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The Brief

The most important stories for you to know today
  • After Eaton Fire, finding resilience through art
    Photo of a trailer parked on a dirt or gravel lot, with a cityscape faintly visible in the distance under a deep blue sky transitioning to purple and orange near the horizon. Palm trees rise tall in the background. A man with a beard is inside the trailer.
    Kevin Cooley and his family's lot in Altadena. They lost their house in the Eaton Fire a year ago.

    Topline:

    Photographer Kevin Cooley takes photographs of wildfires for a living. A year ago, he and his family lost their home in the Eaton Fire.

    The story: LAist has been following Cooley's life in the year since the January fire, as he ponders the long road ahead. The photographs he has taken in Altadena have helped to keep him anchored. He'd drive up to the neighborhood as many as several times a week to shoot anything that caught his eyes.

    The context: It began with wildflowers and plants that pushed out from the fire rubble. And recently, Cooley has turned his lens on some of the folks who are living on their lots in makeshift dwellings. They call themselves, he said, "the homesteaders."

    Read on ... for the story and to see the photographs that have led Cooley home.

    The pull of Altadena has never let up for Kevin Cooley and his family — through fire, debris and the long, current stretch where the lot that once held their house on El Molino Avenue has sat barren.

    "There's no more fire debris. It's all gone. I mean, there's certainly a reminder of the fire everywhere," Cooley said. "It's just all construction ... and lots that are for sale."

    Cooley and I first met a day after his house burned down in the Eaton Fire. This summer, he told me they were ready to rebuild. This time around, I suggested meeting at his Altadena lot, expecting to see some signs of construction — and found none.

    'Like a rollercoaster'

     "It's been a lot of fluctuation, like a rollercoaster," Cooley said of the decision-making process.  "Just not knowing what the right thing to do is."

    The January fire wiped out nearly a decade's worth of life he and his family built in Altadena, confronting them with what Cooley called a "blank slate."

    In a whirlwind year of trying to put their lives back together, the thought of whether it's just easier — and less costly — to start anew elsewhere has crossed their minds.

    "It's daunting but also kind of interesting to think about all the possibilities that you could have," Cooley said.

    Along the way, Cooley, a photographer, turned to his art to make sense of all that was lost — and ended up forging an even deeper relationship with this place.

    a striking nighttime or twilight scene with a dramatic contrast between vibrant flowers and a dark, tangled background.
    A picture of roses found growing on a lot on Calaveras Street in Altadena. Cooley says this photo best encapsulates his intention for the series.
    (
    Kevin Cooley
    )

    He told me about his first impression of Altadena — how  it seemed "impossibly far away." How the interminable drive that day up Lake Avenue deposited him on the Echo Mountain trail — "one of the most beautiful hikes I've ever been on." How the neighborhood quickly became their entire world after he and his wife bought the place on El Molino, some eight years later.

    " I walked my kid to school. My wife, Bridget, she would ride her bike to work," he said. " I mean, that's not what you think of as living in Los Angeles, but yet, it's so close in a lot of ways to everything in L.A."

    Home sick

    Since the fire, Cooley has been coming up to Altadena, sometimes as many as several times a week. He would drive around the neighborhood, over and over again, to take pictures of whatever might catch his eyes.

    His route always begins at his lot on El Molino.

    A  large, dense mound of dried, brown foliage forming a textured base. Emerging from this base are several green aloe plants with long, arching, fleshy leaves. The tallest aloe sits at the center, rising prominently above the dried mass, while smaller ones flank it.
    Aloe on Harriet Street.
    (
    Kevin Cooley
    /
    Courtesy Kevin Cooley
    )

    " It seems like a natural starting point and also a place to reflect on coming back, to seeing if it's really a place that I want to rebuild my life again," Cooley said.

    About six months ago, he told me he was photographing flowers and plants that rose out of the fire's impossible ruins and burnt trees that managed to sprout new growth.

    The 'homesteaders'

    Since Thanksgiving, he started to fix his lens on some of the folks living in temporary dwellings on their lots.

    "They call themselves the 'homesteaders,'" Cooley said.

