The Brief

From its start over 200 years ago in central Mexico to the late 20th century, the mariachi genre was traditionally dominated by all-male groups.

Until Rebecca Gonzales helped bust open the door.

“It was very difficult for me in the very beginning,” Gonzales said in a recorded interview now available as part of UCLA's oral history project, Mariachi Music in Los Angeles and beyond. “I felt like all the eyes were on me."

All eyes were on her.

As the sole woman in the leading mariachi group Los Camperos de Nati Cano, the house band at famed La Fonda restaurant in the 1970s, and one of a handful of women in the scene at all, she was a rarity. Gonzales was not the first woman to play music in the genre, but she was the first to be asked to join such a high profile all-male mariachi in either the U.S. or Mexico.

A third generation American integrates a very Mexican genre

Rebecca Gonzales was born in 1953 in San Jose, California. Her mother was born in Arizona and her father in Texas. Her grandparents immigrated from Mexico.

“I never learned Spanish… I started taking Spanish at a community college,” she said.

She started playing violin at 10 years-old and would practice at home with her younger sister.

Rebecca Gonzales, center, joined Los Abajenos de Isidro Rivera before joining Los Camperos de Nati Cano in L.A.

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Rebecca Gonzales collection, courtesy Mary Alvaro Velasco.

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“I was an average student. I mean, the only thing I was really good at was music,” she said.

And she was painfully shy, she said. But that all changed when she was 16 and had her first boyfriend.

“He was a musician, so we had that in common, and we would go to concerts all the time. And back then, there was fantastic concerts going on at the Fillmore in San Francisco, where he was, an hour drive from my house,” Gonzales said. That's where she saw Carlos Santana, Jethro Tull and other late 60s rock stars.

Those experiences fed her love of many musical genres, but her music studies still focused on classical violin.

Mariachi wasn’t part of her cultural upbringing. Her father liked and played norteño, the accordion-focused music played by small musical groups on either side of the U.S.-Mexico border.

But when she signed up for a mariachi class at San Jose City College after graduating high school, it was a revelation. The joy and smiles on the faces of the students in that class were contagious, a far cry from the serious face she made, she said, when playing classical music.

“I'll never forget coming home to let my father know that night. I said, 'You know what? This music is really great… I think this is going to be a big part of my life,'" Gonzales said.

She began playing and singing in local Mariachi bands. But that wasn't enough to leave classical music just yet. She transferred to Cal State L.A. and Cal State Northridge to continue studying classical music.

Her big break in L.A.

Mariachi’s pull, however, continued in L.A. The leader of a local mariachi ensemble asked her to join and she jumped at the chance. She also visited La Fonda, to hear what was arguably the best mariachi group outside Mexico at that time, Los Camperos de Nati Cano, the house band at the club on Wilshire Blvd.

Rebecca Gonzales, front-left, was the first woman to join an established all-male mariachi in 1976 in either the U.S. or Mexico.

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Rebecca Gonzales collection, courtesy Mary Alfaro Velasco

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“My big break came when I… went there one night to visit, and there was my friend that I worked with in the mariachi in San Jose," who was playing for Los Camperos, she said.

The friend asked Gonzales to come up on stage. A few more impromptu performances followed, until the group's manager asked her to come back again so the founder, Nati Cano, could see her.

“He hired me that night,” she said.

Gonzales was not even 25 years old.

“That took a lot of guts. That's inspiring," said Mary Alfaro Velasco, an L.A. based bolero and mariachi performer who interviewed Gonzales for the archive. “That she went into this all-male, paisa-man environment, as a young Mexican American girl, pochita, that didn't even speak the language."

Gonzales spent eight years playing with Los Camperos, where she became a celebrity of sorts in the U.S. mariachi scene.

“A lot of movie stars used to come to La Fonda,” Gonzales said, noting actors Rock Hudson and Elizabeth Montgomery, and former Beatle George Harrison, who brought his Latina wife, Olivia.

There’s even a photo of her in a mariachi outfit dancing with President Ronald Reagan.

Rebecca Gonzales, left, dances with Ronald Reagan in a photo dated 1982, when Reagan was U.S. President.

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Rebecca Gonzales collection, courtesy Mary Alfaro Velasco

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But it was not always glamorous. Gonzales told Velasco about some of the painful parts of being the first woman in such a famous all-male mariachi band.

“I remember her describing what it was like, playing in restaurants [when she was a young woman] and literally being assaulted, men touching her,” Alfaro Velasco said.

La Fonda’s house mariachi made it a tourist destination, including visitors from Japan. The group’s leaders recognized that and included songs outside the Mexican repertoire, like Sakura, a Japanese folk song that’s become representative of Japan.

“I would sing it… and they loved it because we're connecting with their culture,” Gonzales said.

