The Brief

Updated January 03, 2026 at 18:15 PM ET

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Hours after the United States carried out airstrikes overnight in Venezuela and captured the country's President Nicolás Maduro and his wife, President Trump said the U.S. would temporarily take control of the government.

"We're going to run it, essentially," Trump said at a late-morning news conference at Mar-a-Lago. He said that would continue "until such time that we can do a safe, proper and judicious transition."

He said "we are designating various people" to run Venezuela and declined to rule out "boots on the ground."

Just prior to the news conference, Trump posted to social media a photo he said showed a blindfolded Maduro in handcuffs. "Nicolas Maduro on board the USS Iwo Jima" the post read.

Later Saturday, Maduro arrived at Stewart Air National Guard Base in Newburgh, N.Y., according to video footage on CNN.

Trump said Maduro had been captured in "the dead of night," noting that the lights in Caracas "were largely turned off due to a certain expertise that we had."

The president made several references to the 1823 Monroe Doctrine, a U.S. policy that was originally meant to warn European powers away from interfering in the Western Hemisphere, but eventually came to justify U.S. interventions in Latin America.

"The Monroe Doctrine is a big deal, but we've superseded it by a lot, by a real lot. They now call it the Donroe Doctrine," Trump said. "American dominance in the Western Hemisphere will never be questioned again."

He said Venezuela's oil business "has been a bust, a total bust for a long period of time."

"We're going to have our very large United States oil companies, the biggest anywhere in the world, going to spend billions of dollars, fix the badly broken infrastructure, the oil infrastructure, and start making money for the country," he said.

In an answer to a question about the cost of running Venezuela, Trump said: "It's not going to cost us anything because the money coming out of the ground is substantial."

"We're going to get back our oil," Trump said.

In a statement, a Chevron spokesman said the petroleum company "remains focused on the safety and wellbeing of our employees, as well as the integrity of our assets."

Trump's statements followed a series of explosions and fires reported around Caracas in the early hours of the morning.

U.S. Attorney General Pam Bondi said in a post on X that Maduro and his wife, Cilia Flores, have been indicted in the Southern District of New York on drug, arms and conspiracy charges.

"They will soon face the full wrath of American justice on American soil in American courts," she said.

The Justice Department unsealed a superseding indictment against Venezuela's president and his wife, adding to previous indictments from 2020.

In an interview on Fox News, Trump said Maduro had tried to negotiate with the U.S. in the final days before his capture -- a request Trump says he refused. "I didn't want to negotiate," Trump said. "I said, 'Nope, we got to do it.'"

Trump described the strike as "unbelievable."

"I think we had nobody killed, I have to say, because a couple of guys were hit, but they came back in. They're supposed to be in pretty good shape," he said.

Trump added: "we were prepared to do a second wave ... but this was so lethal ... but didn't have to."

The Venezuelan government swiftly accused the U.S. of launching what it called a "grave military aggression" against the country. In a statement posted on Telegram, the government said U.S. forces targeted civilian and military locations in Caracas as well as in the nearby states of Miranda, Aragua, and La Guaira, calling the attack a "flagrant violation" of the United Nations Charter.

On state television, Venezuela's Vice President Delcy Rodríguez said government and military officials had been killed by U.S. strikes across Venezuela. She added the government does not know the whereabouts of President Maduro and his wife and demanded proof of life.

Early Saturday morning, Venezuela's Interior Minister Diosdado Cabello appeared flanked by police, saying the Venezuelan government will not be cowed.

Videos circulating on social media platforms and first-person accounts indicated the blasts began around 2 a.m. local time (1 a.m. EST).

A journalist in Caracas, who NPR is not naming for safety reasons, told us they woke up to two explosions at La Carlota military airport, located across the street from their home. They saw two fires on the runway that were quickly extinguished. Immediately afterward, they reported hearing similar detonations in other parts of the city and planes flying low over Caracas for at least an hour.

Pedestrians run after explosions and low-flying aircraft were heard in Caracas, Venezuela, Saturday, Jan. 3, 2026.