    A vintage-style travel trailer parked on a grassy area during twilight, with a vivid purple and pink sky in the background. A man in shorts and a t-shirt stands at the door.
    Homesteader Tom in Altadena.
    (
    Kevin Cooley
    /
    Courtesy Kevin Cooley
    )

    Cooley took me on a drive, pointing out an Airstream on one block ... then a tiny box of an ADU down another ... then a trailer the size of a school bus ... then a tent ... then a giant RV. A sign in front of it says, "My entire life burned in Altadena and all I got was a stupid sign."

    "They're all intending on coming back in a permanent way, but in the meantime, they have many different reasons for being here," Cooley said.

    For some, they simply could not stay away.

    A serene twilight scene featuring a classic silver Airstream trailer parked on a dirt lot, framed by silhouetted trees and a vivid sunset sky.
    An Airstream in Altadena.
    (
    Kevin Cooley
    /
    Courtesy Kevin Cooley
    )

    "Being elsewhere has been really hard on them," he said. " They want to feel a connection to this place. They want to be back in Altadena."

    Cooley photographed the homesteaders the same way as the wildflowers and the trees, with strobe lights illuminating his subjects against a darkened backdrop at dusk.

    The image shows an outdoor nighttime scene featuring a polished silver Airstream trailer illuminated warmly from within. The trailer is parked on a dirt or gravel lot, surrounded by string lights that create a cozy, festive atmosphere. In the foreground, two people stand close together, holding hands, positioned slightly off-center in front of the trailer.
    Homesteaders Michael and Brooke in Altadena.
    (
    Kevin Cooley
    /
    Courtesy Kevin Cooley
    )

    " Those homesteaders are like the human equivalent of what the plants are doing," he said. "  My idea was to have them match conceptually and visually."

    As we drove around, with the majestic mountains sporting a dense coat of Kelly green as our constant North Star, it's impossible to miss the new phase Altadena has entered — as debris and wreckage gave way to neat, empty lots and "For sale" signs to now the wooden frames sprouting into shape on many blocks, all within a year's time.

    A fact of life

    And these in-between moments of resiliency — be it the plants or the homesteaders — are disappearing quickly.

     "People are building so fast and some people have already built, finished and have moved in. Photographing people in these temporary conditions is almost, again, a race against time," he said.

    But their resolve, their longing to be rooted, has reaffirmed his own decision to stay.

    A old, rusted van surrounded by overgrown weeds and plants against a brilliant sunset.
    A rusted, beat-up VW bus in Altadena
    (
    Kevin Cooley
    /
    Courtesy Kevin Cooley
    )

    Cooley and his wife still will rebuild. They now need to settle on one of the two companies on their shortlist for the job.

    This time, the family will have a home tailored to their needs. For Cooley, that means a proper art studio space, instead of working out of the garage like he did before.

    Above all, their new house will be built with the next fire in mind.

    " Wildfires are a fact of life in California," he has told me every time we meet. "That would mean building the most fire-hardened house possible."

  • LA opens season in Australia against 49ers
    Exterior of the Melbourne Cricket Ground showing two large banners flanking the entrance: one featuring a San Francisco 49ers player in a red jersey on the left, and another featuring a Los Angeles Rams player in a blue jersey on the right. Several people are walking near the "Welcome" entrance below.
    Outside the Melbourne Cricket Ground ahead of the NFL game between the Rams and 49ers. (AP Photo/Asanka Brendon Ratnayake)

    Topline:

    The longest road trip in NFL history has brought the San Francisco 49ers and the Los Angeles Rams to Australia’s sports capital for a season opener in front of more than 100,000 football-hungry fans packed into the Southern Hemisphere’s largest stadium.

    Why it matters: The NFC West rivals are playing Australia’s first NFL game, and the starkly differing ways in which they made this epic journey have attracted almost as much attention as the two star-studded rosters preparing to put on a show.

    The backstory: The 49ers have been Down Under for more than a week, adjusting their body clocks and winning over thousands of Aussie fans who appreciate their commitment to the historic moment. The Rams were only scheduled to arrive in Melbourne around dawn Thursday, roughly 28 hours before the Friday morning kickoff that’s necessary to play the game Thursday night in prime time in the U.S. That’s because head coach Sean McVay is convinced they can thwart jet lag and optimize their game readiness by staying home on California time.

