The Brief

In the '90s, Guadalupe Rosales was a teenager in Los Angeles, part of the party crew scene. She remembers it as beautiful and empowering — but that’s not what she saw years later when she searched for stories about the scene online.

“I noticed that anything that was about Latino culture, '90s culture in L.A. specifically, [focused on] gang violence, everything that was mostly criminalizing,” Rosales said.

Rosales’ new memoir, East of the River: A Memoir of Los Angeles Girlhood, is her effort to correct the absence of personal histories of people who were a key part of that scene.

The book is part historical archive, and part personal narrative. It’s also a log of her efforts to bring the scene to life for people in the 21st century, using her training as an artist and a scholar, three decades after the scene’s heyday.

Street Beat magazine documented the California party crew scene in the '90s.

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Courtesy Adolfo Guzman-Lopez collection

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Rosales's artistic work today is in demand. Her most recent solo show was "Tzahualli: Mi memoria en tu reflejo" in 2025 at the Palm Springs Art Museum. The Broad acquired a piece by Rosales that it's including in a group show titled "Has the myth been shattered" opening in November.

Her pieces are in the collections of the Whitney Museum, the Hammer, LACMA and others. Rosales has taught at UCLA and UC Riverside.

She brings that sensibility to the book. “I really wanted to think about something that could live on hundreds of years from now, something that could be studied, something that could feel empowering, especially for women,” she said.

A recent photo of artist and scholar Guadalupe Rosales.

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Fabian Guerrero

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Courtesy Penguin Random House

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The new memoir, East of the River: A Memoir of Los Angeles Girlhood is about the 1990s party crew scene in L.A.

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Courtesy Penguin Random House

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The party crew scene in a nutshell

The ‘90s party crew scene was a multi-faceted movement that involved mostly Latino youth in Southern California. The center of the phenomenon was the party, which could take place in small backyards or large empty warehouses.

Photos from the scene.

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Courtesy Adolfo Guzman-Lopez collection

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The music was variations of underground techno far from the pop mainstream. DJs played and mixed records on analog turntables, from people like DJ Irene and DJ Attack.

The scene also generated a lot of business activity. Partygoers paid entrance fees, and for alcohol, party organizers paid venues to hold the party and for the DJs to keep people dancing.

It was common to go out with the same group of people. The groups came up with names for their crews, such as Chicanos With Pride, Firme Hinas, Aztek Nation, Frek Show Tribe, Hispanics Causing Panic, and Playerz Cauzin’ Pleazure, among many, many others.

It was all covered by Street Beat, an independent publication loaded with photos of party crews and parties, while individuals honed graphic design styles for the fliers used to promote each party.

Fashion was another essential component of the scene.

Photos from Street Beat magazine in 1992 show the party crew scene in Southern California.

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Courtesy Adolfo Guzman-Lopez collection

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In the book, Rosales describes the mesmerized feeling she had when she saw her first house party. She was about 13 years old and watched the young women show off their style through the window of her house in East L.A.

“They wore tank tops and baggy pants with puffed-out front pockets or overalls. Their sneakers — Adidas or Converse Chuck Taylors,” she said. “Two of the girls wore oversized shirts that hung loosely on their frames, and they had short hair like Demi Moore in the movie Ghost. The others wore their hair longer, styled in that wet, wavy look that was so popular, half pulled up with a clip. One took out a travel-size Aqua Net hairspray and mousse, then scrunched up her hair with one hand while spraying her hair with the other.”

The style and dance moves wowed her, she said, but what captivated her then, and to this day, was these young women’s confidence in who they were. It was magnetic, pointed her in a direction she wanted to go.

A photo of Guadalupe Rosales on her 15th birthday, her quinceañera.

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Guadalupe Rosales collection

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Courtesy Penguin Random House

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The stories

For photos, Rosales drew on her online archive Veteranas and Rucas, (which roughly translates as “experienced ladies and broads“) which she’d kept going through the years, a repository of her own photos from the scene, and other photos from the time, largely from women. She began the project while earning an MFA at The School of the Art Institute of Chicago.

A photo from Guadalupe Rosales' collection of 1990s ephemera.

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Credit: Guadalupe Rosales collection

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Courtesy Penguin Random House

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The book includes CD covers from popular bands at the time, Dr. Dre and Eazy-E, as well as photos of youth at protests against Prop. 187, the anti-immigrant California ballot measure.