Eight years of performing at La Fonda ultimately took its toll on her health. Patrons smoked inside La Fonda because it had not been banned yet. She began feeling sick, and asked that ventilation be put in. But, she said, the managers refused.

“That was one of the things that turned me off and made me want to leave the group,” she said.

After she left the group in the mid-1980s, she joined other groups and founded her own. In 2004, she was inducted into the Tucson International Mariachi Conference Hall of Fame and in 2023 the Mariachi Spectacular de Albuquerque also inducted her into its hall of fame.

One of her aspirations was for a woman to do what she'd done in the home of mariachi music.

“I'm hoping that I live to see the day that a woman is part of one of those big groups in Mexico,” she said in the interview.

But that didn't happen. Gonzalez died last year at the age of 71, just a few years after recording the oral histories.

Meanwhile, Mariachi Vargas de Tecalitlan and Mariachi Sol de Mexico de Jose Hernandez, two of the biggest bands in Mexico, remain all-male.

Her story is in the historical record

With her story now in the UCLA archives, it's part of the historical record.

“[Mariachi] is such an important form… everybody who lives in L.A. hears mariachi music and nobody really knows very much about it in terms of the general public,” said Jane Collings, the project manager for the series.

The oral histories of Mexican Americans and other non-white people, she said, are very important in this day and age.

“There's a clear attempt [by the Trump administration] to erase this history and that makes the work of an archive such as this ever more important,” Collings said.

And it's the mission of the UCLA archive, she said, to keep those stories alive for current and future generations.

Beyond the Rose Bowl and historic bungalows, Pasadena has stranger tales to tell. David Kalbeitzer has been seeking out those stories where rocket science meets the occult and ghosts haunt the city’s grandest buildings.

For Kalbeitzer, a Disney executive who investigates the paranormal in his free time, his fascination with the city’s mysterious side started when he bought a Victorian north of Old Town.

He sensed a spirit at the open house a dozen years ago and took it as a reason to move his family to Pasadena. Then he started learning the city’s history.

David Kalbeitzer, a paranormal investigator from Pasadena, is giving a talk about the city's strange history Saturday night in Old Town.

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Courtesy of David Kalbeitzer

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“I realized, ‘Oh, this place called us just as much as we were looking for it,’” he said.

On Saturday night, he’s sharing the lore he’s collected at Mesmer Mesmer an Old Town shop and event space. While the event is full, there’s a waitlist, and more talks featuring Kalbeitzer are in the works.

A city of ghost stories 

Ask Kalbeitzer about haunted Pasadena, and the list stretches from alleyways to the Colorado Street Bridge to Castle Green, the turreted former hotel overlooking Central Park.

“The Pasadena Playhouse theater is, you know, very haunted,” he added.

He says theatergoers have reported hearing disembodied voices.

Theatergoers over the years have described hearing voices and seeing apparitions at the Pasadena Playhouse.

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Jeff Lorch

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Courtesy of Pasadena Playhouse

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“And you look, and there’s no one there, or apparitions that have been seen sort of standing in the corner, and then you walk up, and they kind of disappear like shadowy figures,” he said.

As for the spirit that helped draw him to his current Pasadena home?

Kalbeitzer says she’s still around — and his psychic friend Michael Kouri shared her name: Dolores.

“It’s actually haunted by a very kind ghost that looks out for the house, protects my family and has been able to activate our alarm,” he said.

Having a Dolores in the house might send some people running, but Kalbeitzer said he grew up in a haunted house in Idaho Falls, Idaho.

And when his family moved to Charleston, South Carolina, a teenage Kalbeitzer started seeking out places known for paranormal activity.

Rocket science, ritual magic and mind-reading

Having lived in different neighborhoods in L.A., Kalbeitzer says there’s something uniquely otherworldly about Pasadena — and it goes beyond ghost stories.

He said the city has an energy that draws people exploring the unknown, perhaps most famously Jack Parsons.

The rocket pioneer who helped launch the Jet Propulsion Laboratory also practiced ritual magic at his Pasadena home with the likes of L. Ron Hubbard before he founded Scientology.

“Many people call it the occult," Kalbeitzer said. "I don’t know that I fully subscribe to that, but there is spiritualism and occult mixed in there."

Then there was Upton Sinclair, the muckraking author of The Jungle, whose interests while living in Pasadena extended to telepathy and séances.

Upton Sinclair, pictured with his wife Mary Craig Sinclair in 1935, several years after he published a book examining her reported telepathy.

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Los Angeles Times via Wikimedia Commons

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In 1930, Sinclair published Mental Radio, a book about experiments in mind-reading. Albert Einstein provided a preface. Yes, that Einstein, who would spend the following winter at Caltech expanding on the theories of relativity and cosmology.