    What's next: The Rams and 49ers kick off at 5:35 p.m. Thursday night on Netflix.

    The longest road trip in NFL history has brought the San Francisco 49ers and the Los Angeles Rams to Australia’s sports capital for a season opener in front of more than 100,000 football-hungry fans packed into the Southern Hemisphere’s largest stadium.

    The NFC West rivals are playing Australia’s first NFL game, and the starkly differing ways in which they made this epic journey have attracted almost as much attention as the two star-studded rosters preparing to put on a show.

    The 49ers have been Down Under for more than a week, adjusting their body clocks in the traditional manner and winning over thousands of Aussie fans who appreciate their commitment to the historic moment.

    The Rams were only scheduled to arrive in Melbourne around dawn Thursday, roughly 28 hours before the Friday morning kickoff that’s necessary to play the game Thursday night in prime time in the U.S. That’s because head coach Sean McVay is convinced they can thwart jet lag and optimize their game readiness by staying home on California time.

    Both teams agree this contrast in preparation is not a referendum on the best way to handle a pair of 16-hour flights with a football game in between — even if the rest of the world might see it that way after the final whistle.

    Instead, this game is primarily a difficult early test for both the Super Bowl favorite Rams and the talent-laden 49ers, who also intend to be a title challenger. The coaching staffs and veteran players all know each other thoroughly after a decade of competition between Shanahan and McVay, who are both constantly looking for an edge.

    “I don’t think there’s any right way to do it,” said defensive end Myles Garrett, who will make his Rams debut in Australia. “They have a plan, and I’m sure they consulted different teams and people to find out a way to combat jet lag and such long travel. We’ve done the same thing. I think we’re both riding our methodologies.”

    Garrett will be joined by star cornerback Trent McDuffie and cornerback Jaylen Watson in their debuts with Los Angeles’ revamped defense.

    But Garrett will not be joined at the MCG by Aaron Donald, who ended his 2 1/2-year retirement late last month. The Rams decided the 35-year-old Donald will stay home as he ramps up deliberately for his return — and that’s a beacon of hope for Shanahan, who was sure his old friend McVay would bring Donald to Australia.

    “I’ve never been more excited to be wrong about something,” Shanahan said.

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  • What's legal, what's not, why it barely works
    A street vendor stands under a rainbow umbrella peeling fruit in front of a cart. In the distance is an arch with a sign that reads "Whittier Blvd. East Los Angeles."
    A fruit vendor sells on Whittier Boulevard in East L.A.

    Topline:

     A recent AirTalk segment highlights the decades-long debate over street vending in Los Angeles. Despite efforts by the City Council and statewide law, enforcement remains murky at best, even though it's a fixture of Los Angeles culture.

    Why now? During a recent debate, Mayor Karen Bass made a series of comments that cast street vending in an unsavory light, prompting an almost immediate backlash from her opponent, Nithya Raman, who has devised her own nine-point plan to address street vending if elected.

    Why is it important? Street vendors are as much a part of L.A.'s identity as its restaurants — but the system meant to support them is so broken that only a fraction operate with full legal standing. As this becomes a defining issue in the mayor's race, it's worth knowing the difference between political rhetoric and how the rules actually work on the ground.

    Last month, street vending became a flashpoint during one of the recent debates for L.A. mayor when incumbent Karen Bass said, "I do not think that you should have a food vendor in front of a restaurant. Period," drawing a comparison to unhoused encampments.

    The remarks set off an almost immediate backlash. Mayoral candidate Nithya Raman, who has her own 9-point plan to support street vendors, said Bass "took a shot" at the street vending community and reiterated her commitment to work toward regulations and legalizing their operations.

    Bass's office later eased its stance, saying it had directed the LAPD to stop issuing criminal citations to street vendors — and to dismiss any that had been issued in error.

    Street vending remains part of the Los Angeles landscape, and the backlash from the debate brought to light just how confusing its legality can be. To understand how we got here, it helps to start with the basics.

    Is street vending legal?