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The explosions come as the U.S. has been increasing pressure on the government of Nicolás Maduro. The Trump administration has accused Maduro of leading a drug-trafficking organization known as the Cartel de los Soles, or Cartel of the Suns.

Since late August, the U.S. has deployed aircraft carriers and warships to the Caribbean. The U.S. military has struck dozens of small boats in the Caribbean and the Pacific it claimed were transporting drugs toward the U.S. At least 115 people have been killed in at least 35 known strikes on the vessels.

The U.S. naval flotilla is the largest such deployment to the Caribbean in decades.

Secretary of State Marco Rubio reposted earlier comments by Rubio saying that Maduro is not the legitimate president of Venezuela but instead the head of "a narco-terrorist organization which has taken possession of the country."

In a letter posted on social media, Venezuelan opposition leader María Corina Machado, who was recently awarded the Nobel Peace Prize, said that Edmundo Gonzalez, who is widely regarded as the legitimate winner of the 2024 Venezuelan elections, should assume the presidency. Gonzalez is currently living in exile in Spain.

"Venezuelans, the HOUR OF FREEDOM has arrived!" she wrote in the letter, reacting to Maduro's removal.

"Nicolás Maduro, as of today, faces international justice for the atrocious crimes committed against Venezuelans and against citizens of many other nations. Faced with his refusal to accept a negotiated exit, the United States government has fulfilled its promise to uphold the law."

The White House briefed congressional leadership only after the operation, according to a source familiar with the matter who is not authorized to talk publicly.

"We got no notice at all from the White House or from anyone," said Texas Democratic Rep. Joaquin Castro, who is ranking member of the House Foreign Affairs Subcommittee on the Western Hemisphere.

Castro told NPR that Secretary Rubio told lawmakers "that they would come before Congress to get elements and authorization for use of military force for anything that required it."

Senate Majority Leader John Thune, R-S.D., praised Trump's actions and said he expects Congress will learn more about the strikes when lawmakers return to Washington this week.

"President Trump's decisive action to disrupt the unacceptable status quo and apprehend Maduro, through the execution of a valid Department of Justice warrant, is an important first step to bring him to justice for the drug crimes for which he has been indicted in the United States," Thune said in a statement.

Republican Sen. Mike Lee of Utah, said Rubio briefed him on the strike, telling him he anticipates no further action in Venezuela now that Maduro is in U.S. custody. Lee said he looked forward to learning what might constitutionally justify the Venezuela operation in the absence of a declaration of war or authorization for the use of military force.

"I definitely support Maduro facing his own people for the crimes he committed in terms of holding power illegitimately," he says. "Whether or not it's up to the United States to make that happen, I think is a different question."

Todd Robinson, a former charge d'affairs in Venezuela during the first Trump administration, who was expelled by Maduro's government in 2018, called the military operation in the country "virtually unprecedented."

Speaking to NPR, Robinson said: "The idea that in our hemisphere, we would go into another country and … arrest the de facto leader of the country.

"Obviously, it doesn't happen every day. … and I think there are a lot of legitimate questions about what comes next," he said.

Maduro has repeatedly accused Washington of attempting to remove him from power in order to gain access to Venezuela's vast oil reserves, among the largest in the world.

Senate Intelligence Chair Tom Cotton, R-Ark., said Rubio confirmed to him that Maduro is in U.S. custody and "will face justice for his crimes against our citizens."

"The interim government in Venezuela must now decide whether to continue the drug trafficking and colluding with adversaries like Iran and Cuba or whether to act like a normal nation and return to the civilized world," Cotton wrote on X.

Congressional Democrats have blasted the action, with Massachusetts Rep. Jim McGovern calling it an "unjustified, illegal strike on Venezuela."

Sen. Andy Kim, D-N.J., said the strike "sends a horrible and disturbing signal to other powerful leaders across the globe that targeting a head of state is an acceptable policy for the U.S. government."