“Youth culture exists for everyone. It might look different depending on where you live and who you are. And for us, as teenagers, we're living in that moment,” she said.

In the book Rosales connects a student walkout at her high school in Montebello with memories of her mother taking her and her sister to protests years before.

“Being an adult, working on this book, being an artist is also about reflecting back and also learning a lot of things that I wasn't aware of,” she said.

East of the River: A Memoir of Los Angeles Girlhood is published by One World, an imprint of Penguin Random House and is available Sept. 8.

Beyond the Rose Bowl and historic bungalows, Pasadena has stranger tales to tell. David Kalbeitzer has been seeking out those stories where rocket science meets the occult and ghosts haunt the city’s grandest buildings.

For Kalbeitzer, a Disney executive who investigates the paranormal in his free time, his fascination with the city’s mysterious side started when he bought a Victorian north of Old Town.

He sensed a spirit at the open house a dozen years ago and took it as a reason to move his family to Pasadena. Then he started learning the city’s history.

David Kalbeitzer, a paranormal investigator from Pasadena, is giving a talk about the city's strange history Saturday night in Old Town.

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Courtesy of David Kalbeitzer

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“I realized, ‘Oh, this place called us just as much as we were looking for it,’” he said.

On Saturday night, he’s sharing the lore he’s collected at Mesmer Mesmer an Old Town shop and event space. While the event is full, there’s a waitlist, and more talks featuring Kalbeitzer are in the works.

A city of ghost stories 

Ask Kalbeitzer about haunted Pasadena, and the list stretches from alleyways to the Colorado Street Bridge to Castle Green, the turreted former hotel overlooking Central Park.

“The Pasadena Playhouse theater is, you know, very haunted,” he added.

He says playgoers have reported hearing disembodied voices.

Theatergoers over the years have described hearing voices and seeing apparitions at the Pasadena Playhouse.

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Jeff Lorch

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Courtesy of Pasadena Playhouse

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“And you look, and there’s no one there, or apparitions that have been seen sort of standing in the corner, and then you walk up, and they kind of disappear,” he said.

As for the spirit that helped draw him to his current Pasadena home?

Kalbeitzer says she’s still around — and his psychic friend Michael Kouri shared her name: Dolores.

“It’s actually haunted by a very kind ghost that looks out for the house, protects my family and has been able to activate our alarm,” he said.

Having a Dolores in the house might send some people running, but Kalbeitzer said he grew up in a haunted house in Idaho Falls, Idaho.

And when his family moved to Charleston, South Carolina, a teenage Kalbeitzer started seeking out places known for paranormal activity.

Rocket science, ritual magic and mind-reading

Having lived in different neighborhoods in L.A., Kalbeitzer says there’s something uniquely otherworldly about Pasadena — and it goes beyond ghost stories.

He said the city has an energy that draws people exploring the unknown, perhaps most famously Jack Parsons.

The rocket pioneer who helped launch the Jet Propulsion Laboratory also practiced ritual magic at his Pasadena home with the likes of L. Ron Hubbard before he founded Scientology.

“Many people call it the occult. I don’t know that I fully subscribe to that, but there is spiritualism and occult mixed in there,” Kalbeitzer said.

Then there was Upton Sinclair, the muckraking author of The Jungle, whose interests while living in Pasadena extended to telepathy and séances.

Upton Sinclair, pictured with his wife Mary Craig Sinclair in 1935, several years after he published a book examining her reported telepathy.

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Los Angeles Times via Wikimedia Commons

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In 1930, Sinclair published Mental Radio, a book about experiments in mind-reading. Albert Einstein provided a preface. Yes, that Einstein, who would spend the following winter at Caltech expanding on the theories of relativity and cosmology.

“Like it’s the craziest mixture of things that were happening at that time and all of it at the same time,” Kalbeitzer said.

A presence in the shop 

The event couldn’t have found a more appropriate venue.

Since opening five months ago in Old Town, Mesmer Mesmer has embraced the dark and mysterious, offering tarot and crystal readings and hosting events on subjects such as hip-hop’s relationship with ghosts.

Tyke O'Brien opened her shop Mesmer Mesmer earlier this year to create a third space and offer books and esoterica alongside clothing.