“It’s the craziest mixture of things that were happening at that time and all of it at the same time,” Kalbeitzer said.

A presence in the shop 

The event couldn’t have found a more appropriate venue.

Since opening five months ago in Old Town, Mesmer Mesmer has embraced the dark and mysterious, offering tarot and crystal readings and hosting events on subjects such as hip-hop’s relationship with ghosts.

Tyke O'Brien opened her shop Mesmer Mesmer earlier this year to create a third space and offer books and esoterica alongside clothing.

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Tyke O'Brien

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At that event, a medium told owner Tyke O’Brien she could sense a presence in the shop, which formerly housed a bridal store.

“She goes, ‘Do you ever feel it?’ And I’m like, ‘I am such a bummer,” O’Brien recounted. “I wish I could say yes."

The same can be said for this writer who’s lived and worked in and around Pasadena for years without so much as a brush with the otherworldly.

Kalbeitzer, on the other hand, reports supernatural encounters all around town.

“Everyone has the ability to have those experiences," he said. "But I do think how you see yourself in the world has a lot more to do with it, and whether you want to have those experiences."

Los Angeles officials expect construction of a fence around MacArthur Park will start in November and continue through fall 2027. 

At a community meeting Thursday night at MacArthur Park Elementary School, officials said fence installation is now expected to continue through fall 2027, overshooting the previously announced spring 2027 completion date.

Thursday’s meeting highlighted the divide over the city’s plan to fence off MacArthur Park, with tensions rising during public comment. The Los Angeles Police Department says the fence will make drug enforcement easier, while some in the community who volunteer around the park questioned whether it will improve safety enough to justify the cost.

The city has allocated $2.3 million for the project, but officials have not said whether that will cover the full cost.

Installation of the green metal fence around the park’s perimeter is expected to begin in November and take about a year. A second phase, adding decorative elements to the fence, is planned for fall and winter 2027. Officials said the schedule could change because of weather or other unforeseen circumstances.

The park is expected to remain open during construction.

Capt. Ben Fernandes with the LAPD’s Rampart Division said the fence would create a barrier along Alvarado Street and other areas where officers have seen people using narcotics. That would allow police to focus more of their enforcement efforts inside the park, he said.

“So if people are going deeper into the park to use, that’ll make it easier for us to go in and do enforcement on them and arrest them for that use,” Fernandes said. 

MacArthur Park will close every night once an 8-foot-tall fence goes up around the green space, with Los Angeles police officers sweeping the park for encampments and people sleeping there before the gates shut. The Board of Recreation and Park Commissioners approved the plan Thursday.

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LA Recreation and Parks

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“I’ve been an officer for 29 years, and I’ve always known I can go buy drugs there, and I did as a narcotics officer. So what I’m saying is, we are trying to make it not convenient,” he added. 

Fernandes also said the city plans to enhance the park’s existing camera network. LAPD officers and Los Angeles Park Rangers will be able to monitor the cameras from their respective stations, he said. City officials are still evaluating whether additional cameras will be needed to address blind spots in the park after construction is complete.

Ariana Walker, who visits MacArthur Park every Saturday with a group of friends who pool their own resources to distribute food and hygiene kits, questioned whether the city had shown that the fence would improve safety and how much it would cost to maintain.

“The fence is a $2.3 million fence at the base level,” she said. “And they haven’t given us any indication of how much more it’s going to cost for upkeep, to keep anybody safe. There’s no conclusive evidence that a fence is going to stop crime the way that they’re suggesting.”

The meeting grew tense when John Alle, a local property owner whose family owns the building that houses Langer’s Delicatessen across the street from the park, objected to having his comments read from a written comment card rather than speaking directly to officials. Alle has been a vocal critic of the city’s response to drug activity and public safety concerns around MacArthur Park.

He was allowed to comment during the meeting and said the city needs to take a tougher approach to drug use and sales around the park. 

“We see knife attacks at all hours of the day. It’s out of control. And it’s not gotten any better,” he said. “We want to bring it back to where it was 15 or 20 years ago.”

Los Angeles officials expect construction of a fence around MacArthur Park will start in November and continue through fall 2027.

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Gary Coronado

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The LA Local

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Alle pointed to public events at the park, including an upcoming Día de los Muertos celebration and a Labor Day weekend picnic hosted by Los Angeles County District Attorney Nathan Hochman as positive developments for the space. But he added those events do not reflect conditions throughout the park.

Officials also outlined other planned improvements, including restoring access through the tunnels connecting the park’s north and south sides, making accessibility upgrades and providing free Wi-Fi for parkgoers. 

Residents who want to provide input on the fence’s decorative elements can email admin@themorcosgroup.com or call (310) 479-4727 for more information.

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