"Secretaries Rubio and Hegseth looked every Senator in the eye a few weeks ago and said this wasn't about regime change. I didn't trust them then and we see now that they blatantly lied to Congress," Kim wrote in a post on X. "Trump rejected our Constitutionally required approval process for armed conflict because the Administration knows the American people overwhelmingly reject risks pulling our nation into another war."

Regional reaction has been swift. Cuba's President Miguel Díaz-Canel, a close ally of Venezuela that depends heavily on its oil, denounced the attack as "criminal." Colombia's President Gustavo Petro said his forces are deploying to the Venezuelan border and promised additional support "in the event of a massive influx of refugees." By contrast, Argentina's President Javier Milei, a Trump ally, praised the operation, posting on X: "Freedom advances."

Eyder Peralta contributed reporting from Mexico City. Kelsey Snell and Scott Neuman contributed reporting from Washington.

Copyright 2026 NPR

It’s about the size of a park bench and made of steel and wood. The bench’s arm rests are formed by the letters “L” and “A” in a design that’s unmistakable to any sports fan. But the welder-artist who created it says it’s not a Dodgers bench.

“This is about civic pride, L.A. pride. I made a design statement saying that it has nothing affiliated with the Dodgers,” said Steve Campos.

Campos grew up near Dodger Stadium, raised by parents who were die-hard Dodgers fans. So much, that they named him after Steve Garvey but that legacy doesn’t keep him from confronting how the Dodgers benefitted from the mass displacement of working-class people from Chavez Ravine after World War Two. That’s why he calls it an L.A. Bench, and not a Dodgers Bench.

The logo may be synonymous with the city's beloved baseball team, but the design of the interlocking letters was used by the L.A. Angels minor league baseball team before the Dodgers moved to L.A. in 1958.

“The monogram was here before the Dodgers,” Campos said.

A second-generation welder

Welding is the Campos family business. His father created gates and security bars for windows and doors for L.A. clients. That was the foundation for the work Campos has done for two decades since graduating from Lincoln High School, L.A. Trade Tech College, and enrolling in a summer program at Art Center in Pasadena.

The inspiration for the L.A. Bench came last year while he was playing around in his shop creating versions of the L.A. logo. A friend he hangs with at Echo Park Lake asked Campos to make him a piece of furniture.

“I was trying to figure out what my friend Curly wanted. He liked Dodgers and drinking and getting into fights, so I was like, 'Let me make something with the LA monogram,'” he said.

Welder-artist Steve Campos created whimsical steel sculptures with the LA logo.

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It didn’t design itself. He said he had to lengthen the legs on the “A” and lean the back of the “L” in order to make the bench functional. In the process, he’s made a piece of furniture with a ubiquitous logo that he’s embedded with his own L.A. pride, as well as city history past and present.

LA civic pride travels to Japan

Campos vacationed in Japan the last week of April and took advantage of the trip to reach out to people who may be interested in the L.A. Bench. He was caught off guard by people’s reaction when he showed them pictures of it.

“They look at it and they go, 'Oh, Ohtani bench,'” he said.

For them, it’s still a bench embedded with pride, he said, but centered around Dodgers star Shohei Ohtani, an icon in his native Japan.

Campos has made four L.A. benches and is selling them fully assembled, he said, for $2,500 each — taking into account his labor and how costly the raw materials have become. For now, he’s offering the metal parts as a package for $500, which requires the buyer to purchase the wood for the seat and the back — an easy process, he said.

While he has no plans to mass produce the L.A. Bench, he does have one goal in mind that shows how hard it is for him to separate L.A. civic pride and the Dodgers.

“I would love to get a couple of them installed at Dodger Stadium,” he said.

The Venice Boardwalk after sunset has generally been a no-go zone for tourists and locals alike, as the beachside bars and restaurants close on the early side and safety is often an issue. Now, a group of artists is out to bring some vibrancy to the creative neighborhood with a series of new installations that will include live evening performances – and even a “Venice Opera House.”