    Yes. Since SB 946 in 2018, state law has decriminalized it. That means cities and counties can't criminally cite vendors or ban them from specific zones. They can, however, still enforce health and safety rules — things like sidewalk clearance and ADA access.

    So why does it feel unregulated?

    On a recent segment for AirTalk, Memo Torres of L.A. Taco pointed to a stark gap between L.A.'s vending population and its permitted vendors. According to an email from the California Restaurant Association reported by FOX 11, an estimated 50,000 street vendors operate across Los Angeles — yet only 53 hold permits specifically for food sales.

    Why so few permits? 

    Vending requirements largely mirror restaurant-grade standards — large refrigeration units, multi-basin sinks — that don't fit the reality of most vendor setups: flat-top griddles, folding tables, pop-up tents.

    That isn't to say there haven't been efforts by the city to address the permitting gap. In 2024, the City Council, with Raman's backing, voted to drop the annual permit fee from $541 to $27.51.

    Raman's mayoral campaign has since proposed another potential fix: extending a state permit category — currently used by vendors at farmers markets who share equipment like a communal three-compartment sink — to street vendors, so operators wouldn't need their own restaurant-grade setup to qualify.

    What about health and safety?

    County health inspectors technically oversee street food vendors, but both industry and vendor advocates agree enforcement is inconsistent — leaving reliable data on violations hard to come by.

    Are vendors and restaurants actually enemies?

    A 2015 Economic Roundtable study found that businesses located near street vendors were more likely to see job growth than those without nearby vendors.

    What’s next 

    Proposals like Raman's permitting reforms aim to close the gap — but for now, most of L.A.'s vendors remain outside the formal system.

  • Feds to investigate Men’s Central Jail
    The Jail complex in downtown Los Angeles
    The Jail complex in downtown Los Angeles

    Topline:

    The U.S. Department of Justice announced Wednesday that it has opened an investigation into the Men’s Central Jail in downtown Los Angeles, specifically looking into whether L.A. County has failed to provide environmentally safe, humane and habitable conditions for people held there.

    The details: The jail has long been plagued by allegations of poor conditions. Monitors from the American Civil Liberties Union have documented problems including overcrowding, severe mold and mildew, and rodent infestations.

    The context: The federal investigation is expected to focus on conditions within the facility and not the actions of the county sheriff’s deputies who staff it, according to the Justice Department. The new investigation is separate from a 2015 settlement between the county and federal government, which stemmed from allegations of inadequate mental health care provided at county jails.

    What happens next: Investigators will determine whether the county has violated the Eighth Amendment to the U.S. Constitution, which protects against cruel and unusual punishment, and 14th Amendment, which guarantees equal protection under the law.

    Reaction: L.A. County Supervisor Kathryn Barger welcomed the investigation, and said she had said for year that the jail was “antiquated, inhumane, and unfit for our workforce and those incarcerated there.”

  • Brush fire sends smoke up over 405
    Smoke rises from a brush fire on a hillside in an aerial photo.
    Smoke rises from a brush fire near the Getty Center on Sept. 9, 2026.

    Topline:

    Firefighters appeared to make quick progress against a brush fire the broke out Wednesday near the Getty Center.

    What we know so far: As of 5 p.m., evacuation warnings had been issued for zones LFD-0895 and LF-0967, although the LAFD said no structures were immediately threatened as the water-dropping helicopters attacked the fire from above.

    Read on ... for more on evacuations and weather conditions.

    This story is no longer being actively updated. For the most up-to-date information about the fire you can check:

    Firefighters appeared to make quick progress against a brush fire the broke out Wednesday near the Getty Center.

    As of 5 p.m., evacuation warnings had been issued for zones LFD-0895 and LF-0967, although the LAFD said no structures were immediately threatened as the water-dropping helicopters attacked the fire from above. Forward progress of the fire was reported stopped shortly after 6 p.m. at a little over 20 acres.

    The fire broke out as Southern California endures high heat and record-breaking humidity.

    The basics

    • Acreage: 20+ acres as of Wednesday evening
    • Containment: Forward progress stopped
    • Structures destroyed: None reported
    • Deaths: None
    • Injuries: Unknown
    • Personnel working on fire: Unknown

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