something cool. In the spirit of Earth Month, head to the L.A. State Historic Park to adopt a fruit tree and help grow the city’s Endless Orchard — a project to plant and map publicly accessible fruit trees all over the city.

    Calling all readers: It’s the annual L.A. Times Festival of Books this weekend, so bring your favorite tote down to USC, buy all your favorite books and hear from your favorite authors, publishing houses, chefs and more. We’ll be there, too. Come say hi.

    Licorice Pizza has your music picks, from Coachella weekend and beyond. There’s a lot of skull-crushing rock, punk and industrial this weekend, starting Friday, with Avatar, Fleshgod Apocalypse and Frozen Soul at the Novo, and Blood for Blood at the Belasco. On Saturday, Gwar, with Soulfly as support, will spill their guts, literally, at the Belasco; My Life with the Thrill Kill Kult are at the Teragram … or, for something completely different, there is a literally hair-raising show by furry saxophonist Saxsquatch, with opener Olivver the Kid, at the Roxy.

    Elsewhere on LAist, you can find out how the LAX people mover is coming along (spoiler alert: slowly), learn how to protect yourself from a stingray sting as warmer waters have increased attacks and read up on the history of Sunset Strip’s famous Marlboro Man billboard.

    Events

    Artist talk with Ruben Ochoa

    Saturday, April 18, 2 p.m. 
    Breakdown/Breakthrough: Art and Infrastructure
    UC Irvine Langston Orange County Museum of Art 
    18881 Von Karman Ave., Irvine
    COST: FREE; MORE INFO 

    A medium-light-skinned man with glasses smiles at the camera.
    (
    Allison V Smith
    /
    UC Irvine Langson Orange County Museum of Art
    )

    The exhibit Breakdown/Breakthrough: Art and Infrastructure is on in Irvine through May 16, but this weekend you can catch an artist talk with Ruben Ochoa and a special pop-up activation at the Irvine Barclay Theatre Plaza (4242 Campus Drive, Irvine). Ochoa’s work, which spans photography, large-scale installations, AR and more, examines “how Southern California’s built environment shapes daily life … from our movement and visibility to our sense of belonging.” On Saturday, Ochoa will discuss his practice with curator Dr. Michaëla Mohrmann.


    Elysian Park and the Stone Quarry Hills film screening

    Saturday, April 18, 11:30 a.m.
    Edendale Library 
    2011 Sunset Blvd., Silver Lake
    COST: FREE; MORE INFO 

    Friends of Elysian Park hosts this screening of the Ed Ruscha short film, Elysian Park and the Stone Quarry Hills, which local favorite Ruscha made in 2023 with narration by none other than actor Benicio del Toro. The film takes a view of the history of the urban park, which includes its indigenous origins and later iterations as a quarry, a brick-making factory, a hospital and, of course, a baseball stadium.


    Great Altadena Poppy Festival

    Saturday, April 18, 10 a.m.
    2270 Lake Ave., Altadena
    COST: FREE; MORE INFO 

    A poster with orange poppy flowers and a circular logo that reads "Great Altadena Poppy Festival."
    (
    Courtesy Pasadena Jaycees
    )

    Check out the blooming poppies while supporting local Altadena businesses at the Great Altadena Poppy Festival. The Pasadena Jaycees will be handing out passports so you can keep track of where you’ve been, take photos at the flower wall and drive through the scenic poppies. There’s also a fun run at 8 a.m. if you really want to get moving early! 


    The films of Gordon Matta-Clark 

    Sunday, April 19, 1 p.m.
    LA Film Forum at 2220 Arts 
    2220 Arts
    2220 Beverly Blvd., Historic Filipinotown
    COST: $15; MORE INFO

    A closeup of a bulldozer's tracks running over junk in a scrapyard.
    (
    Gordon Matta-Clark
    /
    Electronic Arts Intermix
    )

    Six films from groundbreaking artist Gordon Matta-Clark have been stitched together for this screening, giving a broad sense of his “building cuts,” which “expose the thinness of the boundaries that divide people, mediums, spaces and ideas.” Curators Jessamyn Fiore, who's the director of the Gordon Matta-Clark estate, and Dylan Adamson, a critic and programmer, will be in attendance.


    Save the Pier play

    Through Sunday, April 19, 8 p.m. nightly 
    403 Santa Monica Pier (West end of the pier), Santa Monica
    COST: FREE; MORE INFO

    A group of 13 people gathered together on a pier looking at the camera.
    (
    Santa Monica Pier Corporation
    /
    Eventbrite
    )

    Did you know that the Santa Monica Pier almost didn’t make it? In the 1970s, plans were in place to demolish the iconic end of Route 66 until a noble group of local citizens fought to keep it alive. And now we can play Skee-Ball any time — thank you, elders! The story is immortalized in a new play being performed — where else — on the pier, for free, through Sunday.


    Beverly Hills

    Through Saturday, April 18 
    Kirk Douglas Theatre
    9820 Washington Blvd., Culver City
    COST: FROM $34; MORE INFO

    An illustrated '80s-style soap opera image with a blonde woman, a man in his underwear, and a man in a suit with an eyepatch.
    (
    Courtesy Center Theatre Group
    )

    Long before he was an entertainment writer for the likes of EW and his own site, TV Line, Michael Ausiello wrote a soap opera called Beverly Hills. He was 13. His long-held dream comes to life on stage at the Kirk Douglas with a rotating cast of bold-faced names, including Nathan Fillion, Michael Urie, Edi Patterson and more.


    Edd Kimber

    Friday, April 17, 6:30 p.m.  
    Fat & Flour 
    11739 W. Washington Blvd., Culver City
    COST: $15; MORE INFO

    Ummmm, can you say yum? Fat & Flour’s Nicole Rucker will chat with Edd Kimber about his new book, Chocolate Baking: The Ultimate Guide to Cakes, Cookies, Desserts, and Pastries. Of course, there will be treats to go with a book signing.


    Public Fruit Tree Adoption 

    Saturday, April 18, 9 a.m. to 1 p.m. 
    L.A. State Historic Park 
    1245 N Spring St., Downtown L.A. 
    COST: FREE; MORE INFO

    Part art collective, part food waste activist group, part community farm, the Fallen Fruit folks are always up to something cool. In the spirit of Earth Month, head to the L.A. State Historic Park to adopt a fruit tree and help grow the city’s Endless Orchard — a project to plant and map publicly accessible fruit trees all over the city. You'll also have the chance to be painted into the Community Portrait celebrating the Power of Pollinators.