“Let's play with light and let's play with sound and give people a reason to come to the Boardwalk after sundown,” said artist and entrepreneur Stefan Ashkenazy, who is curating the project and owns the buildings housing them. “I mean, let's just be open 24 hours a day.”

The concept doesn’t have an official name yet, but he’s been calling it “See World.”

Artist James Ostrer's space looks out from a bed through the fence to the ocean at Venice Beach.

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William Attaway, a longtime Venice artist, created a gallery space filled with various paintings and sculptures.

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The pair of modern buildings on the Venice Boardwalk at Thornton Ave. – with their big balconies, floor-to-ceiling glass windows, and seven open garage-style retail spaces – have sat mostly empty since Snapchat vacated their beachside offices in 2019. Ashkenazy recently bought the building and recruited artists to fill those front-facing spaces with creative work until a full-time tenant comes in.

Over the past several weeks the installations have been created in real-time, in public.

All of the projects are loosely along the theme of “home,” with each artist claiming a “room” in the two buildings that stretch across a full block on the Boardwalk. Several local Venice artists are featured, including William Attaway, whose intricate mosaic work is recognizable on the Venice public restrooms along the beach. Attaway’s space features a floating larger-than-life-sized statue and various works in a mini-gallery. In the next room is Robin Murez’s pieces, featuring carved wooden seats from her beloved neighborhood Venice Flying Carousel.

Ashkenazy is no stranger to wild (and wildly successful) art ideas. He’s the owner of the Petit Ermitage hotel in West Hollywood, a longtime haven for visiting artists, and the founder of the decade-old Bombay Beach Biennale, where artists install all kinds of work in an annual event near the Salton Sea. Many of the artists from that community are featured at the Venice project.

A "Venice Opera House" will host pop-up music events throughout the summer.

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New York-based artist Greg Haberny's paintings on the wall of his Venice space.

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New York-based artist Greg Haberny and London-based artist James Ostrer have brought some of their work in the Bombay Beach Biennale to the Venice project. Their windows on the Boardwalk both speak to a child-like sense of wonder and creativity.

“I think it's just kind of exploring and playing a little bit, to have the freedom to be able to do that,” Haberny says of his imagined child’s bedroom space, which includes a fort made out of puffy cheese balls. “It's a big space, too.
It's beautiful.”

Ostrer is experimenting with a performance art idea where he sits in bed amongst a room full of his own artwork, which he describes as “happy art with an edge.” Looking out at the ocean from the bed, he’s invited passersby to sit and have chats with him about his work or anything else they want to talk about.

“It’s a very intimate space, so you have a different kind of conversation,” he said. “I use art to channel human creativity, and [talk about] dark things.”

While there are open fences that block off the spaces, they aren’t sealed up at night. Both Ashkenazy and the team of artists seemed open to the idea that anything could happen and that the installations are a conversation with the public – and with that comes some risk.

Greg Haberny (right) works with his assistants on an installation featuring kid-inspired graffiti art and a "cheesy puff" fort.

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“I don't really know if I [would] say worried, but I guess it's just the cost of doing business,” Haberny said. “I don't really make things to get damaged or broken, sure. But I have done [things like] burned all my paintings and then made paint out of ash.”

While he’s felt safe – and even slept overnight in the installation – Ostrer has been collaborating with a local female artist who performs in a pig mask in front of his installation some nights. Watching her perform, he said, has taught him about the vulnerability of women in public spaces like the Boardwalk. “I've started to, on a very fractional level, have seen how scary that is. Because I've sat in the bed behind her performing at the front here… the way in which men are approaching her and shrieking at her … it's shocking.”

Ashkenazy says he will keep the artists in the space, potentially rotating new ones in, until a fulltime tenant takes over.

“This is an experiment … and after acquiring the building, the intention wasn't, ‘let's open a bunch of public art spaces,’ he said. “It is kind of …what the building wanted and listening to what the Boardwalk needed. Let's play, let's have the artists that we love and appreciate have a space to play and engage and give the locals and the visitors to the Boardwalk something to experience.”