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Tyke O'Brien

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At that event, a medium told owner Tyke O’Brien she could sense a presence in the shop, which formerly housed a bridal store.

“She goes, ‘Do you ever feel it?’” O’Brien recounted, “And I’m like, ‘I am such a bummer. I really wish I could. How wonderful would that be to be able to?’”

The same can be said for this writer who’s lived and worked in and around Pasadena for years without so much as a brush with the otherworldly.

Kalbeitzer, on the other hand, reports supernatural encounters all around town.

“I think that how you see yourself in the world has a lot more to do with it, and whether you want to have those experiences,” he said.

Los Angeles officials expect construction of a fence around MacArthur Park will start in November and continue through fall 2027. 

At a community meeting Thursday night at MacArthur Park Elementary School, officials said fence installation is now expected to continue through fall 2027, overshooting the previously announced spring 2027 completion date.

Thursday’s meeting highlighted the divide over the city’s plan to fence off MacArthur Park, with tensions rising during public comment. The Los Angeles Police Department says the fence will make drug enforcement easier, while some in the community who volunteer around the park questioned whether it will improve safety enough to justify the cost.

The city has allocated $2.3 million for the project, but officials have not said whether that will cover the full cost.

Installation of the green metal fence around the park’s perimeter is expected to begin in November and take about a year. A second phase, adding decorative elements to the fence, is planned for fall and winter 2027. Officials said the schedule could change because of weather or other unforeseen circumstances.

The park is expected to remain open during construction.

Capt. Ben Fernandes with the LAPD’s Rampart Division said the fence would create a barrier along Alvarado Street and other areas where officers have seen people using narcotics. That would allow police to focus more of their enforcement efforts inside the park, he said.

“So if people are going deeper into the park to use, that’ll make it easier for us to go in and do enforcement on them and arrest them for that use,” Fernandes said. 

MacArthur Park will close every night once an 8-foot-tall fence goes up around the green space, with Los Angeles police officers sweeping the park for encampments and people sleeping there before the gates shut. The Board of Recreation and Park Commissioners approved the plan Thursday.

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LA Recreation and Parks

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“I’ve been an officer for 29 years, and I’ve always known I can go buy drugs there, and I did as a narcotics officer. So what I’m saying is, we are trying to make it not convenient,” he added. 

Fernandes also said the city plans to enhance the park’s existing camera network. LAPD officers and Los Angeles Park Rangers will be able to monitor the cameras from their respective stations, he said. City officials are still evaluating whether additional cameras will be needed to address blind spots in the park after construction is complete.

Ariana Walker, who visits MacArthur Park every Saturday with a group of friends who pool their own resources to distribute food and hygiene kits, questioned whether the city had shown that the fence would improve safety and how much it would cost to maintain.

“The fence is a $2.3 million fence at the base level,” she said. “And they haven’t given us any indication of how much more it’s going to cost for upkeep, to keep anybody safe. There’s no conclusive evidence that a fence is going to stop crime the way that they’re suggesting.”

The meeting grew tense when John Alle, a local property owner whose family owns the building that houses Langer’s Delicatessen across the street from the park, objected to having his comments read from a written comment card rather than speaking directly to officials. Alle has been a vocal critic of the city’s response to drug activity and public safety concerns around MacArthur Park.

He was allowed to comment during the meeting and said the city needs to take a tougher approach to drug use and sales around the park. 

“We see knife attacks at all hours of the day. It’s out of control. And it’s not gotten any better,” he said. “We want to bring it back to where it was 15 or 20 years ago.”

Los Angeles officials expect construction of a fence around MacArthur Park will start in November and continue through fall 2027.

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Gary Coronado

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The LA Local

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Alle pointed to public events at the park, including an upcoming Día de los Muertos celebration and a Labor Day weekend picnic hosted by Los Angeles County District Attorney Nathan Hochman as positive developments for the space. But he added those events do not reflect conditions throughout the park.

Officials also outlined other planned improvements, including restoring access through the tunnels connecting the park’s north and south sides, making accessibility upgrades and providing free Wi-Fi for parkgoers. 

Residents who want to provide input on the fence’s decorative elements can email admin@themorcosgroup.com or call (310) 479-4727 for more information.

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