A new trail across the beloved natural area of Elephant Hill in Northeast Los Angeles is officially opening this weekend.

The route is years in the making, and it's a big milestone in the decades-long conservation efforts to preserve this local jewel in the community of El Sereno.

The hiking trail connects one side of Elephant Hill to the other — from the corner of Pullman Street and Harriman Avenue all the way across to Lathrop Street.

It's 0.75 miles in total, but packs a punch.

"It's a pretty straight shot, but because of the terrain — the trail is kind of twisty and curvy. There's switchbacks — and great views," Elva Yañez, board president of the nonprofit Save Elephant Hill, said.

People have always been able to access the 110-acre green space, but Yañez said the new trail provides a safe and easy way to navigate the steep hillsides.

The El Sereno nonprofit has been working for two decades to preserve the land. Illegal dumping and off-roading have damaged the open space over the years. And the majority of the 110 acres are privately owned by an estimated 200 individual owners.

Mountains Recreation and Conservation Authority (MRCA) joined the efforts in 2018, spurred by a $700,000 grant from Los Angeles County Regional Park and Open Space District, in part, to build the trail. The local agency received some $2 million in grants from the Santa Monica Mountains Conservancy to add to the 10 acres of Elephant Hill it manages and conserves. This year, MCRA acquired an additional 12 parcels — or about 2.4 acres.

And the spiffy new footpath — with trail signage, information kiosks and landscape boulders — is not just a long-sought-for victory but a beginning in a sense.

"We know that it means a lot to the community," Sarah Kevorkian, who oversees the trail project for MRCA, said. "We're wrapping up the trail, but it really feels like the beginning of all that is to come."

A hint of that vision already exists — for hikers traversing the new route, courtesy of Test Plot, the L.A.-based nonprofit that works to revitalize depleted lands.

"They're able to see at the end of the trail, at the 'test plot' — exactly what a restored Elephant Hill would look like," Yañez said.

Here's a preview:

A coalition of residents from across the San Gabriel Valley are mobilizing over a battery storage project and possibly more industrial development in the City of Industry they say could pollute communities next door.

A protest is scheduled today in neighboring Rowland Heights, targeting a 400-megawatt battery energy storage facility sited on about 9 acres that was approved by the City of Industry leaders in January.

Such Battery Energy Storage Systems, or BESS, are used to keep the power grid stable, especially as output from renewable energy sources like solar and wind fluctuate. But fires involving lithium batteries at some sites have heightened environmental and public health fears.

Because of the City of Industry’s unusual, sprawling shape stretching along the 60 Freeway, it borders on more than a dozen communities, meaning what happens there can have far-reaching impact.

“Pollution does not end right at the border,” said Andrew Yip, an organizer with No Data Centers SGV Coalition. “Pollution travels.”

Some local activists with the Puente Hills Community Preservation Association have challenged the approval of the battery facility under the California Environmental Quality Act.

Beyond environmental concerns, locals have also been frustrated with how decisions are made by officials in the City of Industry, a municipality that’s almost entirely zoned for industrial use and has less than 300 residents.

Organizers say they’ve struggled to get direct responses from city officials whom they say have replaced regular meetings with special meetings, which under state law require less advance notice.

A city spokesperson has not responded to requests for comment.

The so-called Marici Energy Storage System Facility would be run by Aypa Power. The fact that the battery storage developer is owned by the private equity giant Blackstone, a major investor in AI and data centers, has only fueled concerns that a battery storage facility would lay the groundwork for data center development.

A request for comment from Aypa was not returned.

Today’s protest is taking place at Peter F. Schabarum Regional Park in Rowland Heights across the street from the Puente Hills Mall, a largely vacant “dead” mall, which activists fear could be redeveloped into a data center and bring higher utility costs and greater air and noise pollution.

Yip pointed out that industrial developments make a lot of money for the City of Industry.

“But none of these surrounding communities receive any of those benefits,” Yip said. “Yet we have to put up with all the harmful effects and impacts from this city that does all this development without really reaching out.”